Antonio Morales and Family

Espinosa, José María. Ca.1850. Painting (oil and canvas).

Antonio Morales and family (1850) by Espinosa, José María (Atribuido)Museo de la Independencia Casa del Florero

This work is one of the most outstanding family paintings of the 19th century. In this painting, the artist, José María Espinosa portrays Antonio Morales with his wife, Ana María Espinosa Prieto, and their daughter, Gertrudis Morales. 


The painting highlights the economic status of the Morales family, and the symbolic importance of marriage in Colombian society at the time. 

Antonio Morales was one of the most influential managers of the independence process. He played a crucial role in the events of the 20th of July of 1810 as a member of Santafé’s town council, and being a participant in the Governing Board that marked the beginning of the nation.  

Despite this, he is not shown in military uniform, but in a domestic environment. The work focuses on the private aspect of the hero, highlighting his role within a powerful family, showing a lesser known but equally significant aspect of his life. 

Ana Espinosa wears a black dress, which does not necessarily denote mourning, but rather reflects the fashion of the time, still the Spanish heritage of the noble families. Her attire, besides luxurious, includes some jewelry, such as earrings.  

The gray false collar of her dress and the gloves are other details that highlight her social position. Her hairstyle shows a tendency towards simplicity, in contrast to the previous ostentation in women's fashion. 

The daughter dresses similarly to her mother, since at the time there was no specific wardrobe for children, as they were considered small adults. Gertrudis wears curls in her hair, which was a recent fashion trend. 

She also wears earrings, rings, a bracelet and a golden chain with a charm, probably religious.
  

In the nineteenth century, belonging to a distinguished family ensured stability and social status. Marriages were performed at an early age, since life expectancy was not considerably high.

Credits: Story


Museum Director 
Elvira Pinzón Méndez 

Curation 
Luis Felipe Núñez Martínez 

Communications 
Camila López Lara 
Valentina Bastidas 

Registro 
María Adelaida Bohórquez Botero 

Reproducción 
©Museo de la Independencia - Casa del Florero / Jairo Gómez 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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