By Leeds Museums & Galleries
From Loom to Limelight
Becoming an industry queen was usually a life-changing experience for women workers. The Daily Dispatch newspaper coined the phrase ‘From Loom to Limelight’ to celebrate the stardom experienced by Cotton Queens.
Exhibition brochure (1946)Leeds Museums & Galleries
Brochure for ‘A Story of Wool’, an exhibition that toured the wool and cotton manufacturing districts of the North of England from 1946. The exhibition featured the film ‘Three-Piece Suit’ starring Yorkshire Wool Queen Doreen Kerfoot.
Film script detail (1947) by Frank HillLeeds Museums & Galleries
Detail of the script from the Wool Trade promotional film ‘Three Piece Suit’. In the film Doreen Kerfoot plays a textile worker who persuades a Bradford company to make a suit which she finally models.
Still from the film 'Three Piece Suit' (1947) by Frank HillLeeds Museums & Galleries
An accomplished soprano singer, Doreen sings to her mill workmates, according to the script.
Playing pieces from the ‘Buy British!’ board game, sold as part of the campaign to increase sales of British goods. The Cotton Queens play a major role in this drive by encouraging consumers to buy British Cotton products.
As Yorkshire Wool Queen, Doreen Kerfoot shot to national and international notice. In this letter a German student in Russian-controlled Germany asks to become ‘pen-friends’ with Doreen. She did not reply.
Safari suit (2019) by Leeds Museums & GalleriesLeeds Museums & Galleries
Becoming Yorkshire Wool Queen allowed Doreen Kerfoot to follow her passions of singing, modelling and acting. This safari suit is one of the many costumes she modelled.
Tiara (1940/1950)Leeds Museums & Galleries
Britain's first Railway Queen
Britain’s railways were the first major industry to elect annual queens. In 1925 Ella Wooton, a railwayman’s daughter, became Britain’s first Railway Queen. Ella and subsequent queens wore this tiara.
Tiara QOI8aLeeds Museums & Galleries
This tiara was worn by the Cotton Queens of Great Britain while out on public engagements. Elsie Kearsley from Longridge, near Preston was the last Queen to wear it. Her reign was cut short by the outbreak of hostilities with Germany in September 1939.
Garments on display (2019) by Leeds Museums & GalleriesLeeds Museums & Galleries
The jersey on the left is a reproduction of a knitting pattern modelled by 1946 Yorkshire Wool Queen Doreen Kerfoot. The garment to the right is a ‘Calver’ smock, working-wear made by a contemporary craft practitioner.
Cotton Queens carried out a vast variety of engagements across Great Britain. This is Marjorie Knowles, the 1932-33 Cotton Queen, with a group of excited workers at a mill in Carlisle.
Photograph of Marjorie Knowles (1932)Leeds Museums & Galleries
All Cotton Queens had to be women actively working in the industry. Here, newly-crowned Cotton Queen Marjorie Knowles celebrates with her fellow mill workers in Burnley in June 1932.
Photograph of Marjorie Knowles (1932/1933)Leeds Museums & Galleries
Cotton Queen Marjorie Knowles steps out of her chauffeur-driven car. Standing to the right is her employer John Sharples. Sharples owned a chain of factory shops across Lancashire that sold cotton products made in his Burnley Mill.
Photograph of Marjorie Knowles on the steps of 10 Downing Street (1932)Leeds Museums & Galleries
Marjorie Knowles with her chaperone on the steps of 10 Downing Street in 1932. She would have been meeting the Prime Minister of the day, Ramsay MacDonald, as was the tradition for all Cotton Queens.
Photograph of Frances Lockett (1930)Leeds Museums & Galleries
Frances Lockett is crowned as the first Cotton Queen of Great Britain at a ceremony in June 1930 at Blackpool’s Tower Circus.
Photograph of Frances Lockett addressing a crowd (1930)Leeds Museums & Galleries
Public speaking was one of the most important duties for industry queens. Here Frances Lockett addresses a crowd in 1930.
Photograph of the crowning of Eileen Conboy (1936)Leeds Museums & Galleries
Eileen Conboy is crowned 1936 Morley Textile Queen by the town’s Mayor and Lady Mayoress. One of the prizes won by Eileen was a free haircut at the Vanity Box beauty salon.
Photograph of crowds welcoming Eileen Conboy (1936)Leeds Museums & Galleries
Large crowds welcome the 1936 Morley Textile Queen Eileen Conboy. In 1946 Yorkshire went on to elect Doreen Kerfoot as the county’s Wool Queen.
This story was inspired by the Queens of Industry exhibition held at Leeds Industrial Museum in 2019.
To learn more about some of the topics featured in this story, listen to series 2 episode 3 of the Leeds Museums & Galleries podcast featuring John McGoldrick, Curator of Industrial History.
The original exhibition and this story were made possible by contributions from:
· Paul Fletcher
· Wood & Allied Textile Employers Council
· Longridge Heritage Trust
· Pamela Dobson
· Tameside Local Studies and Archives
· Lancashire County Library Service