Nave Nave Mahana (1896) by Paul GauguinMusée des Beaux-Arts de Lyon
Welcome! The Museum of Fine Arts is one of the largest museums in France and Europe. It is in a magnificent 17th century building, located in the center of Lyon, between the Rhone and the Saone. Spread across 70 rooms, its collections offer visitors an exceptional journey from classical Antiquity right through to modern art. The museum is regularly expanded thanks to an active acquisitions policy, which, above all, solicits donations from art lovers, collectors, and descendants of artists. The museum is a place of life. One hundred and thirty people work there everyday, welcoming you to its collections and exhibitions. The audio tracks stored on the museum's audio guide expand on the work in the gallery.
Coffin of Isetemkheb Coffin of Isetemkheb (vers 664-525 avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Collection of Antiquities
From the land of the Pharaohs to ancient Rome, the Department of Antiquities presents more than 3 millennia of history from the Mediterranean basin. Throughout the collections' rooms, we invite you to discover fascinating civilizations from Egypt, the Middle and Far East, Greece, and Ancient Italy.
Door of a Medamud Temple (vers 221-205 avant J.C.) by AnonymeMusée des Beaux-Arts de Lyon
Originally, this monumental gateway marked an entrance to Medamoud's main sanctuary.
Carrier of a Goatskin Flask Carrier of a Goatskin Flask (début du Ve siècle avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Kore Kore (vers 540-530 avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Kore, Reconstitution of Motifs (Vers 550-540 avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Kore (back) (Vers 550-540 avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Kore (detail) (Vers 550-540 avant J.-C.) by AnonymeMusée des Beaux-Arts de Lyon
Mercury by AnonymeMusée des Beaux-Arts de Lyon
Triptych by Atelier du Maître du Diptyque de SoissonsMusée des Beaux-Arts de Lyon
Collection of Objets d'art
The Department of Objets d'art holds genuine treasures, spanning fromthe Middle Ages to the 20th century. You will pass Byzantine ivorywith painted enamel from Limoges and discover the decorative earthenware of the Renaissance before catching your breath again in front of Hector Guimard's ArtNouveau room. Which of our two unique collections will you find most seductive: the Islamic art collection or the Far-Eastern ceramics?
Basin Basin by AnonymeMusée des Beaux-Arts de Lyon
A remarkable testimony to the high-quality of execution, this brass basin was produced in Fars, a southern province of Iran.
Dish with an Arabic inscription (Fin du XIVe - début du XVe siècle) by Les ateliers de Malaga et de ValenceMusée des Beaux-Arts de Lyon
The West and Islam: from 711 to 1492, Islamic civilization developed in Spain (al-Andalus). Muslims introduced luxury ceramics, especially during the 13th and 14th centuries.
The workshops of Malaga and Valencia are exemplified by the production of ceramics with a metallic sheen, a technique which appeared in the East in the 9th century.
Pod-shaped bowl by Bernard PalissyMusée des Beaux-Arts de Lyon
Land, marine, and freshwater animals placed on mossy rocks evoke the ideal of nature.
Thirty three animals, belonging to nine identifiable species of reptiles, amphibians, fish, and crustaceans, populate this basin, whose layout creates an illusion of symmetry.
A frog followed by two green lizards, and on the other side…
On the other side, a gurnard flanked by 2 pairs of freshwater turtles and grass snakes.
Three other grass snakes coiled up in the background mark the axis of the composition, completed by a seedbed of small animals: frogs, fish, crabs, brown lizards, and a crayfish.
Set of Ceramics for the Tea Ceremony Set of Ceramics for the Tea Ceremony by AnonymeMusée des Beaux-Arts de Lyon
Set of Ceramic Items for a Tea Ceremony (Fin XVIe - XIXe siècle) by AnonymeMusée des Beaux-Arts de Lyon
Madame Guimard’s Bedroom (1909/1912) by Hector GuimardMusée des Beaux-Arts de Lyon
Madame Guimard’s Bedroom (detail) (1909/1912) by Hector GuimardMusée des Beaux-Arts de Lyon
Madame Guimard's Bedroom (detail: chair) (1909/1912) by Hector GuimardMusée des Beaux-Arts de Lyon
The Medallion Collection
Have you always dreamed of finding treasure? Our medallion collection houses plenty of wonderful examples. Discovered in Lyon in Place des Terreaux and at the Jacobin Theater, or in the wider region, major pieces from a rich collection of about 50,000 coins, medallions, tokens, seals, and jewels are stored here. These contributed to making Lyon's medallions department the second best numismatic collection in France, after the Parisian collection, preserved in the National Library of France.
