Amrita Sher-Gil: 11 works

A slideshow of artworks auto-selected from multiple collections

By Google Arts & Culture

Portrait of a Young Man (1930) by Amrita Sher-GilNational Gallery of Modern Art

'This painting done by Amrita Sher-Gil in 1930 shows a beautiful likeness of friend and fellow-artist, Boris Tazlitsky. The works shows her painterly skills even when she was a very young student at Ecole des Beaux Arts in Paris.'

Madam Tachlitzky (1930) by Amrita Sher-GilNational Gallery of Modern Art

'It could quite possible be that Madam Tachlitzky was related to Sher-Gil's friend, Boris Tachlitzky.'

Still Life (1) (1932) by Amrita Sher-GilNational Gallery of Modern Art

'This work may have been done by Amrita Sher-Gil during her student years at the Ecole des Beaux Arts in Paris in the early 30s of the Twentieth century.'

Denise Proutaux (1932) by Amrita Sher-GilNational Gallery of Modern Art

'Amrita Sher-Gil painted Denise Proutaux more than once. She was a friend of the artist and has been described as a Parisian art critic by art historian Partha Mitter in his book Triumph of Modernism.'

Marie-Louise Chassany (1932) by Amrita Sher-GilNational Gallery of Modern Art

'In 1932, Amrita Sher-Gil painted this sad, somber portrait of Marie Louise Chassany, who was a fellow student at the Ecole des Beaux Arts and also an intimate friend.'

Woman Holding Fan (1935) by Amrita Sher-GilNational Gallery of Modern Art

'Painted in the latter half of '30s or early '40s of the Twetieth century, Amrita Sher-Gil was engaged in capturing the ordinary Indian men and women and locating them in their context.'

Image missing

'Many scholars consider Brahmacharis as one of Amrita Sher Gil's greatest masterpieces.'

Woman on Charpai (1937/1938) by Amrita Sher-GilNational Gallery of Modern Art

'Sher-Gil's art education was completed in Paris where she was influenced by the post impressionists like Gauguin.'

Ancient Story Teller (1940) by Amrita Sher-GilNational Gallery of Modern Art

'Inspired by miniatures, Sher-Gil created a distinctive genre in oils to represent what art historian Geeta Kapur calls a "feudal/feminine world". Sher-Gil's predilections for painting peasant life and the influence of Brueghel on her have been commented upon.'

Elephants (1940) by Amrita Sher-GilNational Gallery of Modern Art

'Amrita Sher-Gil was clearly fascinated with elephants as she made quite a few paintings of the animal in 1940.'

The Last Unfinished Painting (1941) by Amrita Sher-GilNational Gallery of Modern Art

'It was painted in 1941 in the year of Amrita Sher-Gil's death.'

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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