LOS ANGELES 1984: CONFETTI OVER THE CITY

Los Angeles 1984 (1984-01-01) by AnonymousThe Olympic Museum

THE GAMES HOST COUNTRY AND CITY

Los Angeles 1984 (2017-08-23) by AnonymousThe Olympic Museum

LOS ANGELES: LA TO ITS FRIENDS
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Hollywood Boulevard, Universal Studios, Sunset Boulevard, Beverly Hills, Bel Air, Rodeo Drive, Venice Beach, Highway 1… even if you’ve never been, everyone knows LA!

Los Angeles 1984, Daniil Vnoutchkov, 2017-09-30, From the collection of: The Olympic Museum
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HOLLYWOOD: Nine 14m-high letters stand atop a hill overlooking the city, which covers approximately 1,000km2.

Los Angeles 1984, wolfgang.mller54, 2013-09-03, From the collection of: The Olympic Museum
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Hollywood Boulevard and the Walk of Fame, with stars embedded into the ground bearing the names of film actors.

Los Angeles 1984, atlantic-kid, 1984-06-09, From the collection of: The Olympic Museum
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Sport reigns supreme at Venice Beach.

Los Angeles 1984 (2012-12-27) by Diabolo Moon TVThe Olympic Museum

Roller skates and electronic funk music were all the rage at Venice Beach in the 1980s.

Los Angeles 1984, Rafael romero, 2017-09-22, From the collection of: The Olympic Museum
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A classic scene: Roller skating to music, with palm trees lining the Pacific coast in the background.

Los Angeles 1984, Gerson Repreza, 2018-04-11, From the collection of: The Olympic Museum
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California, in all its splendour.

Los Angeles 1984 (2011-07-12) by ZanoneThe Olympic Museum

THE MAINS ART TRENDS

Los Angeles 1984 (2017-08-01) by Joe LIUThe Olympic Museum

THE NEO-DESIGN OF THE MEMPHIS GROUP (MILAN)

The group developed offbeat, abstract and colourful furniture and objects to combat the banality of everyday life.

Los Angeles 1984, Mondadori Collection, 1969-01-01, From the collection of: The Olympic Museum
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Italian architect and designer Ettore Sottsass, who founded the Memphis Group in 1981.

Los Angeles 1984, Anonymous, 1984-01-01, From the collection of: The Olympic Museum
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The Memphis style: on the left, the “Ginza” cabinet (1982); in the centre, the “Casablanca” bookcase (1981); and on the right, the “Carlton” (1981).

Los Angeles 1984, Anonymous, 1984-01-02, From the collection of: The Olympic Museum
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On the left, the “Polar” side table (1984); in the centre, the “Kristall” (1981); and on the right, the “Flamingo” (1984).

Los Angeles 1984 (1984-01-01) by National Olympic Photographic Pool / LACHMAN, RobertThe Olympic Museum

THE LOOK OF THE GAMES

Los Angeles 1984 by Sipa Press / RAZLIKLI, METEThe Olympic Museum

“LOOK OF THE GAMES”
Los Angeles 1984 saw the first appearance of this term, which refers to the visual identity of the Games. It has been part of the Olympic vocabulary ever since.

The Look of the 1984 Los Angeles Games had a real West Coast flavour, with “intuitive” colours and an exuberant, typically Pacific freshness, in keeping with the spirit of 1980s festivals.

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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The designers invented an all-purpose visual alphabet.

Deborah Sussman, IOC/Jim-Simmons, 2009-09-09, From the collection of: The Olympic Museum
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Photo of designer Deborah Sussman, who was responsible for designing and applying the Look of the Games.

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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The palette comprised a range of colours with a South Californian and Latin American flavour: magenta, chrome yellow, turquoise, vermilion, light blue, green, lavender, pink, dark blue and purple.

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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The Look of the Games could be found wherever it was needed to highlight the presence of the Games to the public.

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Deborah Sussman (2018-09-10) by IOCThe Olympic Museum

KIT MADE BY DEBORAH SUSSMAN

Los Angeles 1984 (1984-01-01) by Kishimoto/IOCThe Olympic Museum

URBAN BRANDING

The décor was bursting with colour, stars and confetti were used to mark out the Olympic venues, and there was no lavish spending. Mission accomplished!

Paul Prejza (2018-09-11) by IOCThe Olympic Museum

THE SPIRIT OF THE GAMES ON SHOW IN THE CITY

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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The graphics kit devised by Deborah Sussman and implemented by her husband, Paul Prezja.

Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984, Kishimoto/IOC, 1984-01-01, From the collection of: The Olympic Museum
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Los Angeles 1984 (1984-01-01) by Joshua HoehneThe Olympic Museum

THE STARS: A FITTING SYMBOL

The stars paid tribute to America, Hollywood, the excellence of the athletes and the dynamism of the Olympic Games!

Los Angeles 1984, Jakob Owens, 1984-01-01, From the collection of: The Olympic Museum
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The Star-Spangled Banner is one of the names of the US flag.

Los Angeles 1984, IOC, 1984-01-01, From the collection of: The Olympic Museum
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The “Stars in Motion” from the 1984 Los Angeles Games logo.

Los Angeles 1984, IOC, 1984-01-01, From the collection of: The Olympic Museum
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Poster designed by Robert Rauschenberg, an American artist who was one of the precursors of the Pop Art movement.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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