Crossroads

2006 - The series of photographs documenting the human and urban reality of Via Emilia

Crossroads by Nino MiglioriFondazione Nino Migliori

This ancient road was built by consul Marco Emilio Lepido.
Its construction was completed in 187 BC, extending 252 kilometers (77 miles) from Rimini, a stronghold founded in 268 BC, to Piacenza which became a Roman colony in 218 BC.

Crossroads by Nino MiglioriFondazione Nino Migliori

The Via Emilia, therefore, constitutes the backbone of an urban geographic system, it is a road with a political military function, but also of great public and commercial importance which would lend its name to the VIII Augustan Region.

This ancient road was built by consul Marco Emilio Lepido.
Its construction was completed in 187 BC, extending 252 kilometers (77 miles) from Rimini, a stronghold founded in 268 BC, to Piacenza which became a Roman colony in 218 BC.
The Via Emilia, therefore, constitutes the backbone of an urban geographic system, it is a road with a political military function, but also of great public and commercial importance which would lend its name to the VIII Augustan Region.

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Collegamento con S.S.16

Its relevance to the cities and areas it crossed has been reflected up to modern times: in fact the state road SS 9 bears the same name.

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Provinciale 136

Nino Migliori must have seemed an unusual wanderer to the eyes of the travellers surprised passing along the via Emilia, and it is that astonishment that is manifested in the incredulous looks of the passers-by. His face half hidden by a photographic device, which lends itself to be deciphered as a system for experimental operations, has allowed him to achieve a sense of disorientation exactly in the familiarity of this historical road.

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Provinciale 14

Like a two-faced Janus he shot scenes simultaneously, obtaining the “photographic capturing” of what was behind his back. He accompanied the choice of subjects to be shot with the casualness of what his camera caught according to a procedure that suggests infinite polarity: free will-chance, conscious-unconscious, human-mechanical.

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Regionale 31OR

Here the occurrence of the image seems destined to a disempowering of the author, but, in reality, this series of front-back views confirm Migliori’s profound “humanity”, his desire to subtract the subject from the bonds of photographic technique allowing it to become subject of this art.

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Regionale 306R

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Collegamento con S.S.64

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Provinciale 14

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Collegamento con S.S.62

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Provinciale 53

Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
,
Crossroads, Nino Migliori, From the collection of: Fondazione Nino Migliori
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Collegamento con S.S.45

Credits: Story

Publication
Crossroads-Via Emilia, Damiani Editore, Bologna, 2006.
Texts: B. Buscaroli, G. Maraniello, L. Miodini. S. Pezzoli, M. Smargiassi.

Exhibitions
Villa delle Rose, Bologna, 2006.
Autoworld, Brussels, 2008.
Istituto Italiano di Cultura, Madrid, 2008.
Istituto Italiano di Cultura, Copenhagen, 2009.
Istituto Italiano di Cultura, Koln, 2010.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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