The Hero's Journey

Discover Rufina Santana's most emblematic painting and its hidden symbols

Hero's Journey (2015) by Rufina SantanaCurbelo Santana Foundation

The “hero's journey” is a narrative concept. It describes a structure in which the protagonist goes through a series of stages as they continue to grow, both personal and spiritual. It was popularised by Joseph Campbell in his work The Hero with a Thousand Faces.

In the context of Rufina Santana's work, her mural "The Hero's Journey" refers to a visual and symbolic exploration of personal growth, confronting the unknown and the transformative effect of experience.

The mural shows symbolic elements, landscapes and other personal or universal symbols. They form a narrative discourse around the figure of the mythological hero. Let's take a closer look.

The Great Wave

The Great Wave gives the hero the impetus to begin his journey, it is a call to adventure.

The Island

The island symbolises the place where comfort and safety can trap us.

The sea

In this uncertain and labyrinthine sea, the nets are set, symbolising the knots of our own minds that we must unravel.

The waterfall

The waterfall symbolises the threshold, the point of no return, where the hero enters the unknown, leaving behind their home and his former life.

The Golden Glass and the Still Waters

This glass and these waters symbolise the elixir, the result of the journey, something the hero brings back that can benefit his community or themselves.

The Blue Smoke

The blue smoke is the symbol of revelation, the crucial moment when the hero learns something important about themselves or the world around them.

The double-rowing boat

The boat symbolises return. Having completed his adventure, the hero returns home, often with new knowledge and experience of life.

"The Hero's Journey" is the mural created for the exhibition "Cartography of Water" at the Frost Art Museum in Miami in 2015.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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