Nineteenth-Century French Drawings from the Cleveland Museum of Art Exhibition Gallery View (2023-01-24) by The Cleveland Museum of ArtThe Cleveland Museum of Art
The CMA holds an internationally renowned collection of drawings from 19th-century France, highlighted in the exhibition Nineteenth-Century French Drawings from the Cleveland Museum of Art.
The works on view invite us to consider the challenges that women faced while pursuing artistic careers at this time, but also the growing place that artists such as Rosa Bonheur, seen here, established within the art world of the time.
Stag Lying Down (c. 1875–85) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Bonheur achieved celebrity status during her lifetime for her depictions of animals, such as the subject of Cleveland’s watercolor from around 1875, Stag Lying Down.
Sheep (1861) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Her father, also an artist, encouraged Bonheur’s training.
She started sketching outside, directly from nature, to record animals and their habitats for her paintings.
Stag Lying Down (c. 1875–85) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Stag is one such work by Bonheur that shows a favorite subject. The animal rests peacefully on a grassy forest floor, unaware of the viewer's (or artist's) presence.
Bonheur kept numerous animals on her estate in the French village of By, which served as inspiration for her art.
Cleveland’s drawing is one of many representations of stags that were discovered in Bonheur’s studio following her death in 1899, including numerous paintings, prints, drawings, and photographs.
Stag Lying Down (c. 1875–85) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
She once wrote of the animals that “I care nothing for the fashionable…I, who find all that is wanted in my…stags of the forest,” words that suggest the importance of Cleveland’s drawing to the artist.
Sheep (1861) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Although Cleveland acquired Stag in the 1970s, Bonheur has had played an important role in the collection for much longer: her Sheep was the first 19th-century French drawing acquired by the CMA in 1915, months before the museum’s opening.
Joan of Arc (c. 1889) by Ernest Meissonier (French, 1815-1891)The Cleveland Museum of Art
Bonheur was also a favorite of Cleveland collector Muriel Butkin, who generously bequeathed her collection of French drawings to the CMA in 2008.
Tree Study by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Butkin’s transformative gift included one of Bonheur’s many impressionistic studies of trees.
Return from the Horse Fair (1873) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
It also featured an 1873 watercolor that revisits the subject of Bonheur’s most celebrated painting, The Horse Fair.
The Horse Fair (1852–55) by Rosa BonheurThe Metropolitan Museum of Art
To create the painting, Bonheur obtained special permission to dress in men’s clothing so that she could sketch at an actual horse market in Paris.
Its skillful technique led one critic to marvel that “so masculine a work is the production of a feminine hand.”
Return from the Horse Fair (1873) by Rosa Bonheur (French, 1822-1899)The Cleveland Museum of Art
Cleveland’s watercolor reveals the important role that drawing played in creating such paintings - from preliminary studies to finished works and later reinterpretations.
Art Lovers (c. 1863) by Honoré Daumier (French, 1808–1879)The Cleveland Museum of Art
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