Ministry of Culture and “la locura” for Latin America

The story by the writer of “Soy loco por ti America” with the continent after Gilberto Gil was minister in Brazil.

By Instituto Gilberto Gil

Text: Roni Filgueiras, journalist and researcher

Gilberto Gil, à época de vereador, ladeado por Waly Salomão, Mário Kertész, Jorge Mautner, Antonio Risério e José Carlos Capinan (1989)Instituto Gilberto Gil

Soy Loco Por Ti América, por Gilberto Gil e Caetano Veloso ao vivo
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Open veins

The Americanist and multiculturalist view of student and activist Gilberto Gil in the 1960s and 1970s celebrated in the anthem-song “Soy loco by Ti America” was maintained years after the politician Gil entered the scene.

The “portunhol” [a mixture of Portuguese and Spanish] verses by a friend from of the university, José Carlos Capinan, were written in the early hours of the capture and execution of Cuba’s revolutionary leader, Che Guevara, in 1967, in Bolivia.

Gilberto Gil e Caetano Veloso no show Tropicália Duo (1994)Instituto Gilberto Gil

Gilberto Gil composed the dance rumba perpetuated in the voice of Caetano Veloso, who included it in his first solo album, Caetano Veloso, in 1968.

Ministro da Cultura Gilberto Gil e indígenas durante visita ao projeto de uma nova aldeia para os índios Bororo (2004-04-15)Instituto Gilberto Gil

“Soy loco por ti, América”

Of those times, Gilberto Gil was left with the aspirations of a continent where exchanges were not restricted to trade, but to the cultural and symbolic exchange of peoples with great similarities, such as indigenous roots, but also with rich differences, such as language.

And this idea was emulated when Gil took over the Ministry of Culture (MinC, in the Portuguese acronym) between 2003 and 2008, during the Luiz Inácio Lula da Silva administration. In the photo, the then minister visiting an indigenous village, in 2004.

Ministro da Cultura Gilberto Gil e indígenas durante visita ao projeto de uma nova aldeia para os índios Bororo (2004-04-15)Instituto Gilberto Gil

Under Lula's developmental, inclusive project, Gil structured public policies aimed at cultural diversity and at bringing neighboring governments closer together.

An important step was to extend the protagonism of these policies to other portfolios, such as the Ministry of Foreign Affairs (MRE, in the Portuguese acronym).

Ministro da Cultura Gilberto Gil com políticos, imprensa, e representantes indígenas, da Unesco (Organização das Nações Unidas para a Educação, a Ciência e a Cultura), Unicef (Fundo das Nações Unidas para a Infância) e FAO (Organização das Nações Unidas para a Alimentação e a Agricultura) durante visita ao projeto de uma nova aldeia para os índios Bororo (2004-04-15)Instituto Gilberto Gil

MinC developed an unprecedented partnership with the MRE, which until then was the exclusive institutional forum for promotion of the country’s culture abroad.

A então primeira-dama Marisa Letícia, o então presidente Lula e os então ministros Gilberto Gil e Celso Amorim inauguram a embaixada brasileira na República Democrática de São Tomé e Príncipe (2003-02-11)Instituto Gilberto Gil

This mission expanded the actions of both the MinC and the MRE with the UN and its agencies, especially the United Nations Educational, Scientific and Cultural Organization (UNESCO).

And also with Latin America, Africa, China, Russia, India, South Africa, Arab countries and other international forums. In the image, Gil with Lula and Celso Amorim, former minister of Foreign Affairs, during the inauguration of the Brazilian Embassy in Saint Thomas and Prince in 2003.

Ministro da Cultura Gilberto Gil na abertura do II Seminário Nacional das Políticas Públicas para as Culturas Populares e do I Encontro Sul-Americano das Culturas Populares (ESACP) (2006-09-14)Instituto Gilberto Gil

“Soy loco por ti de amores”

Among the main measures organized by MinC (2003–2008) to strengthen South-South exchange were:

1) The Development Agenda at the World Intellectual Property Organization (WIPO), created by Brazil and Argentina and signed by eight Latin-American countries in 2004.

The document proposed that the discussions at WIPO should have the development of the signatories as a horizon, as well as the protection of intellectual property in general.

Ministro da Cultura Gilberto Gil participa do 5º Fórum Internacional Software Livre (2004-05-06)Instituto Gilberto Gil

Furthermore, the pacts would be based on mechanisms that allow the licensing of works, such as Free Software, Copyleft, and Creative Commons, but would not become barriers to guaranteeing people’s right to knowledge and information.

O então ministro da Cultura Gilberto Gil, Renaud Donnedieu de Vabres, então ministro da Cultura e da Comunicação da França, e Carmen Calvo, então ministra da Cultura da Espanha, firmam acordo pela diversidade cultural (2005-03-23)Instituto Gilberto Gil

2) Gil’s international prestige was fundamental for him to lead, as a minister, the demands of emerging countries in the signing of the UNESCO Convention for the Protection and Promotion of Cultural Diversity, in 2005.

O então ministro da Cultura Gilberto Gil, Renaud Donnedieu de Vabres, então ministro da Cultura e da Comunicação da França, e Carmen Calvo, então ministra da Cultura da Espanha, firmam acordo pela diversidade cultural (2005-03-23)Instituto Gilberto Gil

The document provided that national constitutions of the signatories would guarantee the protection of cultural diversity, but also universal access to the cultural goods by the working classes, hitherto excluded.

