The seven Climate Visuals principles

Guidelines for effective, impactful climate change imagery

Solar wells to address the problem of drought, a woman cleaning a solar energy panel. (2019) by Raphael Pouget / Climate Visuals CountdownClimate Visuals

Visual media is vital to connect with audiences, yet communicators and editors resort to using the same familiar metaphors, poorly representing people’s experiences.

Photo credit: Raphael Pouget / Climate Visuals Countdown
Cover photo credit: Rodney Dekker / Climate Visuals

This leads to connecting with a very limited sector of the world’s population and misses a vital opportunity for real and lasting public engagement.

Containerized gardening, a great solution to mitigating pollution, a man and his son tending plants. (2021) by Mark Linel Padecio / Climate Visuals CountdownClimate Visuals

The Climate Visuals report 'Climate Visuals: Seven principles for visual climate change communication (based on international social research)' provides evidence based guidelines for impactful climate photography. 

Photo credit: Mark Linel Padecio / Climate Visuals Countdown

Operations and maintenance inspection on top of a wind turbine. (2016) by Joan Sullivan / Climate Visuals CountdownClimate Visuals

Annual inspection of the Roosevelt wind farm in eastern New Mexico.Photo credit: Joan Sullivan / Climate Visuals Countdown

The seven Climate Visuals principles

1. Show ‘real people’ not staged photo-ops
A person expressing an identifiable emotion is powerful. But our discussion groups favoured ‘authentic’ images over staged photographs, which they saw as gimmicky or even manipulative. Politicians – notoriously low on credibility and authenticity – attracted some of the lowest scores in Climate Visuals research discussion groups.

Solar entrepreneur of rural India. (2019) by Kunal Gupta / Climate Visuals CountdownClimate Visuals

A woman sitting completing paperwork by the light of solar powered lamps in a village shop for solar products. Bihar, India.Photo credit: Kunal Gupta / Climate Visuals Countdown

2. Tell new stories
Images that participants could quickly and easily understand – such as smokestacks, deforestation, and polar bears on melting ice – tended to be positively rated in our online survey (which captured rapid responses to images, rather than deeper debate). Familiar, ‘classic’ images may be especially useful for audiences with limited knowledge or interest in climate change, but they also prompted cynicism and fatigue in our discussion groups. They are effective ways of communicating to an audience that ‘this story is about climate change’. But is it a story they want to hear? Less familiar (and more thought-provoking) images can help tell a new story about climate change, and remake the visual representation of climate change in the public mind.

The future's farm, the Nemos Underwater Garden, submerged greenhouses houses biodomes in a research project in Italy., Giacomo d'Orlando / Climate Visuals Countdown, 2021, From the collection of: Climate Visuals
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Underwater seeding of terrestrial plants in hydroponic cones in a biosphere., Giacomo d'Orlando / Climate Visuals Countdown, 2021, From the collection of: Climate Visuals
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3. Show climate causes at scale
We found that people do not necessarily understand the links between climate change and their daily lives. Individual causes of climate change (such as meat-eating) may not be recognised as such, and if they are, may provoke defensive reactions. If communicating the links between ‘problematic’ behaviours and climate change, it is best to show these behaviours at scale – e.g. a congested highway, rather than a single driver.

Aerial view of systematic deforestation in a Bolivian national park, bare strip of ground among forests. (2020) by Marcelo Perez del Carpio / Climate Visuals CountdownClimate Visuals

An aerial view of a deforested zone in "Ñembi Guasu" conservation area. In Guarani language, Ñembi Guasu means “the great refuge.” Bolivia.Marcelo Perez del Carpio / Climate Visuals Countdown

4. Climate impacts are emotionally powerful
Survey participants in all three nations were moved more by climate impacts – e.g. floods, and the destruction wrought by extreme weather – than by causes or solutions. Images of climate impacts can prompt a desire to respond, but because they are emotionally powerful, they can also be overwhelming. Coupling images of climate impacts with a concrete behavioural action for people to take can help overcome this.

Urban centre covered in Smog in winter, high volume of pollution from coal fired sources in the city centre., Raunaq Chopra / Climate Visuals Countdown, 2020, From the collection of: Climate Visuals
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Rooftop garden in Kolkata, a men tending his plants and vines., Sudip Maiti / Climate Visuals Countdown, 2018, From the collection of: Climate Visuals
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5. Understand your audience
Unsurprisingly, levels of concern/scepticism about climate change determined how people reacted to the images we tested. But other differences emerged too – images of ‘distant’ climate impacts produced much flatter emotional responses among those on the political right. Images depicting solutions to climate change generated mostly positive emotions – for those on the political right, as well as those on the left.

