Tamir Ali

Tamir Ali is in a Satwa State of Mind

Tamir, Satwa 3000, Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

In 2006, what was meant to be Tamir’s two-week vacation in the UAE, instead turned into the beginning of a dedicated artistic career at the center of Dubai’s emerging music, dance, and skater subcultures. As a British-Egyptian creative, Ali had always felt a sense of belonging in the UAE, where the hyphenation in his identity acts more as a bridge than a fissure. And perhaps he could sense, well before taking up his role as a community organizer, that Dubai was open to newness, collages of ideas, and remixes.   

Tamir, Satwa 3000, Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

Tamir describes his work as, “Authentically and genuinely connecting with subcultures that are growing and establishing themselves in the UAE.” As a professional in the events field, Tamir began creating small gatherings across Dubai’s creative subcultures—bringing together music makers and dancers, visual artists and extreme sports fanatics. “We did streetball games, jam sessions, skate events, b-boy events,” he explains.

Naima, Pavan, Tamir, Maajed, Fahad, Hasoon, Doben and Manchester, Ravi's Restaurant, Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

Tamir believes in the importance of connecting and bringing people together, viewing street culture as a robust, if unrecognized ecosystem. When skaters get together in Satwa and learn moves from b-boys in Deira who break dance to beats created in Karama, the mixing and remixing in and of itself adds a unique Dubai-kid spin to these global creative cultures.

Manchester, Fahad, Tamir and Krafty, Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

As he grapples with capturing the essence of this street/youth/sub/culture, he recalls a metaphorically interpreted experience some years ago of seeing a massive ghaf tree being dug out at the roots to be transported elsewhere. He noted the irony of this tree thriving in the mid the roots are the subcultures, or the street cultures. These are the things that give nutrition, they give the city soul, they make it more pleasant. I see this as anything that revolves around youth being proactive or being productive.”

This tree may as well be growing in Satwa now, the colorful neighborhood of fabric and shoe stores, confectionaries and bakeries, where each day has potential for surprise. He describes Satwa as a vibrant community where collaborators can sip piping hot karak late into the night Here, street food brings even the most notorious of competitors together, and skateparks, dance halls, and basketball courts serve as arenas for idea exchange. 

Pavan, Tamir, Fahad, Hasoon, Manchester, Frostyle and Amir at Ravi's Restaurant, (2021) by Farel BisottoDubai Culture & Arts Authority

“When I first came out here, I connected with a bunch of people from different countries. We realized there’s a language that we share, a tradition, or mentality that we share,” he mentions, adding that what unites artists in this city is “that spirit, or that determination to create, or perfect, or practice.”

Tamir taps into this very spirit by organizing local events and competitions spaces, where artists can not only be seen, but also celebrated and challenged. Upon reflection he notes that, “Once people have a platform, or an audience, they have even more reason to train harder or perfect their craft. Mostly what I do is find a spot, or send out invites, or make some t-shirts and buy a trophy. Just create a vibe. It’s not very hard, but can be very meaningful in encouraging talented creatives to continue on their journeys.”

Tamir and Hasoon, Thrift Store, Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

In his free time, he continues trying to find gems in unexpected places. “There’s something about going through racks that just relaxes me. Sometimes I go to a store—and there’s a lot of places to thrift in Satwa by the way—and I just start going through the racks, and then bam! You find that one piece that just gives you a rush, and it's unbelievable that you managed to find it.” 

Tamir Ali at Calderon Gents Salon (2021) by Farel BisottoDubai Culture & Arts Authority

As a multi-faceted creative, this city gives Tamir free reign to be his most authentic self, find the people who inspire him, and incorporate the larger parts of Dubai—the beaches, the desert, the food, and the energy—into his artistic process.

Al Satwa (2021) by Farel BisottoDubai Culture & Arts Authority

“Personally, Dubai opened a lot of opportunities for me. I was able to come here, I had a vision, I had a dream, and I was able to just make it happen. And I think that’s the magic of Dubai. It’s a city that’s establishing itself, it’s developing, it's innovating, it has a growth mindset —and when people come here, they also start to get influenced by that energy and it encourages a similar attitude in them. A lot of people come here and pursue their passion and they’re getting noticed for it.” 

Credits: Story

Credits:
Tamir Ali
Production and creative direction: Sole
Director DP: Toby Plummer
Camera Assistant: Mohammad Zubair Alam
Words: Larayb Abrar
Translation: Lina Elmusa
Photography: Farel Bisotto
 
 
Special thanks to:
Naima
Krafty
Manchester
WXB
Taha
Ace
Fahad
Majeed
Hasoon
Doben
Tac
Pavan
Beewun
Frostyle
Satwa3000



Ravi’s Restaurant
Calderon Gents Salon 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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