By The Nelson Mandela Foundation
Artists Christiaan Diedericks and Shui-Lyn White
Introduction by Shui-Lyn White Artist, printmaker and poet
This journey began quietly and inauspiciously. It began with an invitation to the Women in Art Biennial and with the question asked of each participating artist: what is your experience as a woman in the art world? A question that opened a door of inquiry and awareness.
I realised what had been there to see all along; the absence of women in art history. This was not because women were not artists, but because history did not acknowledge or record their contributions. In many of today’s art museums, women artists are overwhelmingly absent.
Yet, this startling absence of women in the human story is not limited to art; it is there in all our recorded histories. Those few that broke the gender barriers, soon languished uncelebrated, their stories omitted and eventually, forgotten.
Today, these remarkable women are being rediscovered, and restored to us. It is a crucial restoration to the story of humankind because without their presence, it might be easy to believe that women are less talented, less contributing, less important, less deserving; that women are less.
It is an imbalance that needs attention; for the human species to flourish, it needs everyone to contribute of their presence, equally. Infinity to the Power of Women began as a discussion on how to contribute to returning women to their rightful place in our story.
It seemed natural to start with the women who dedicated their lives to establishing a democracy in South Africa. Women who sacrificed, who fought, who shifted the tides of history.
It is to them we say, there will always be someone to remember and to offer gratitude. Always someone to tell the whole story.
Alice Kinloch (1863- 1946)
Kinloch challenged and exposed the conditions of black miners who were abused as cheap labour by mining magnates. Kinloch’s activism led her to depart to the United Kingdom in 1895 where she campaigned tirelessly against racial oppression co-founding the African Association.
Charlotte Manye Maxeke (1871-1939)
Beauty of the Heart
Maxeke was the first black woman in South Africa to hold a graduate degree. She contributed to the struggle for women's and workers' rights and dedicated her life to the struggle for peace and justice, founding the Bantu Women's League in 1918.
Cissie Gool (1897-1963)
Gool studied at the University of Cape Town where she earned bachelors and masters degrees and later a law degree. She founded the Non-Europe United Front in 1938 and was its first president. Gool was elected to the Cape Town City Council in 1938 and served until her death.
Dulcie September (1935-1988)
September was active in several organisations in the fight against apartheid. She was jailed for five years for sabotage and inciting political violence. September went into exile in 1974. Whilst serving as the ANC's chief representative in France, she was assassinated in 1988.
Jean Sinclair (1908-1996)
The Birth of Black Sash
In 1955 Sinclair established the Women’s Defence of the Constitution League aimed at opposing group areas, forced removals, and discrimination. The women wore a “Black Sash” during protests symbolising the death of the constitution, and the name stuck.
Kesaveloo Goonam (1906-1999)
Goonam was a feminist, activist and intellectual. She studied medicine in Scotland because there was no facility for her to study in SA. On her return, she participated in various campaigns of the Natal Indian Congress and was imprisoned 17 times for her political activities.
Lilian Ngoyi (1911-1980)
Ngoyi was the first woman elected to the executive committee of the ANC and founded the Federation of South African Women. In 1956, she led the women's anti-pass march to the Union Buildings in Pretoria. In the mid-1960s she spent 71 days in solitary confinement.
Victoria Mxenge (1942-1985)
Lady of Law
Victoria was a qualified nurse that went on to study law and became an attorney. She was part of the Treason Trial defence team in 1984 against the leaders of the United Democratic Front, and the Natal Indian Congress.
Learn more about exhibitions at the Nelson Mandela Foundation at this link.
Vortex was a collaboration between Christian Diedericks and Shui-Lyn White, South African artists with differing artistic intentions, practices and backgrounds yet bound by a deep friendship and belief in art as a means of service and transformation. Vortex began in conversations during the pandemic of 2020-21 as both artists mused on a way forward in the aftermath of COVID-19, in the face of climate change and environmental degradation, and in the societal overhaul necessary for the well-being of humanity. What they both felt to be crucial for humankind was collaboration. With Vortex, the artists envision a collaboration of hope, direction, and a new way of being in the world: a reminder to be more compassionate towards each other and to leave a softer footprint on our on our planet. They believe in the importance, meaning and necessity of collaboration and connection in creating a new way forward.
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