A Square in the City

Introduction to the architectural project of Carré d'Art, City of Nîmes

Carré d'Art Jean BousquetCarré d'Art - Musée d'art contemporain

A Square in the City

Carré d'Art is a bright and spacious building designed by Norman Foster, and located in the heart of Nîmes on the former Roman Forum. The Museum of Contemporary Art and the multimedia library can be found there, as well as a café.

Façade du grand théâtre de Nîmes, carte postaleCarré d'Art - Musée d'art contemporain

The Phantom of the Grand Theater

Until 1952, a neoclassical theater stood opposite the Maison Carrée. Inaugurated in 1800 and listed as a historical monument for its colonnade in 1949, it was at the heart of Nîmes' cultural life before it was destroyed by arson.

Colonnade du Grand Théâtre, après l'incendie de 1952.Carré d'Art - Musée d'art contemporain

The remains of the ancient theater

The 1952 fire was caused by an opera singer seeking revenge. Only the portico and the Ionic style colonnade survived the blaze. The theater remained in a state of ruin and the site remained vacant until the project to create Carré d'Art began.

Maquettes pour le projet architectural de Carré d'ArtCarré d'Art - Musée d'art contemporain

An international tender was launched

In 1983, an architectural competition for a cultural building, based on the model of the Centre Pompidou (a museum of modern art in Paris), was launched in Nîmes. 12 international architects participated. These included Frank Gehry, Jean Nouvel, and Norman Foster, who went on to win the competition.

Norman FosterCarré d'Art - Musée d'art contemporain

Norman Foster

A British architect born in 1935, Lord Norman Foster created his studio Foster + Partners in 1967. He's known for designing constructions such as the Reichstag in Berlin (1999), the Millennium Bridge in London (2001), and the Millau Viaduct in the south of France (2004). 

Maquette pour Carré d'Art avec la colonnade de l'ancien théâtre, par Norman FosterCarré d'Art - Musée d'art contemporain

For or against the columns?

The preservation and integration into the project of the ancient theater's columns was the subject of intense debates. Foster designed a model with this in mind, but they weren't retained. They were finally moved to the Caissargues highway rest area in 1987.

Croquis "Contexte urbain", Norman FosterCarré d'Art - Musée d'art contemporain

Initial project studies

When Foster first came to Nîmes, he explored the city on foot, interested in the characteristics of this southern city, its architecture, and its light. With the help of his camera and a sketchbook, he took many notes and made sketches of his impressions.

Croquis "Carré d'Art et la Maison Carrée", Norman FosterCarré d'Art - Musée d'art contemporain

Modernity versus Roman civilization

The proportions of Carré d'Art's façade echo those of the Roman temple known as the Maison Carrée (square house): the geometry of the building is simple and integrates harmoniously with the ancient monument.

Modernity versus Roman civilization

The overall plan recreates the original Roman grid with a large paved square and shaded roads bordered by trees.

Croquis coupe, Norman FosterCarré d'Art - Musée d'art contemporain

Rethinking spaces

Foster sought to clear the space around the Maison Carrée to devote as much of it as possible to pedestrians.  Between the two buildings, the redesigned square offers a new visual continuum, and provides living areas, cultural spaces, performance stages, and café terraces.

Chantier de Carré d'Art, vue de l'intérieurCarré d'Art - Musée d'art contemporain

Set over nine floors

With a total surface area of 219,500 square feet (20,400 square m), Carré d'Art extends over nine levels, four above ground and five below. The library, museum storerooms, and technical areas are located beneath the ground floor, as Foster revealed, "just like in a ship."

Inondation à Nîmes, chantier de Carré d'Art, 1988Carré d'Art - Musée d'art contemporain

The city saved from the water

On October 3, 1988, Nîmes was hit by a historic flood. Over 132,000,000 gallons (500,000 cubic m) of water rushed into the pit of the construction site, where four levels had already been excavated, spared the Maison Carrée from irreversible damage.  The original project of the building, will be redesigned and raised on a concrete belt.

Inauguration de Carré d'Art, mai 1993Carré d'Art - Musée d'art contemporain

Opening: May 7, 1993

Robert Calle and Jean Bousquet, the mayor of Nîmes, who initiated the project, inaugurated the building in the presence of Jacques Toubon, the minister of culture. Calle, the museum's first director, was a renowned oncologist and a great art collector.

Public le jour de l'inaugurationCarré d'Art - Musée d'art contemporain

An excited crowd

In the square, newly redesigned by Foster, the audience attended the opening of the museum and its first exhibition L'Ivresse du Réel–l'Objet dans l'Art du XXe Siècle (The Thrill of Reality–Objects in 20th Century Art), which welcomed over 20,000 visitors.

Credits: Story

Carré d'Art - Musée d'art contemporain - Nîmes - www.carreartmusee.com
Navigart: https://www.navigart.fr/carredart/artworks  
Centre de documentation Bob Calle: https://carreartmusee.centredoc.fr/index.php 

Realization: Carré d'art - Musée
Iconography: David Huguenin ; Frederic Aranda ; Foster & Partners ; René Mas

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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