Architecture of the Asante

Only a handful of buildings survive from a kingdom that once ruled in West Africa

The First Day of the Yam Custom (1818) by John Murray; Robert Havell and Son; after Thomas Edward BowdichWorld Monuments Fund

For roughly 200 years, the Asante Kingdom controlled a large part of what is now southern Ghana. Their capital, Kumasi, was an important center of commerce where merchants traded everything from gold and kola nuts to Venetian glass beads and North African metalwork.

An 1819 travelogue by Thomas Edward Bowdich describes Kumasi as a city of broad streets centered around a royal palace. His book provides detailed descriptions of Asante construction techniques and includes plans by the king for ambitious urban redevelopment projects.

Map of Kumasi from 1819, Thomas Edward Bowdich, 1819, From the collection of: World Monuments Fund
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Coomassie, Part of the Quarters of the Mission, Thomas Edward Bowdich, 1819, From the collection of: World Monuments Fund
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The Burning of Coomassie (?see note here)World Monuments Fund

But years of war with the British devastated the Asante and their built heritage. In 1874, British forces sacked Kumasi, leveling its royal palace with explosives and burning large swaths of the city to the ground.

By the 1970s, when the Ghana Museums and Monuments Board (GMMB) took over the management of the sites, only 16 examples of traditional Asante architecture remained in all of Ghana. Today, that number has dwindled to ten—none within Kumasi itself.

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Entrance to Abirem Shrine

View of Atuo Kosua Shrine (2016) by Zita Ursula ZageWorld Monuments Fund

The surviving buildings are all of one type: shrines dedicated to deities in the Asante’s traditional religion. These gods, or abosom (singular obosom), are tended to by an okomfo, a priest who mediates between the human and divine.

The abosom to whom the priest speaks, can in turn convey messages to the Asante’s supreme god, Nyame, whom humans lack the power to address directly.

Religious Ceremony at Besease Shrine

The Structure of Asante Shrines

Asante shrines are composed of four rooms built on raised plinths and oriented around a central courtyard. Three rooms would be designated for the ritual activities of cooking, singing, and drumming respectively.

Room inside Besease Shrine, Noah Alorwu, 2016, From the collection of: World Monuments Fund
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Drum room at Besease Shrine, Zita Ursula Zage, 2016, From the collection of: World Monuments Fund
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The fourth room, which houses the shrine proper, can be entered only by an okomfo. This last room is screened from view by elaborate patterned latticework, which allows light in while also preserving the division between the sacred space, to which access is restricted, and the rest of the site, which is more open.

Fitish [sic] House (interior) Coomassie, 19th century, From the collection of: World Monuments Fund
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Shrine outside of a traditional building, 2014, From the collection of: World Monuments Fund
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Most of these buildings were constructed using a technique called wattle and daub, in which walls are built by first weaving horizontal strips of wood (wattle) over vertical stakes and then covering this skeleton with earthen plaster (daub).

Caretaker demonstrating how strips of cane were bent to create the reliefs at Bsease Shrine (2016) by Joy AgyepongWorld Monuments Fund

A striking feature of Asante shrines is the decoration of their walls, which are colored lime white above and clay red below and often feature elaborate geometric and figural reliefs.

Relief decoration of snake and bird encounter, Francis Kwarayire, 2020, From the collection of: World Monuments Fund
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Relief decoration at shrine section, Francis Kwarayire, 2020, From the collection of: World Monuments Fund
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The original roofs would have been made out of raffia palm thatch and pitched at a dramatic angle, which helped to increase their durability. In recent times, however, many of these have been replaced by roofs of corrugated tin.

Halls of Justice in the palace at Kumasi, 19th century, From the collection of: World Monuments Fund
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Tano Abenamu Subunu Shrine, Noah Alorwu, 2016, From the collection of: World Monuments Fund
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The King's Sleeping Room (1819) by Thomas Edward BowdichWorld Monuments Fund

Maintaining Traditional Asante Architecture

Asante shrines require regular upkeep in order to be able to weather the elements. The GMMB recommends that the buildings be replastered every two years and repainted annually. Palm frond thatch would likewise have traditionally been redone every seven years.

“The steps and raised floor of these rooms were clay and stone, with a thick layer of red earth, which abounds in the neighbourhood, and these were washed and painted daily, with an infusion of the same earth in water.”

Thomas Edward Bowdich

Caretaker trimming a tree near a traditional building (2014)World Monuments Fund

But in recent decades, this cycle of renewal and repair has fallen off, caused in part by the declining number of followers of Asante traditional religion as Christianity and Islam have attracted converts.

At many sites, an okomfo no longer resides on the grounds to tend to the shrine daily; when these priests pass away, it can be difficult to find a replacement. Meanwhile, with so few remaining examples of traditional Asante earthen architecture left, maintaining the skills necessary to care for these buildings poses a challenge.

Weather effect on decoration of mausoleum, Francis Kwarayire, 2020, From the collection of: World Monuments Fund
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Detail of deterioration at wall base of Tano Odomankoma Shrine, 2011, From the collection of: World Monuments Fund
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But for the few remaining Asante structures to survive, regular renewal is crucial given the climate and the materials out of which they are constructed. Humidity promotes mold growth, while heavy rainfall and drainage issues can cause the walls to deteriorate. Organic matter–such as the palm fronds out of which the roofs would traditionally have been made–can play host to termite infestations, posing a risk to the integrity of the structure as a whole.

Detail of roof at Besease Shrine, 2011, From the collection of: World Monuments Fund
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Eroded bas reliefs at shrine section, Francis Kwarayire, 2020, From the collection of: World Monuments Fund
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"The plastering is very frail, and…the relief frequently discloses the edges of the cane."

Thomas Edward Bowdich

Offerings at Besease Shrine (2016) by Noah AlorwuWorld Monuments Fund

Such examples drive home the fact that sustainable conservation efforts necessitate restoring not only individual buildings but the knowledge and skills required to maintain them for years to come.

View of the courtyard of Besease Shrine (2012) by AlbgoessWorld Monuments Fund

In 2014, World Monuments Fund (WMF) partnered with the GMMB to document and preserve the historic Besease Shrine, which dates to the nineteenth century.

Tano Kwadwo Shrine (2016) by Noah AlorwuWorld Monuments Fund

In 2022, WMF placed Bonsam Shrine, which had suffered looting and defacement during its pandemic-related closure, on the Watch to highlight its historic importance. Asante leaders consulted with deities at the site during their war with the British.

It is hoped that conservation of the shrine can generate lessons that may be transferred to other sites in the years to come.

Odumata's Sleeping Room (1819) by Thomas Edward BowdichWorld Monuments Fund

Learn more about Asante Traditional Buildings

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