Naoshima had long suffered from environmental degradation caused by the smoke of a copper refinery built in the 1910s. In the late 1980s, a grand plan was launched to restore the island’s blighted landscape while creating places for people and art.
Ando took on the task of designing the architecture to give shape to this vision. The first building to be completed was the Benesse House Museum, which is an art museum with a hotel.
1: Blending into the Landscape
The museum at the tip of the promontory, the “Oval” hotel on the hill behind it, and the stepped plaza adjoining a pier have been designed to blend into the landscape.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
The buildings are hardly visible when approached by sea. The concrete walls inserted into the landscape create a beautiful contrast with the surrounding nature.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
Visitors who alight on the pier are welcomed by a stepped plaza where a concrete wall framing the scenery heightens their awareness of nature.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
The approach to the entrance is bounded by walls made of stacked white marble. The architecture further merges with the natural landscape as it becomes covered by plants.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
The entrance to the museum as seen amid the overgrowth. The sharp outlines of the architecture contrast beautifully with the softened outlines of the plants.
2: Geometric Spaces Set in the Topography
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
The museum has a clear composition of geometric forms such as circles and rectangles. However, on the inside it offers a wide variety of spaces that unfold both vertically and horizontally.
Past the entrance is a tall cylindrical space that is illuminated impressively from above. By limiting nature’s presence to the single ray of sunlight, it becomes the protagonist of the silky concrete space.
Benesse House Museum by Photo: Naoharu ObayashiTadao Ando Architect & Associates
The semi-subterranean gallery that makes clever use of the elevation difference of the terrain. The wooden floor, white walls, and daylighting strategy used in this space gives it a very different feel from the previous room.
Richard Long"Inland Sea Driftwood Circle"/"River Avon Mud Circles by the Inland Sea" by Photo: Tadasu YamamotoTadao Ando Architect & Associates
Kan Yasuda"The Secret of the Sky" by Photo: Tadasu YamamotoTadao Ando Architect & Associates
Artwork is displayed not only indoors but also in the dry area and the terrace overlooking the sea. Each piece has been carefully positioned in relation to their specific location.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
A view of the landscape framed by concrete walls.
3: Feeling the Setouchi Landscape
Benesse House Museum by Photo: Ken'ichi SuzukiTadao Ando Architect & Associates
View of the Setouchi landscape from Naoshima. The architecture both forms part of the island and creates a place for taking in the beautiful nature of its surroundings.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
View of the Setouchi landscape from Naoshima. The architecture both forms part of the island and creates a place for taking in the beautiful nature of its surroundings.
Looking out to the sea beyond the green roof from the second floor of the museum. The concrete and white marble creates a beautiful contrast with the blue sky and waters and the green islands.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
The hotel rooms on the upper floor allow visitors to take their time to enjoy the artwork and see the changing expressions of the architecture and scenery over the course of the day.
Benesse House Museum (1992) by Tadao AndoOriginal Source: Tadao Ando Architect & Associates
How can this beautiful landscape be protected and passed on for future generations? Ando’s project still goes on.
Text:Shinichi Kawakatsu
Editor:Ryusuke Wada
Direction:neucitora
Supervision:Tadao Ando Architect & Associates