Unraveling Jeremias Batuqueiro

Racial stereotypes in a Brazilian toy from the 1950s

Jeremias BatuqueiroMuseu Histórico Nacional

Jeremias Batuqueiro is a wind-up plastic toy launched by the Brazilian company Estrela in 1954. Marketed until the 1960s, it represents a black man wearing a yellow suit and hat, a tie and details in red and white, and black shoes.

It stands on a metal drum decorated with illustrations of musical instruments and dancers.

Jeremias has a wide smile, red lips, wide eyes, big ears and can dance by moving his arms and legs. The creation by Estrela seems to have been inspired by the American toy Be-Bop: The Jivin’ Jigger, produced by Marx Toys.

Jeremias BatuqueiroMuseu Histórico Nacional

Jeremias invites reflection on the spread of caricatured images of the Black population among children in Brazil. The character—a smiling Black man dressed as a "Rio de Janeiro rogue"—highlights stereotypes marked by racist and reductionist views.

Jeremias BatuqueiroMuseu Histórico Nacional

The toy associates Afro-Brazilian music and dance with a simplified and exotic image, naturalizing inequalities and masking racial tensions. Thus, it reflects how structural racism and the myth of "racial democracy" influenced the children's imagination in the 1950s and 60s.

Jeremias BatuqueiroMuseu Histórico Nacional

Today, derogatory images of the Black population are widely combated, but this was not always the case. Until recently, reproductions that reinforced racialized views were common. The Jeremias Batuqueiro toy exemplifies this imagery that devalued Black contributions.

Jeremias BatuqueiroMuseu Histórico Nacional

By critically examining the collection, we realize how racism and social inequalities have been reconfigured since abolition. The legal freedom of Black people did not bring real equality, giving rise to new forms of exclusion and silencing in Brazilian society.

Jeremias BatuqueiroMuseu Histórico Nacional

Jeremias Batuqueiro reveals an imaginary world that caricatured the Black figure, reducing it to stereotypes of joy and subservience. Beneath its playful appearance, the toy reinforces racial hierarchies and sustains the myth of harmonious coexistence between whites and blacks.

Brinquedos (2010/2013) by Lau TorquatoMuseu Histórico Nacional

Jeremias shows that even toys can reveal ingrained inequalities and prejudices. He not only refers to history, but also calls on us to reflect on the persistence of racist representations and the need to retell Brazilian culture from an anti-racist perspective.

Credits: Story

To learn more

ABREU, Martha. Jeremias Batuqueiro. In: "Histórias do Brasil: 100 objetos do Museu Histórico Nacional (1922-2022)". Rio de Janeiro: Museu Histórico Nacional, 2022.
MEFANO, Ligia. "O design de brinquedos no Brasil: uma arqueologia do projeto e suas origens". Dissertação de Mestrado, Departamento de Artes & Design do PPG Design. PUC/Rio. Rio de Janeiro, 2005.
PASSOS E SILVA, Lissa dos. "Preto na cor e branco nas ações: representações raciais no Teatro de Revista...". Dissertação de Mestrado, PPGH-UFF. Rio de Janeiro, 2021.
PEREIRA, Juliana da Conceição. "Da Cidade Nova aos palcos: uma história social do maxixe, 1870-1930". Tese de Doutorado, PPGH-UFF. Rio de Janeiro, 2021.
"Você sabe o que é racismo recreativo?" (vídeo do Ministério Público do Estado da Bahia) - https://www.youtube.com/watch?v=ybVcHSY1T0s


Exhibition assembly
Adriana Bandeira Cordeiro


Photos
Jaime Acioli


Acknowledgements
Diogo Tubbs
Maria De Simone Ferreira

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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