DIANA DANON:

The São Paulo Metrô in drawings and watercolors

Anhangabaú Station Construction. (1981) by Diana Dorothèa DanonMetrô de São Paulo

Diana Danon: the São Paulo Metrô

The São Paulo Metrô, through Linha da Cultura, turns to its collection looking for the different points of view that can tell its history and, in the same way, narrate the memory of the city. 

Clóvis Bevilacqua Square. (1972) by Diana Dorothèa DanonMetrô de São Paulo

The Metrô collection houses approximately 730 drawings and watercolors documents, photographs, videos and studies of the São Paulo artist Diana Danon, which were produced from 1972 to 2013.

Luz Station Construction., Diana Dorothèa Danon, 2011, From the collection of: Metrô de São Paulo
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Luz Station Construction., Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Luz Station Construction., Diana Dorothèa Danon, 2006, From the collection of: Metrô de São Paulo
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Luz Station Construction, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Interconnection with CPTM at Luz. (2011) by Diana Dorothèa DanonMetrô de São Paulo

Monorail Line 15-Silver Vila Prudente Station Construction., Diana Dorothèa Danon, 2012, From the collection of: Metrô de São Paulo
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Carandiru Station Construction., Diana Dorothèa Danon, 1973, From the collection of: Metrô de São Paulo
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Monorail Line 15-Silver Oratório Station Construction., Diana Dorothèa Danon, 2012, From the collection of: Metrô de São Paulo
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Luz Station Construction (2009) by Diana Dorothèa DanonMetrô de São Paulo

Diana's artistic process in linked to the relationship with the landscape and with the experience that the place provided. In the artist's own words: "I like to feel the dirt feel the clay, feel the wind (...) theses things that give the content!"

Sacomã Station Construction, Diana Dorothèa Danon, 2010, From the collection of: Metrô de São Paulo
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Sacomã Station Construction, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Sacomã Station Construction, Diana Dorothèa Danon, 2009, From the collection of: Metrô de São Paulo
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Tamanduateí Station Construction (2009) by Diana Dorothèa DanonMetrô de São Paulo

Faria Lima Station Construction, Diana Dorothèa Danon, 2006, From the collection of: Metrô de São Paulo
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Tamanduateí Station Construction, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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São Paulo-Morumbi Station Construction (2009) by Diana Dorothèa DanonMetrô de São Paulo

Higienópolis-Mackenzie Station Construction, Diana Dorothèa Danon, 2009, From the collection of: Metrô de São Paulo
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Tamanduateí Station Construction, Diana Dorothèa Danon, 2010, From the collection of: Metrô de São Paulo
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Higienópolis-Mackenzie Station Construction., Diana Dorothèa Danon, 2004, From the collection of: Metrô de São Paulo
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Interconnection with Line 4-Yellow Construction - República Station, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Anhangabaú Station Construction. (1977) by Diana Dorothèa DanonMetrô de São Paulo

Section of tunnel in shield - Anhangabaú Station. (1978) by Diana Dorothèa DanonMetrô de São Paulo

Diana Danon, graduated from the School of Fine Arts (1959) and Archeology and Art History from the University of São Paulo - USP (1967), followed and portrayed the works and details of the construction of the São Paulo Metro almost daily.

Clínicas Station Construction. (1990) by Diana Dorothèa DanonMetrô de São Paulo

Alto do Ipiranga Station Construction., Diana Dorothèa Danon, 2007, From the collection of: Metrô de São Paulo
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Mato-grossense construction worker - Vergueiro Station, Diana Dorothèa Danon, 1991, From the collection of: Metrô de São Paulo
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Chácara Klabin Station Construction, Diana Dorothèa Danon, 2005, From the collection of: Metrô de São Paulo
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Construction worker from Alagoas - Paraíso Station, Diana Dorothèa Danon, 1972, From the collection of: Metrô de São Paulo
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Brigadeiro Station Construction (1990) by Diana Dorothèa DanonMetrô de São Paulo

This exhibition is an excerpt with different views of the artist on the construction and expansion of the Metro lines. They are portraits of workers, construction scenes, urban landscapes and sketches of machine parts that also draw the hours, days and years of everyday life.