Electric ferry, aerial view, on its maiden voyage. (2018) by Matjaz Krivic / Climate Visuals CountdownClimate Visuals

Horgefjord, one of the first all electric ferries, here on its maiden voyage. Hordaland, Norway.
Photo credit: Matjaz Krivic / Climate Visuals Countdown

6. Show local (but serious) climate impacts
When images of localised climate impacts show an individual person or group of people, with identifiable emotions, they are likely to be most powerful. But there is a balance to be struck (as in verbal and written communication) between localising climate change (so that people realise the issue is relevant to them) and trivialising the issue (by not making clear enough links to the bigger picture).

Until 2020, no packing list for a winter's journey to Venice was complete without gumboots. Built atop small lagoon islets, the fabled 1600 year old city of Venice has been a victim of both subsidence and, more significantly, global sea level rise fuelled by climate change. The Italian government has funded construction a series of floodgates to close the lagoon entrance before exceptionally high tide phenomena known as acqua alta. After 17 years marked by delays and drama the MOSE barriers first rose to protect the city from flood on 3 October 2020. Until their deployment, flooding, especially in winter, was increasingly commonplace as local sea levels rose 2.76 ± 1.75 mm/year since 1993* (this excludes subsidence). In 2002, the system was designed for a "prudent" estimate of 22cm of sea level rise**. Twenty years later, scientists are taking metres, not centimetres over coming centuries if carbon emissions are not dramatically curtailed, suggesting that MOSE's solution — as well as being affordable only for richer nations — may prove decidedly short-term. Sources: * www.researchgate.net/publication/346867948 ** https://e360.yale.edu/features/rising-waters-can-a-massive-sea-barrier-save-venice-from-drowning, Adam Sebire / Climate Visuals, From the collection of: Climate Visuals
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Click to view the image in the Climate Visuals library

7. Be very careful with protest imagery
Images depicting protests (or protesters) attracted widespread cynicism and some of the lowest ratings in our survey. In our discussion groups, images of (what people described as) ‘typical environmentalists’ only really resonated with the small number of people who already considered themselves as activists and campaigners. Most people do not feel an affinity with climate change protesters, so images of protests may reinforce the idea that climate change is for ‘them’ rather than ‘us’. Protest images involving people directly affected by climate impacts were seen as more authentic and therefore more compelling.

Amazonian women at a march for International Women's Day, March 8, 2020., Karen Toro / Climate Visuals Countdown, 2020, From the collection of: Climate Visuals
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Fight for forests, a climate activist holding a stick up during the forest occupation of Dannenroder Forest., Alberto Mazzieri / Climate Visuals Countdown, 2020, From the collection of: Climate Visuals
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About Climate Visuals

Climate Visuals is the world’s only evidence-based programme for climate change photography. It is run by Climate Outreach, a team of social scientists and communication specialists working to widen and deepen public engagement with climate change. Through research, practical guides and consultancy services, Climate Outreach helps organisations communicate about climate change in ways that resonate with the values of their audiences and leads to action.

Since our launch in 2016, we have grown our library through curation, two global open calls, grants, commissions and partnerships. Climate Visuals’ library of over 1,400 impactful climate photographs is free to register for and trusted by over 8000 NGOs, educators, journalists and communicators across the world. Climate Visuals images were prominently displayed at COP27 in Egypt and COP26 in Glasgow, and are widely used by outlets such as the Guardian, NGOs large and small, and educators.

 

Credits: Story

Images in our Visualizing Climate Change and Ocean Visuals collections are freely available for use by non-profits, educators and editorial media.

All images are accompanied by full caption and credit metadata.

Register for the Climate Visuals library and browse the collections.

'Visualizing Climate Change: An Open Call for Photography’, in partnership with TED Countdown, is an accessible collection of evidence-based, diverse photos that document the reality of climate change around the world.

'Ocean Visuals' is a response to the urgent need for more impactful, diverse and equitably accessible ocean-climate imagery while ensuring ethical and fair payment to photographers. The project is a partnership between Climate Visuals and Communications Inc, funded by Erol, the David and Lucile Packard Foundation, the Calouste Gulbenkian Foundation (UK Branch) and Macdoch Foundation / NPT Transatlantic.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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