The Rocca Pallavicino: The Marquis Fortress

The long story of a castle

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

The birth in the Middle Ages

The Rocca is a construction of medieval origin, whose first construction, commissioned by Adalberto of Baden (progenitor of the Pallavicino family) dates back to 985. After being destroyed in 1216, the castle was rebuilt in 1250 by the Marquis Oberto II Pallavicino, who the year before had been invested with the Fief of Busseto by the Holy Roman Emperor Frederick II of Swabia. The fortress was then entirely surrounded by a wall and a moat, which can be crossed through a drawbridge connecting with the large square in front. Busseto became the capital of the Pallavicino state, which flourished during the fifteenth century.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

The 16th century between popes and emperors
On 21 June 1543 it was the seat of the meeting between Charles V of Habsburg and Pope Paul III, who served the pontiff to obtain from the emperor the authorization to invest his son Pier Luigi in the Duchy of Parma and Piacenza, as actually happened in 1545.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

In 1585 the Pallavicino State was annexed to the Duchy of Parma and Piacenza. Almost three centuries later, in 1856, the fortress, in an advanced state of decay, was sold by the Ducal Chamber to the Municipality of Busseto, which commissioned the Parmesan architect Pier Luigi Montecchini to carry out its complete renovation in neo-Gothic style.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

The renovation, from 1857 onwards
The works, started in 1857 and completed in 1868, involved the entire building, of which only the sixteenth-century keep and a few other elements were kept intact. The Rocca develops around a central square courtyard; three of the four external corners are occupied by towers added during the nineteenth-century restructuring. The elevations are covered almost entirely in brick, with the exception of the first level of the main facade, which is plastered.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

At the center of the latter rises the sixteenth-century keep; crowned by the dovetail battlements, Ghibelline, the high tower is dominated by a large central clock, above which the belfry opens through a mullioned window on each of the four sides.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

On the sides, two perfectly symmetrical wings rise on a portico with round arches, on the first level there is a series of elaborate pointed mullioned windows surrounded by a frame with pilasters and terracotta tiles. Above them elegant shell-shaped terracotta medallions are set, while a cornice with neo-Gothic arches runs to the crown.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

Crossing the main entrance at the base of the central tower, you enter the internal courtyard, dominated on the south side by a portico with an overhanging brick loggia; on the opposite wall there is a stone high relief depicting an imperial eagle, the coat of arms of the Marquises Pallavicino, originally positioned on the southern entrance to the town.

Rocca Pallavicino (XIX Secolo)Teatro e Casa Natale Giuseppe Verdi

Even today the Rocca is the municipal seat: the municipal offices are in fact located in the left wing, while the entrance to the Giuseppe Verdi Theater is located under the portico on the right side.

Memorials to Giuseppe Verdi (XX Secolo)Teatro e Casa Natale Giuseppe Verdi

The monument to Verdi was commissioned to the sculptor Luigi Secchi, who completed it in 1913. The Maestro is depicted seated in an armchair, ideally located in the heart of the town, as if to placidly supervise the flow of life.

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