Stater of Vercingetorix Stater of Vercingetorix/ Obverse by UnknownMusée des Beaux-Arts de Lyon
The Treasure of Terreaux The Treasure of Terreaux by AnonymeMusée des Beaux-Arts de Lyon
The Ascension of Christ The Ascension of Christ by Perugin (Pietro Vannucci, known as "Il Perugino")Musée des Beaux-Arts de Lyon
Collection of Paintings
The Department of Paintings offers a panorama of works from primitive cultures through to modern art. Pérugin, Véronèse, Rubens, Géricault, Delacroix, Monet, Gauguin, Manet, Picasso, or Matisse will accompany you on your discovery of the great trends of European pictorial art. Paintings from the 20th century cannot be seen here, as these pieces are protected by French copyright law.
The Eternal Father between Two Angels (detail of the Ascension of Christ) (1495/1498) by Pérugin (Pietro Vannucci, dit il Perugino)Musée des Beaux-Arts de Lyon
The Ascension of Christ (plan of the polyptych) (1495/1498) by Pérugin (Pietro Vannucci, dit il Perugino)Musée des Beaux-Arts de Lyon
On the request of the Benedictine monks from the city of Perugia in 1495, Perugino devoted 3 years to the creation of an altarpiece for the high altar in their church.
The deadlines, iconography, and even the materials to be used were precisely detailed in the contract. Of the 15 elements that make up the ensemble, only the central part and the bezel, representing the Ascension of Christ, are preserved in the Museum of Lyon today.
Bathsheba at her Bath (1575) by Véronèse (dit Paolo Caliari)Musée des Beaux-Arts de Lyon
Bathsheba at her Bath (1575) by Véronèse (dit Paolo Caliari)Musée des Beaux-Arts de Lyon
Bathsheba at her Bath (original size) (vers 1575) by Véronèse (Paolo Caliari, dit)Musée des Beaux-Arts de Lyon
This painting was housed at the Palace of Versailles. It was enlarged at the top and on the left side, no doubt so that it would fit with the paneling.
Bathsheba at her Bath (framed) (vers 1575) by Véronèse (Paolo Caliari, dit)Musée des Beaux-Arts de Lyon
In 1991, the choice was made to reinstate its initial format, whilst keeping the enlargement behind the current frame.
Adoration of the Magi (1617) by Pierre-Paul RubensMusée des Beaux-Arts de Lyon
Rarely has this scene of the Adoration of the Magi, so often depicted, been treated with such humanity and lavishness.
Luxurious coats trimmed with fur, a dazzling, gold tunic, brocades, and a damask pattern.
The Stoning of Saint Stephen (1625) by Rembrandt Harmensz van RijnMusée des Beaux-Arts de Lyon
The Flight into Egypt (1657) by Nicolas PoussinMusée des Beaux-Arts de Lyon
The Flight into Egypt (1657) by Nicolas PoussinMusée des Beaux-Arts de Lyon
The Charitable Lady by Jean-Baptiste GreuzeMusée des Beaux-Arts de Lyon
Fruit and Flowers in a Willow Basket by Antoine BerjonMusée des Beaux-Arts de Lyon
Navigate through the most minute details of the painting thanks to the gigapixel image.
Fruit and Flowers in a Willow Basket (1810) by Antoine BerjonMusée des Beaux-Arts de Lyon
Now you can navigate through the most minute details of the painting thanks to this gigapixel image.
This painting by Antoine Berjon is typical of experiments with flower motifs carried out by certain artists from Lyon.
They were influenced by the bouquets of Dutch or Flemish artists, who had been developing still life art since the 17th century.
Here, the painter demonstrates his technical virtuosity.
Even more than these masters from the North, Berjon tried to create the illusion of reality by painting flowers and fruits in real size.
Each element can be precisely identified. A small fly has landed on the melon…
... making the representation an extraordinary example of illusionism.
... even though tulips and poppies do not bloom in the same season.
Painted during the last months of Berjon's stay in Paris, this huge still life (1.07 m high by 87 cm wide) is displayed in the 1810 exhibition.
The painter, Antoine Berjon, had just been appointed professor of Lyon's flower class.
At the beginning of the 19th century, the city, keen to revitalize its silk industry, was looking for models for its future designers; the students from the school of fine arts.
The Monomania of Envy (also known as the Hyena of the Salpêtrière) by Théodore GéricaultMusée des Beaux-Arts de Lyon
Poem of the Soul - The Ideal (view 17/18) Poem of the Soul - The Ideal (view 17/18) by Louis JanmotMusée des Beaux-Arts de Lyon
The Poem of the Soul (1835 - 1855) by Louis JanmotMusée des Beaux-Arts de Lyon
The Poem of the Soul is a cycle of 18 paintings mostly dated 1854, but painted between 1835 and 1855, and all presented at the 1855 World Exhibition on Eugene Delacroix's recommendation.
In 18 paintings, the artist Louis Janmot traces the history of the first years of the soul on earth. The soul is represented through the guise of a man, whom we see being born and becoming an adult.
He is given a companion, a female double