Celebrating our shared past, present, and future
Dating back centuries, the stories and traditions of the peoples of Kenya are some of the most fascinating in the world. They have enriched the country through social, economic, political and cultural activities, each with their own unique stories. Today, 44 communities are officially recognized by the government, and are classified into three linguistic groups: the Bantu, the Nilotic and the Cushitic speakers. The National Museums of Kenya holds objects telling the stories of the communities, which represent the country's ethnic diversity and vibrant cultures. Many of the cultural practices are still embraced today, but have been influenced by the changes in society. This exhibit celebrates the country’s rich heritage through the Tugen community.
A look into the history and culture of the Tugen community
The Tugen are a Nilotic community who speak the Tugen language. As a sub-community of the Kalenjin community, they are related to the Terik, Pokot, Nandi, Marakwet, Kipsigis, Sabaot, Ogiek and Keiyo sub-communities. Some of the best known Tugen personalities today are the former president of Kenya, Daniel Toroitich arap Moi and 800m world champion athlete Paul Tergat.
Daniel Toroitich arap Moi's cloakNational Museums of Kenya
Daniel Toroitich arap Moi's cloak
Daniel Toroitich arap Moi served as Kenya's second president, from 1978 to 2002. He wore this cloak, which is made from colobus monkey skin.
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Origin and migration
The Tugen live around Baringo and parts of Nakuru counties. Their oral traditions indicate that they migrated from the north, west and east of their present settlement.
The largest part of their population originated from the west, a place known as Sumo, in an area located between Mount Elgon and Cherangany Hills.
The rest migrated from the north (Suguta, Lake Turkana), the east (Koilegen, Mount Kenya), and brought with them non-Kalenjin speaking people.
StoolNational Museums of Kenya
Religion and beliefs
The Tugen pray to their God, Asis (sun). They also have other gods, namely: Chepapkoyo (god of harvest) and Cheptengeryan (god of love).
Economic pursuits
The majority of the Tugen are primarily subsistence farmers. They cultivate grains such as maize and wheat, or practice a pastoralist lifestyle through rearing cattle, goats and sheep for food production.
TetherNational Museums of Kenya
This is a cowhide thong (Riguita), made by women and used for tethering cows. It would have been tied around the neck or one leg to tether an animal to a particular grazing area.
HoeNational Museums of Kenya
Farming tools
This is a hoe (mogombe), made of an iron blade fitted with a wooden haft (Gedit).
The blade was made by a blacksmith, while each owner would add a suitable handle. It was used by women for digging in the fields.
ShieldNational Museums of Kenya
Protecting the community
This shield was used for defence purposes during warfare. It was made from hippopotamus hide by a specialist.
The hide would be cut, curved and bound with leather. It would then be buried in soil for three days until it was stiff enough to be beaten into shape with a hammer.
Eating Bowl (1931)National Museums of Kenya
Making utensils and woodwork
Tugen men used an adze to carve out wood and make food bowls (tubei). They were useful for families who ate together and passed food around in the bowl.
Social and political organisation
The Tugens' social organisation traditionally centered on the age-set, or ibindo. There were seven age-sets (ibinwek). Most political action took place in the kokwet, or council of the locality. Men and boys were traditionally involved in farm and herding activities, whereas women and girls performed nearly all of the domestic work involved in running a household.
BeltNational Museums of Kenya
Childbirth
This is a belt made by women from cowhide and cowrie shells, and used by a new grandmother whose daughter had just given birth. A belt with one row of cowries would usually be worn by a girl and a second row added later, when she became a mother.
A new grandmother would wear a belt with three rows, and a great grandmother would wear four. Sometimes, if the great grandmother had passed on, the fourth row would still be added on to her old belt. The belt would have been passed on to her eldest son and was kept in his lineage.
A belt like this would also be hung over the neck of a goat, which was later given as a special present to the husband's family.
EarblocksNational Museums of Kenya
Circumcision
These are two earblocks, which were made and worn by uncircumcised girls to stretch their earlobes.
Boys would wear ear plugs (sora) in each earlobe after circumcision. In each age-set, the initiates were bundled into siritie, or what can be understood as a team. There were three 'teams' or siritoik in an age-set (ibindo). Men circumcised together had a very high level of solidarity.
Tugen Girl Initiate by Joy AdamsonNational Museums of Kenya
Tugen girl
A young Tugen girl dressed for circumcision.
Today circumcision of girls is illegal in Kenya, and communities are encouraged to use alternative initiation practices.
EarringNational Museums of Kenya
Marriage
This is an earring (mwanikabitik) with beads and zip fastener, stitched on cowhide all around the edge. It was made and worn by married women.
Traditionally Tugen didn't consider a woman as belonging to an age-set until she was married. She could marry any age-set except that to which her father belonged.
Marriage ceremonies were highly valued in Tugen society.
NecklaceNational Museums of Kenya
Neacklace
This necklace was worn and made by uncircumcised girls. It is covered with red ochre and made of twelve strings of beads. These were made from wood of the kipungeiwa tree and cowhide spacers, threaded on wild sisal thread (kilembele).
The wooden beads were cut with a knife for decoration, and the outer edge is a string of white oblong beads, each separated by four or six red beads threaded on wire.
Dancing for fun
The Tugen were traditionally involved in recreational activities that involved playing musical instruments and dancing.
Lyre (1969)National Museums of Kenya
Entertainment
This lyre is a traditional musical instrument made of wood, with a tin top and bottom. It has six strings and the resonator has a wooden bridge.
Lyres like this were made and played by young men, to accompany singing and entertain guests in the evening.
AnkletsNational Museums of Kenya
Anklets
This is a pair of anklets made from Colobus monkey (Koroit) skin – one with a row of white and row of orange beads, and the other with green and orange beads at the top edge.
The monkey was caught and killed by a Morani, who then made the anklets and would have worn them particularly at dances and ceremonies.
Game hunting is now illegal in Kenya.
Celebrating Kenya's communities today
Many of the cultural practices of the Tugen are still embraced today, but have been influenced by the changes in society. The heritage and culture of the Tugen community, along with the more than 44 communities in Kenya, continues to fascinate and inspire. The National Museums of Kenya invites everyone to celebrate the intangible cultural heritage of all communities which makes up this great nation.
Learn more about the National Museums of Kenya by visiting our website.
Exhibit Curator: Philemon Nyamanga, Cultural Heritage Department. pnyamanga@museums.or.ke
Bibliography and research
1. Fedders A, Salvadori C. Peoples and cultures of Kenya. Nairobi: Transafrica and London: Rex Collings, 1980.
Photography and Creative Direction: Gibson Maina and Muturi Kanini. Gibs Photography
Exhibit Layout: Barnabas Ngei and Brian Maina Kamau.
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