Menire, a Kayapó woman and her work

Explore the intricate artisan work by the women of the Kayapó people.

Produção do Aín (2018) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

ME IDJÀ PÊJ - Our Work

Daily Work

We work hard. We go to the river to wash clothes and fetch water, we fetch food and firewood, we prepare food, we look after the children, [...]

Pulseira de miçanca (2018) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Ornaments

[...] we produce beaded bracelets for our festivals and for orders from the Kabu Institute, and make paintings on the children, our husbands and relations. 

Mulher carregando saco de castanha (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Outside the Village

And also, at certain times of the year, we spend a few months collecting Brazil nuts, work we share with the whole family. We leave the village and set up camp in the forest to gather the nuts that fall to the ground.

Coleta do Açaí (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Fruit Gathering

Besides gathering nuts, we have access to many other resources such as native fruits, açaí (Kamêrêkàk), fruit (Kamôkti), tonka beans (Kren Yky), jatoba (Môj), genipap (Mrôti), cocoa (Kubenkrãti), Oxi, (Krem) and others found in the forest.

Açaí no cesto (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Building a House

Another activity in our culture that is also the responsibility of women is roofing the houses. Our husbands do the walls and we cover the roof with straws.

Preparo do açaí nativo (2017) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

M`YJ NE BA ME IPÊJ NE - What We Make

Seguranto sementes de Cumaru (2019) by Débora SiqueiraMemorial dos Povos Indígenas

Essential Income

We produce many things, and part of our production helps the families' income. These days, we also need resources to help with our home and to buy the things we need for ourselves and our children.

Segurando sementes de Cumaru (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Kabu Institute

Our source of income comes from tonka bean, chestnut, and craft projects. These projects are developed by the Kabu Institute, an association created by the Kayapó Mekrãgnoti, which serves 09 villages of the Baú and Menkragnoti indigenous lands.

Mulheres trabalhando com miçangas (2011) by Junio Esllei de OliveiraMemorial dos Povos Indígenas

Kayapó Art

The Kayapó art project helps us develop our work with beads and fabric painting. This project has been ongoing for over 9 years.   

Segurando pulseira de miçanga (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Community Organization

We have already created many new products like shoes, pillows, bags, necklaces, earrings, paintings, dresses, t-shirts, and other things that help us earn more income.   

Bananas (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Division of Resources

Even with all this effort, as there are over 300 women in the villages, when the revenue is shared out, each of us is left with only a little.

Retorno da roça (2012) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Visibility

Therefore, we have been talking about how to increase our income and develop our work.  

Kuben Recognition

We think that if the Kuben (non-indigenous people) knew more about our lives, the way we produce and the way we do our work, maybe our products could get higher prices or find new places to be sold.

ME IJÔK - Our Painting

Mão segurando paleta de pintura (2019) by Jonatha AndradesMemorial dos Povos Indígenas

Ôk

Ôk, in the Kayapó language, means painting. All the women in the village know how to paint, because we learn when we are children. We do face painting, full body painting, chest, arms, and legs.

Moça da Aldeia Kawatum (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

An Art for Everyone

Our body paintings are different depending on the person who is painted. 

Moça da Aldeia Kawatum vestida com Ain (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

And for all stages of life

There are paintings for children, women, men, the old, single women, and for the first child. 

Massa de Urucum (2015) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

For every moment

The reasons for the paintings are quite varied, being most commonly they are for initiation and naming festivities, women's festivals and various rituals such as funerals, preparation for war, fishing, expeditions into the forest, or just to make ourselves beautiful.

Mãos pintadas de Urucum (2015) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Pintura do rosto (2019) by Jonatha AndradesMemorial dos Povos Indígenas

Fruto do Jenipapo (2015) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Segurando frutos do Jenipapo (2017) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Pintura da Alpargata (2018) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Dedication

Painting is a lot of work, but we really enjoy doing it. Depending on the job, it takes a long time to do.    

Pintura do tecido (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Other Income

We have recently started painting on fabrics and that is good because it is also a source of income. 

Pintura de mesa de madeira (2017) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Recording the Environment

Our paintings are drawings that remind us of the animals, the plants, and everything around us.

Mulheres da Aldeia Kawatum segurando pinturas (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Inspiration

There are paintings inspired by tortoise shells, snake skins, turtle shells, gourds, tree bark, animal tracks, and footprints, among many other things. 

