Feeding Calves (2021) by Vibhor YadavProject FUEL
Traditionally, in the Maasai society and culture, polygamy served the demands of a pastoralist lifestyle. Cattle are a highly valued source of pride and a symbol of wealth. Maasai men spend most of their time collecting cows to add to their cattle herd, as it indicated a higher economic status.
Rafael (2021) by Vibhor YadavProject FUEL
To take care of and look after the increasing number of cattle, men married multiple wives, who would look after their households and cattle. Hence, the practice of polygamy became an integral part of their cultural norms. Rafael is married to two wives.
First wife (2021) by Vibhor YadavProject FUEL
According to the Maasai society, the first wife has an important role in the family. It is believed that she brings more blessings to a boma (home in Maa language), which is why she is considered the right hand of the Maasai man. This is the reason why the first wife will build her house on the right side of the main gate to his kraal (the fence that encircles the boma).
Canvas art: Polygamy (2021) by Advithi EmmiProject FUEL
The co-wives generally share a bond of sisterhood with each other. Botoro and Anna are first and third wife, respectively, to Rafael. About their bond, Anna said, “We share everything, we cooperate together and take care of each other. We find solutions to our problems together.”
Anna (2021) by Vibhor YadavProject FUEL
Jealousy among the Maasai women does not exist, but the man will always try to see that each of the women’s fundamental needs is met. The wife may go back to her parent’s house if her needs are not fulfilled.
The old man (2021) by Advithi EmmiProject FUEL
Elikana, a Maasai elder shared, “It is very important for a Maasai man to equally divide gifts between all his wives and children.”
A Monogamous Family (2021) by Vibhor YadavProject FUEL
With change of time, social mindset and economic growth, this practice is receding. Many young Maasai from the tribe now prefer a monogamous relationship.
Jackson (2021) by Vibhor YadavProject FUEL
According to Jackson, a 28-year-old Maasai man, people earlier believed that in order to live a good life, one needs to marry multiple wives, as it also leads to better standing in society. But he doesn’t believe it to be true. “You don’t need multiple wives to live a good life.”
Agnes (2021) by Ayushi JaiswalProject FUEL
The rapidly increasing water crisis has also led to a decrease in economic status of the villagers, as many have lost cattle due to deforestation and drought. Agnes, the first wife to a Maasai man, feels that traditions like polygamy should be stopped. She feels that with just one husband and wife, life would be much easier and resources can be shared. With many wives, it becomes difficult. “I want my son to have only one wife,'' Agnes shared.
Botoro (2021) by Vibhor YadavProject FUEL
Botoro, first wife to Rafael, shared similar thoughts. “I will never let my boys marry more than once. You should be allowed to, only when you are economically sound.”
One Husband, Many Wives (2022) by Project FUELProject FUEL
Director: Surya Balakrishnan
Producer: Apoorva Bakshi and Deepak Ramola
Associate Producer: Ayushi Jaiswal
Director of Photography: Sabit Tisekar
Drone Cinematographer: Vibhor Yadav
Additional Cinematographer: Siddharth Govindan
Editor: Ajit K Nair
Assistant Editor: Akash Patel
Sound Designer and Mixer: Teja Asgk and Jubin Raj
Assistant Sound Designer and Mixer: Prince John Carelet
Colourist: Sanchita Sen
Project FUEL would like to thank the Maasai community in the Losimingori village of Arusha, Tanzania for opening their hearts and home to this research.
This exhibit is part of the Wise Wall Project, an initiative of Project FUEL, to document, design, and strengthen the wisdom of rural communities and marginalized villages using art and community outreach programs. In the third edition of this project, we collaborated with the Maasai, in Arusha, Tanzania, to build an on-ground community centre for the people and bring an exclusive insight into the life, lifestyle, and learnings of this inspiring community.
Photography: Vibhor Yadav, Siddharth Govindan
Wall Murals: Poornima Sukumar
Canvas Art: Advithi Emmi
Cultural Consultant and Translators: Kaay Ndoika Lengima, Elisha Olchakai Kirumui and Lemali Ndoika
Research, Interviews and Curation: Project FUEL
Project Partners: Vijana Inspiring Foundation, Vikram Solar Ltd., Lions Club of Dar es Salaam and Arusha, Google Arts & Culture