Fileteador PorteñoThe National Secretariat of Culture of Argentina
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
A romance between a city and an art
If tango is the melody of Buenos Aires, fileteado is its signature. This art with its colors, shapes, and shadows not only creates drama, but tells a story that can only evoke the Buenos Aires spirit.
Everyday sayings and the origins of fileteado
"Through hard work, the fallen rise."
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
There is no art without myth
The art of fileteado was born at the end of the 19th century, and there are several myths about its origin.
The legend of fileteado
Legend has it that two humble children of Italian origin operating out of a workshop on Avenida Paseo Colón created fileteado, decorating the horse-drawn carts that transported food around Buenos Aires.
The larks line up where the thrush does sing.
Tango in the streets | San Telmo (2024-07-28) by Pablo Germán PanaroThe National Secretariat of Culture of Argentina
The art of a culture
Over time, this art, characterized by its ornate typography, flowers, suns, animals, characters, and even popular proverbs, became part of the fabric and cultural identity of Argentina.
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
A golden age
The 1960s were the golden age of fileteado porteño. The artform decorated many of the cars and trucks which replaced food carts, like a motor that displayed colorful murals around the city.
Art in motion
The master fileteador Jorge Muscia, like many artists from Buenos Aires, had his beginnings in the art of painting city buses (colectivos). In fact, many drivers would choose their truck based on who the artist in charge of painting it was.
Like a playing deck, life has its cards marked.
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
The dark years
Despite its collective significance, fileteado was banned on Buenos Aires buses in 1975. This left many of the fileteado artists who worked in the bodywork factories out of work.
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
A resilient art
Far from disappearing, fileteado flourished and underwent a resurgence in its artistic expression in museums, objects, and even advertising. Little by little, it's gaining a place at the heart of Argentina's visual identity.
Tango & Tango - Interview with Jorge Muscia (2024-07-20) by Lucia Inés OteizaThe National Secretariat of Culture of Argentina
Fileteado: cultural heritage
Today, fileteado is not only part of the urban fabric, but of the global fabric, having become UNESCO Intangible Cultural Heritage of Humanity in 2015.
Some loves grow old but never stale.
Tango in the streets | San Telmo (2024-07-28) by Pablo Germán PanaroThe National Secretariat of Culture of Argentina
Symmetry, color, and life
Fileteado porteño is more than mere decoration. With its bright colors, symmetrical shapes, and hidden messages, each stroke tells a story and reflects the identity of Buenos Aires.
Dance parties and tango, what a way to make some dough.
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