Canadian Collection

The Canadian collection is distinguished in part through a great number of iconic works, including Alex Colville’s Horse and Train, and William Kurelek’s This is the Nemesis.

Founded in 1914, the Art Gallery of Hamilton is the oldest and largest art museum in Southern Ontario with a permanent collection that is recognized as one of the finest in Canada.

Horse and Train, Alex Colville, 1954, From the collection of: Art Gallery of Hamilton
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This is the Nemesis, William Kurelek, 1965, From the collection of: Art Gallery of Hamilton
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On Sunday, June 28, 1914 the Art Gallery of Hamilton opened its doors with an inaugural exhibition of paintings by Hamilton-born artist William Blair Bruce (1859-1906). The 33 works presented in the exhibition included a group of 29 paintings known as the “Bruce Collection” donated to the City of Hamilton by his widow, Caroline Benedicks-Bruce and members of his family.

The Phantom of the Snow (1888) by William Blair BruceArt Gallery of Hamilton

The Phantom of the Snow, William Blair Bruce, 1888.

From the collection of: Art Gallery of Hamilton

In late 1886, Bruce settled in Giverny where he produced his earliest Impressionist paintings. During this time, when the Canadian press was calling for “the establishment of a national art imbued with Canadian themes” he painted The Phantom Hunter. From a European perspective, the Canadian subject matter was exotic and appealing, and Bruce’s reputation began to develop.

Ice House, Coldwell, Lake Superior, Lawren Harris, 1923, From the collection of: Art Gallery of Hamilton
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Hurdy Gurdy, Lawren Harris, 1913, From the collection of: Art Gallery of Hamilton
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Corner of Doge's Palace, Venice (1901) by James Wilson MorriceArt Gallery of Hamilton

Corner of Doge's Palace, Venice, James Wilson Morrice, 1901

From the collection of: Art Gallery of Hamilton

Farm House by the Railway, Hanover, Carl Schaefer, 1939, From the collection of: Art Gallery of Hamilton
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The Dreamer, Charles Comfort, 1929, From the collection of: Art Gallery of Hamilton
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Permanent collections are complex and amazing things. The ways they are formed, presented, and interpreted all speak of choices—choices made one hundred years ago and yesterday. Whether an artwork was given to us by donation, or purchased, these choices express who we are, and crucially, who we want to be.

Girl Under a Tree, Prudence Heward, 1931, From the collection of: Art Gallery of Hamilton
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Logging in Winter, Beaupré, Maurice Cullen, 1896, From the collection of: Art Gallery of Hamilton
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Black Velvet (1963) by Jack BushArt Gallery of Hamilton

Black Velvet, Jack Bush, 1963

From the collection of: Art Gallery of Hamilton

Girl in Dotted Dress, Emily Coonan, 1923, From the collection of: Art Gallery of Hamilton
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Forbidden Fruit, G. A. Reid, 1889, From the collection of: Art Gallery of Hamilton
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The Vaughan Sisters, William Brymner, 1910, From the collection of: Art Gallery of Hamilton
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Rubber Gloves, Paraskeva Clark, 1935, From the collection of: Art Gallery of Hamilton
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The Birch Grove, Autumn (1915-1916) by Tom ThomsonArt Gallery of Hamilton

The Birch Grove, Autumn, Tom Thomson, 1915-1916

From the collection of: Art Gallery of Hamilton

Ave Maria, Horatio Walker, 1906, From the collection of: Art Gallery of Hamilton
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Uncle George, Edwin H. Holgate, 1947, From the collection of: Art Gallery of Hamilton
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The Art Gallery of Hamilton is proud of its collection, while at the same time recognizing that there is still work to be done in accounting for the biases, omissions, and idiosyncrasies of our holdings. Although we aim to have old favourites on view, we are equally committed to bringing lesser-known works and the voices of contemporary artists to the fore, many of whom are grappling with current and pressing social issues.

Yan Q.C.I. (1912) by Emily CarrArt Gallery of Hamilton

Yan Q.C.I., Emily Carr, 1912

From the collection of: Art Gallery of Hamilton

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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