Shield assembly Faria Lima Station, Diana Dorothèa Danon, 2006, From the collection of: Metrô de São Paulo
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Sacomã Station Construction, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Start of Construction Adolfo Pinheiro Station, Diana Dorothèa Danon, 2009, From the collection of: Metrô de São Paulo
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Construction workers resting - Paraíso Station (1990) by Diana Dorothèa DanonMetrô de São Paulo

Megatatuzão breaking through the concrete wall - República Station., Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Butantã Station Construction (2009) by Diana Dorothèa DanonMetrô de São Paulo

Sacomã Station Construction, Diana Dorothèa Danon, 2008, From the collection of: Metrô de São Paulo
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Guaianases Station Construction (CPTM), Diana Dorothèa Danon, 1999, From the collection of: Metrô de São Paulo
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Construction between Luz and Sé Stations (1972) by Diana Dorothèa DanonMetrô de São Paulo

Paulista Station Construction (2008) by Diana Dorothèa DanonMetrô de São Paulo

The artist started the career as a documentarist, important fact to understand the way how Diana documented the agile and expressive traces of construction sites, the ground, the steel, the looks of the workers. All of this materiality became a vast subject in her watercolors.

Shield assembly Faria Lima Station, Diana Dorothèa Danon, 2007, From the collection of: Metrô de São Paulo
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Tunnel between São Bento and Sé Stations, Diana Dorothèa Danon, 1972, From the collection of: Metrô de São Paulo
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High line São Judas Station. (1972) by Diana Dorothèa DanonMetrô de São Paulo

Sumaré Station Platform. (1988) by Diana Dorothèa DanonMetrô de São Paulo

Danon was instigated by the anticipation of the sensation that dissipated at the end of each stage of the construction. What intrigued her was the process.

Brás Station Construction. (1979) by Diana Dorothèa DanonMetrô de São Paulo

Pedro II Station Construction., Diana Dorothèa Danon, 1979, From the collection of: Metrô de São Paulo
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Clínicas Station Platform. (1993) by Diana Dorothèa DanonMetrô de São Paulo

Jabaquara Yard Construction., Diana Dorothèa Danon, 1979, From the collection of: Metrô de São Paulo
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Sé Station. (1979) by Diana Dorothèa DanonMetrô de São Paulo

Ana Rosa Station Platform., Diana Dorothèa Danon, 1992, From the collection of: Metrô de São Paulo
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Tatuapé Station Operation. (1982) by Diana Dorothèa DanonMetrô de São Paulo

Santos-Imigrantes Station Escalators. (2006) by Diana Dorothèa DanonMetrô de São Paulo

Luz Station Construction. (2011) by Diana Dorothèa DanonMetrô de São Paulo

The artist's unique and precise look mixes technique and instinct, and reveals itself in the lines and colors, sometimes light, sometimes voracious, of each work presented in this exhibition.

Butantã Station Construction., Diana Dorothèa Danon, 2011, From the collection of: Metrô de São Paulo
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Butantã Station Construction (2010) by Diana Dorothèa DanonMetrô de São Paulo

Pedro II Station Construction. (1980) by Diana Dorothèa DanonMetrô de São Paulo

Tamanduateí Station Construction, Diana Dorothèa Danon, 2010, From the collection of: Metrô de São Paulo
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Adolfo Pinheiro Station Construction, Diana Dorothèa Danon, 2010, From the collection of: Metrô de São Paulo
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Vila Prudente Station Construction. (2010) by Diana Dorothèa DanonMetrô de São Paulo

Population visit to the Trianon-Masp Station Construction. (1990) by Diana Dorothèa DanonMetrô de São Paulo

Diana Danon witnessed much of the history of the São Paulo Metro. They are records with an extensive palette of colors, techniques and stories that can be accessed in the Metro collection.

Work safety helmets (1972) by Diana Dorothèa DanonMetrô de São Paulo

Credits: Story

Equipe da Linha da Cultura
Gerência de Comunicação e Marketing
Metrô de São Paulo

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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