Light, Colour and Emotion

Ângela Trindade (Bombay, 1909 – São Paulo, 1980)

Punjabi with Mandolin (1949) by Ângela TrindadeFundação Oriente Delegation in India

The early works of Ângela Trindade, daughter and artistic descendant of António Xavier Trindade, were immensely influenced by the canons of European Naturalism followed by her father.

Town Scene (1948) by Ângela TrindadeFundação Oriente Delegation in India

The artist’s Western training and the liberal atmosphere of the Trindade household made it possible for Ângela to become one of the first women in India to take up painting as a profession.

Our Lady of Conception (1956) by Ângela TrindadeFundação Oriente Delegation in India

Ângela became famous for her Indian-style Christian representations, in which, the artist explores an iconography closer to the cultural practices of the subcontinent and uses the symbolic dimension of colour to express stronger and deeper emotions.

Shakuntala and the Deer (1960) by Ângela TrindadeFundação Oriente Delegation in India

As her work matured, Ângela established her own vocabulary, known as Trindadism. By exploring the cultural and spiritual dimensions of the triangle, the artist found her aesthetic individuality.

Rice Pickers (1977) by Ângela TrindadeFundação Oriente Delegation in India

A versatile and prolific artist, Ângela Trindade's legacy is a perfect synthesis of the diverse influences and trends of the 20th century Indian art scene.

Credits: Story

References: Eiland, William U. at al, António Xavier Trindade: An Indian Painter from Portuguese Goa (exhibition catalogue), Georgia Museum of Art, University of Georgia, 1996; Gracias, Fátima, Ângela Trindade, A Trinity of Light, Colour and Emotion, Panjim, Goa, Fundação Oriente, 2016

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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