Fifty Years of Secrets
After Frida Kahlo's death in 1954, Diego Rivera decided to block off 2 bathrooms containing objects and documents that had belonged to Frida. They were reopened more than 50 years later, in 2006, and the Frida Kahlo Museum invited Graciela Iturbide to capture a photographic testimony of the occasion.
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
Nobody knows for sure what led Rivera to decide to block off the bathroom. Perhaps it was simply the desire to preserve one of the artist's intimate spaces, as suggested by the personal objects left there: corsets, Frida's orthopedic leg and some crutches, political posters of Lenin and Stalin, medicines, and other time-worn objects, all of which Graciela photographed as unscathed relics of a desecrated sanctuary.
Shown one by one within the photographic collection, these objects radiate with a strange light.
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
Producing a visual record, the photographer creates still lifes from these attention-grabbing pieces. The 28 images invoke Frida's personal world.
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
Frida "Sanctified"
Frida has also been "sanctified" and is today a figure to whom thousands of Mexicans pray for favors and miracles. Where do you begin when dealing with such an icon of Mexican culture?
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
Aware of the devotion that Frida commands, Iturbide approaches this icon of Mexican culture from her own poetic space, starting a dialog with the painter's work.
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
El baño de Frida, Coyoacán, Ciudad de México (2006) by Graciela IturbideFundacion MAPFRE
Once again, Iturbide explores the myth that so many have recreated, by starting a dialog with Frida Kahlo's work from her own poetic space, as is reflected in the photograph that reinterprets the 1938 painting "What the Water Gave Me"
Autorretrato, México (1989) by Graciela IturbideFundacion MAPFRE
De todas las obras:
© Graciela Iturbide
© COLECCIONES FUNDACIÓN MAPFRE