 

ME INHÕ ANGÀ - Our Beadwork

Segurando miçangas (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Light Hands

We really enjoy working with beads, to earn money to help our children. It's what we like to do most because they’re light, not heavy like chestnut and tonka beans.

Mão segurando pulseira de miçangas (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

What do we buy?

We buy clothes and slippers for ourselves and our children. We also buy some food items like rice, beans, sugar, coffee, and spices.

Criança segurando pulseira (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

The Town

Sometimes we go into town to shop and when we can't go, we ask someone who is going there. If we have to go to the hospital with a child, we buy a plate, a spoon, and a diaper for the child.

Moça da Aldeia Kawatum (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Bead Time

We also make earrings, but it takes a day to make each pair of earrings.  Thin bracelets take a day and the thick ones take two days to finish. A short necklace is made in one day and a long necklace takes five days.

Segurando pulseira de miçanga (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Curious Shape

We like colorful beads, the more colors the better. Each woman has a way of working and making different designs with the beads. There are images taken from our culture, like tortoises and gourds, but also football teams and other things, which are also beautiful.

AKATI JAKAM ME INHÕ PURU - Our Food

Mulher Kayapó segurando milho tradicional (2016) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

The Arrival of Agriculture

In the past, when we had no contact with the Kuben (non-indigenous people), our food was fruit, game, and fish. We used to have no agriculture, but our elders say that one day a star turned into a woman and she brought cassava and other food from the sky and taught us how to plant.

Segurando batata doce (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Family Farming

Having a field is very important. It's where we work with our whole family, clearing the forest, burning, sewing seed, planting, taking care of the field so that the pig doesn't eat the crops, and then go and harvest, because each crop has its time.    

Mulher segurando Babaçu (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Division of Tasks

When it's time to plant the fields we work hard, we open the fields, clear them, set them on fire, and then plant them. The men open the field and the burning is done with our help. Planting is a job for the whole family. Maintenance, harvesting, and food preparation, on the other hand, is a job for women.   

Mulheres Carregando Porco do Mato na estrada (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Hunting

There is plenty in our forests and our rivers, so there is no shortage of food. We have a lot of game, like pigs, deer, armadillos, agoutis, tapirs, curassows, macaws, monkeys, and other animals that serve as food.

Mulher da Aldeia Krimej segurando peixe (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Fisherwomen

Our husbands, sons and sons-in-law hunt, but we prepare what they catch. Today there are women who fish alone or in groups, but hunting is for men.

Mulher da Aldeia Baú segurando cacho de Açaí (2019) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Cumaru na peneira (2015) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Chestnuts and Fruit

Besides game and fish, other foods are gathered in the forest, such as Brazil nuts, tonka beans, açaí, and babassu, as well as various fruits, such as jatoba, fruit, genipap, cocoa, oxi, and other fruits.   

Frutos do Buriti (2016) by Alexandre MarinhoMemorial dos Povos Indígenas

MENIRE BI ÔK - The Women's Festival

Dança das mulheres (2012) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Daughter Names

In our culture there are many festivals: Tapir Festival, Cassava Festival and Bemp Festival, and many others. We also have our festival, which in our language is MENIRE BI ÔK - Festival of Women. This party is very important as it is when our daughters get their real names. 

Preparations

The festival is announced by the girl's grandmother, who, besides organizing it, also chooses the child's name. The duration can vary greatly, up to a month or more. The men hunt and fish, and the women harvest the fields and prepare food for the participants.   

Festa da mulheres (2012) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

The Tests

The women spend a lot of time rehearsing the songs and dances to perform in the main courtyard of the village. They spend the day doing body painting, and on performance days, the honored women and children are decorated with beaded necklaces and headdresses.

The Woman's Song

During the festival period, the women spend several days singing in the village. It can be at different times during the day: afternoon, morning, and early morning.   

Criança na festa das mulheres (2012) by Cleber Oliveira de AraújoMemorial dos Povos Indígenas

Wrap Up

The festival ends with the permission of the hostess, so that everyone can eat the food.     

Credits: Story

"The images, the way of doing things and the traditional knowledge shown in the exhibition aim to disseminate and safeguard the material, non-material, and socio-cultural heritage of the Kayapó Mekrãgnoti people. The images and information available here belong to the communities concerned and cannot be reproduced without their permission”. 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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