The Cloister

Five centuries of history and stratifications

Church of Santa Caterina a Formiello's dome with detail of the borbonic dryer (2016) by Viviana FalaceFondazione Made in Cloister

Santa Caterina a Formiello's Cloister

Made in Cloister is located inside the small cloister of the Church of Santa Caterina in Formiello, whose large monumental complex is among the most important examples of Neapolitan Renaissance.

 

In the nineteenth century the complex was requisitioned by Ferdinando Borbone who supported its transformation into a factory for the production of wool and military uniforms. From that moment on, the Cloister and the area, later called Lanificio, change their intended use, becoming a factory that can employ - at full capacity - over four hundred people, indicating itself among the virtuous examples within the "industrialization program" era.

Lunette with frescoes, Viviana Falace, 2016, From the collection of: Fondazione Made in Cloister
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Cloister porticato, Francesco Begonja, 2016, From the collection of: Fondazione Made in Cloister
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Lunette with frescoes, Ilaria Rossilli, 2015, From the collection of: Fondazione Made in Cloister
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Fresco's detail, Ilaria Rossilli, 2015, From the collection of: Fondazione Made in Cloister
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Fresco's detail, Ilaria Rossilli, 2015, From the collection of: Fondazione Made in Cloister
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Inside the cloister, Viviana Falace, 2016, From the collection of: Fondazione Made in Cloister
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The Cloister (2016) by Ilaria RossilliFondazione Made in Cloister

The wool factory

In the central part of the small sixteenth-century cloister a wooden roof is built which still gives it another element of charm: a marvelous central wooden truss, of exceptional size and structure, a rare example of Borbone industrial archeology maintained practically intact.

Borbonic Dryer- detail, Ilaria Rossilli, 2015, From the collection of: Fondazione Made in Cloister
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Wool factory chimney, Ilaria Rossilli, 2015, From the collection of: Fondazione Made in Cloister
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The cloister ceiling, Viviana Falace, 2016, From the collection of: Fondazione Made in Cloister
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Detail of the borbonic dryer, Viviana Falace, 2016, From the collection of: Fondazione Made in Cloister
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Detail of the Borbonic dryer, Viviana Falace, 2016, From the collection of: Fondazione Made in Cloister
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Columns of the cloister porticato (2014) by Harry PierceFondazione Made in Cloister

The end of the Borbone Kingdom

In 1861, with the Unification of Italy and the advent of the House of Savoy, in the Lanificio the orders of foreign exchange were suspended and the Sava family, which managed the business during that period, failed to reconvert production, declared bankruptcy and A very long trial begins with the new Kingdom of Italy, witnessed in the Historical Archives of the Banco di Napoli.

Refectory/Cloister Bar, Valeria Laureano, 2016, From the collection of: Fondazione Made in Cloister
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Refectory/Cloister Bar, Valeria Laureano, 2016, From the collection of: Fondazione Made in Cloister
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Borbonic Dryer ceiling (2015) by Ilaria RossilliFondazione Made in Cloister

A dark century

Quickly, what had initially been one of the most important monuments of Renaissance art and later an example of a virtuous industrial settlement, became an "abandoned" area.

 

A progressive and inexorable degradation of both the structures and the production and craft settlements that had, until then, connoted the entire area began.

Visitors admiring the frescoes, Valeria Laureano, 2016, From the collection of: Fondazione Made in Cloister
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Credits: Story

Photo credit Valeria Laureano
Harry Pierce
Viviana Falace
Francesco Begonja

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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