Il sole (1904) by Giuseppe Pellizza da VolpedoLa Galleria Nazionale d’Arte Moderna e Contemporanea
In the period known as the 'dog days' (in the northern hemisphere), many of us are quite ready for autumn to arrive. Throughout history, artists have been inspired by the hues, the heat, the harvest, and the heady atmospheres of late summer.
Scroll on to discover some famous examples of artworks which respond to the sweltering late summer weeks (and one or two to help you cool off!)...
Haystacks, end of Summer (1891) by Claude MonetMusée d’Orsay, Paris
1. Haystacks, end of summer (1890-1), Claude Monet
In the summer of 1890, Monet began painting his famous series of twenty-five works depicting haystacks in the fields of Giverny.
Monet and the other Impressionists were intent on painting the effects of sunlight. Look at how the short brushstrokes and carefully varied palette highlight the setting summer sun on one side of the haystack, while longer strokes and muted colors are used for shadow.
Sheaves of Wheat (July 1890)Dallas Museum of Art
2. Sheaves of Wheat (1890), Vincent Van Gogh
In the same year, in a different part of France, Van Gogh was painting the same thing. The country harvest in late summer gave painters the chance to work outdoors and respond to the changing landscape.
Van Gogh distanced himself from the Impressionists and painted in a more expressive style, trying to communicate a mood or a feeling. How does the Van Gogh differ from the Monet? Keep scrolling to compare the two side-by-side...
Haystacks, end of Summer (1891) by Claude MonetMusée d’Orsay, Paris
Field of Rice (1947) by Candido PortinariProjeto Portinari
3. Field of Rice (1947), Candido Portinari
In the Van Gogh and the Monet, there are no people. They're interested in the landscape and the feelings it inspires. But Brazilian painter Candido Portinari was all about people. He painted working Brazilians and their everyday lives, elevating and celebrating them.
In the lush, colorful landscape, these farmers work quickly and skilfully with their sickles, bringing in the rice crop as summer comes to an end.
Despite the almost heroic depiction of the farmers and the warm color of the painting, Portinari isn't simply romanticizing the scene. The angry red of the beating sun makes us feel the heat and hardship of labor. As it sets, we're aware of the inevitable passing of time.
Time for a Bathe, Valencia (1909) by Joaquín Sorolla y BastidaSorolla Museum
4. Time for a bathe, Valencia (1909), Joaquín Sorolla
Whew! Time to cool off with a dip in the sea. Sorolla was known as the 'master of light' thanks to his skill in painting sunlight on water.
Here, the refreshing blues mingle with the children's feet as they cool off at the shore.
Schloss Kammer on Lake Attersee III (1909/1910) by Gustav KlimtBelvedere
5. Schloss Kammer on Lake Attersee (1909), Gustav Klimt
Every summer for sixteen years, Klimt would holiday on Lake Attersee in Upper Austria. He depicted the lake in many paintings. Here, he paints SChloss Kammer, the 17th-century castle he could see from his holiday home on the bank of the lake.
The deep green of the plants and the castle's fading glory give the painting a luxurious late-summer atmosphere, while their reflection in the lake perhaps symbolises the coming changes of autumn and Klimt leaving the lake for home.
You are all set!
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