Gilberto Gil, então ministro da Cultura, e outros ministros de Estado na 23ª Reunião de Ministros do Mercosul Cultural (2006-11-21)Instituto Gilberto Gil

3) As a Member State of the Mercosur Cultural—a Southern Common Market focused on the promotion and cultural exchange among the 12 members.

Gilberto Gil e membros da Portela em visita à escola de samba na ocasião 23ª Reunião de Ministros do Mercosul Cultural (2006-11-22)Instituto Gilberto Gil

Some initiatives involved several organs of the MinC System, such as cinema agency Ancine (which instituted the Mercosur Audiovisual Observatory and co-productions agreements with countries in the region) and the National Library Foundation (which created the Book and Reading Seminars in the Mercosur).

Gilberto Gil e membros da Portela em visita à escola de samba na ocasião 23ª Reunião de Ministros do Mercosul Cultural (2006-11-22)Instituto Gilberto Gil

And also Funarte (which has established an agenda for the Arts Sector Meeting in Mercosur) and the Secretariat of Identity and Cultural Diversity.

O então ministro da Cultura Gilberto Gil com Suzana Beiro, então coordenadora do Instituto Brasileiro de Administração para o Desenvolvimento (Ibrad), Luiz Fernando de Almeida, então presidente do Instituto do Patrimônio Histórico e Artístico Nacional (Iphan), Ubiratan Castro de Araújo, então presidente da Fundação Cultural Palmares, Sérgio Mamberti, então secretário da Diversidade e Identidade Cultural do MinC, e Mestre Salustiano (12/11/1945 - 31/08/2008), artista e fundador da Casa da Rabeca do Brasil, e José Samuel Magalhães, então gerente de Comunicação Institucional da Petrobras em Brasília, na abertura do II Seminário Nacional das Políticas Públicas para as Culturas Populares e do I Encontro Sul-Americano das Culturas Populares (ESACP) (2006-09-14)Instituto Gilberto Gil

The latter organized the Meeting of the Guarani Peoples, the South American Meetings of Popular Cultures, and the UNESCO Convention on Cultural Diversity, considered a historical landmark for the constitutionalizing of the region’s demands.

4) MinC made other numerous actions possible; actions which, despite the efforts, had unequal results and encountered barriers such as budget, human resources, and bureaucratic procedures, among them:

Ministro da Cultura Gilberto Gil anuncia lançamento do II Fórum Cultural Mundial (2006-05-06)Instituto Gilberto Gil

To include Brazil's adherence to other forums in order to articulate cultural cooperation in the Southern Cone, such as the South America–Africa Summit (ASA, in the Portuguese and Spanish acronym); and the South America–Arab Countries Summit (ASPA, in the Portuguese and Spanish acronym).

ASPA established cultural exchanges between the member States and Brazil with film, music, theatre, and dance festivals. The dealings with the ASA resulted mainly in exchanges with MinC-related bodies (Palmares Foundation, IPHAN, and Ancine).

Gilberto Gil durante palestra na Fundação Armando Alvares Penteado (FAAP) (2004-10-26)Instituto Gilberto Gil

“I’m just passing by”

At a lecture at the Rio Branco Institute in 2008, on the eve of his departure from MinC, the then minister saw the cultural integration of the countries of the region in the following light (in the photo, a lecture at FAAP, in 2004):

Gilberto Gil durante palestra na Fundação Armando Alvares Penteado (FAAP) (2004-10-26)Instituto Gilberto Gil

“We also face many challenges in the implementation of the Mercosur Cultural. More than the economic integration of some of our countries’ cultural products, we aim at culturally integrating the Southern Cone with the Brazilian territory.

“... There is still a lot to accomplish in this sector. Brazil and the Mercosur countries can and must manifest themselves as an example of cultural diversity and integration.”

Gilberto Gil durante palestra na Fundação Armando Alvares Penteado (FAAP) (2004-10-26)Instituto Gilberto Gil

“Ai hasta te comover”

May the future find us closer to this fate

Credits: Story

Exhibit credits

Research and text: Roni Filgueiras
Editing and copyediting: Carla Peixoto
Assembly: Patrícia Sá Rêgo
Acknowledgements: José Carlos Capinan, Juca Ferreira, Luis Turiba, Maria de Nazaré Pedroza, Adair Rocha, and Sérgio Xavier

General credits

Editing and curating: Chris Fuscaldo / Garota FM
Musical content research: Ceci Alves, Chris Fuscaldo, and Ricardo Schott
MinC content research: Carla Peixoto, Ceci Alves, Chris Fuscaldo, and Laura Zandonadi
Photo subtitles: Anna Durão, Carla Peixoto, Ceci Alves, Chris Fuscaldo, Daniel Malafaia, Gilberto Porcidonio, Kamille Viola, Laura Zandonadi, Lucas Vieira, Luciana Azevedo, Patrícia Sá Rêgo, Pedro Felitte, Ricardo Schott, Roni Filgueiras, and Tito Guedes
Data editing: Isabela Marinho
Acknowledgments: Gege Produções, Gilberto Gil, Flora Gil, Gilda Mattoso, Fafá Giordano, Maria Gil, Meny Lopes, Nelci Frangipani, Cristina Doria, Daniella Bartolini, and all photographers and characters in the stories
All media: Instituto Gilberto Gil

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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