By Gordon ParksLIFE Photo Collection
The LCDL museum dates back to 1955. Following the "Manos a la Obra" plan, Teodoro Moscoso, then president of the Industrial Development Company (Fomento), and his group sought to produce local finely printed and bounded books to meet Puerto Rico’s needs.
Monochrome photo of Elmer Adler examining a book with manuscript antiphonary on background tableLa Casa del Libro
Fomento invited Elmer Adler, a recognized bibliophile, founder of The Pynson Printers, Colophon: A Book Collector’s Quarterly, and the New Colophon, to manage the project. Adler also co-founded Random House and established a graphic arts department at Princeton University.
Monochrome photo of Elmer Adler and youth viewing early printed vellum leavesLa Casa del Libro
Adler proposed an institution devoted to encouraging and developing the arts of the book and exhibiting collections of the best books in production and design over the centuries. The people on the island could now learn firsthand the beauty of the book.
Supplementum chronicarum PrimusLa Casa del Libro
“The book is Art,” declared Adler, responsible for securing donations and a considerable number of incunabula in the project’s first year. In 1956, following New York City Library’s model, the entity was registered as a non-profit organization.
Monochrome photo of Calle del Santo Cristo with chapel in background (20th Century) by Nelson OrtizLa Casa del Libro
Genaro Cautiño Bruno, a Puerto Rican bibliophile, was appointed as president of the Board, then called Friends of Cristo Street 255 (name inspired by the building bought by Fomento for LCDL). Adler served as its founder and first director.
Monochrome photo of young woman viewing an early La Casa del Libro exhibitLa Casa del Libro
Architect Frederick C. Gjessing and Adler transformed 255 Cristo St. in Old San Juan from a multi-family Spanish colonial house to a small museum, becoming the first restored house on the islet. In 1958, LCDL opened its doors in this location.
La Casa del Libro Museum Library
Curated and written by Karen Cana-Cruz, Executive Director and Chief Curator.
Translation by Juan López Bauzá and Rafael Linares Blasini.
Artworks photography and implementation by Celeste Acevedo Fúster, Digital Media Specialist, La Casa del Libro Museum Library.