Abstraction

Lines, mazes and new connections

Cerchio G017 (2015) by Giulio VespriniInward National Observatory on Urban Creativity

The art of Giulio Vesprini arises from a mix of techniques and materials.

Cerchio G023 (2016) by Giulio VespriniInward National Observatory on Urban Creativity

He shows the manual skills usually connected with artisans from the Marche region of Italy and the futuristic vision of graphic designers.

Center Crop. (2016) by IronmouldInward National Observatory on Urban Creativity

The viewer's eyes often get lost within the works of art by Ironmould.

Rebibbia Cable Series (2015) by IronmouldInward National Observatory on Urban Creativity

As they feature cables within labyrinthine textures having no apparent beginning nor end.

Untlitled feat. Ciredz (2014) by GlooisInward National Observatory on Urban Creativity

The center of the Earth cannot be seen nor can it be reached.

Untlitled (2016) by GlooisInward National Observatory on Urban Creativity

However, G.loois ivestigates between science and utopia, discovering new and surreal dimensions invading spaces and confusing observers.

Accumulo (2016) by GigInward National Observatory on Urban Creativity

Gig takes his inspiration from the dry stone walls and the stones the trulli and other sheltersof his region are made of.

Accumulo (2014) by GigInward National Observatory on Urban Creativity

Gig focuses also on the holes produced by litodomes, creating juxtapositions featuring three levels, black stains and coloured shapes, offering a rich tableau to the eye.

Onde (2017) by Massimo SirelliInward National Observatory on Urban Creativity

In 1995, Massimo Sirelli started his experience within the city-based world of graffiti writing.

Onde (2017) by Massimo SirelliInward National Observatory on Urban Creativity

His creative imagery has changed over time: from graffiti to robots, up to using only color, in order for the eye to enter the smallest potion of a bigger, livable space.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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