Window of Deception (1995) by Sirikorn In-KomArt Centre Silpakorn University
Abstract art has remained its relevance amongst Thai artists nowadays. During its golden days from 1967 to 1971, particularly at the National Exhibition of Art, abstract art accounted for the majority of the displays.
Sirikorn Inkam’s award-winning piece at the 41st National Exhibition of Art in 1998 demonstrates the beauty of shapes, neither basing it on the symbolic meanings nor nature.
Window of Deception (1995) by Sirikorn In-KomArt Centre Silpakorn University
Visual elements, such as lines, colors, and shapes, all of which are central to abstract art, allow viewers to derive its interpretation from their own feelings and experiences.
Thanks to the air brush technique–crisp outlines and gradient colors–the art stands out from the rest.
Each curved line creates harmonious dimensions and simulates movement, encouraging the viewers to feel as if something in the art is also looking back at them.
Shapes similar to open mouths are horizontally arranged against the shapes of eyes.
Window of Deception (1995) by Sirikorn In-KomArt Centre Silpakorn University
Dark blue and yellow, two primary colors, though drastically different, pair meticulously together. This, indeed, proves that duality can also bring forth balance.
This art invites viewers to explore their internal complexity, confusion, and fear in accordance with their intellectual landscapes and different backgrounds.
Ultimately, since abstract art communicates in a language unique to the artist and viewers, what matters more than the era in which the art was created is how deeply and intricately the art speaks to individuals.
Check out more arts from Thailand at Thailand Art Up Close
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