Part 3: Activism in the 1960s-80s and Political Identity

The DC Chinatown Walking Tour project highlights the activism in the 1960s-80s in D.C.'s Chinatown.

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Location: 8th and H St. NW

Standing on 8th and H Street, the view can be relatively unassuming now,  but it was close of the location of the Jade Palace restaurant, where a large mural by Eastern Wind was hung for eight years.

Eastern Wind Mural1882 Foundation

Members of Eastern Wind complete and install the mural on 7th and H Street. Designed by member and resident artist Miu Eng, it aimed to depict a multi-generational Chinese American identity, and included imagery of traditional family values, food, and connections to a homeland.

The mural was significant because it engaged a specific emerging identity: one of a young, original Chinatown made of Chinese Americans with a specific and enterprising political identity that came of age alongside the Civil Rights Movement. 

FLASHBACK CHINATOWN D.C. - Inter-Ethnic Support, Friendships, and Community-Building (Episode 5)1882 Foundation

Inter-ethnic support, friendships, and community building

In spite of racial tensions and segregation, Chinese Americans and other communities supported each other. Episode Five shows how different communities worked together and built lasting relationships.

Chinese and Black solidarities had been growing the last decade, as political self-awareness had begun to rise both inside and outside the Chinese community. 

Eastern Wind Cover by Source: Anacostia Community Museum, Smithsonian Institution1882 Foundation

Cover of the September/October 1975 issue of Eastern Wind,

titled the Immigrant Issue.
Eastern Wind marked an important instance of the Chinese American community being in conversation with a greater national discourse. 

Voices that had been historically suppressed by language discrimination and access, positionality, and space were now highlighted in an important way that was given an important platform to speak for themselves and reckon with their own place. Its specific space-oriented focus on Washington D.C. also helped to parallel the concentrated Asian American movement on the West Coast. 

Eastern Wind Talks Back, Source: Anacostia Community Museum, Smithsonian Institution, From the collection of: 1882 Foundation
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The same issue as above featured a letter titled “Eastern Wind Talks Back”, written in response to a racist Washington Post article, which featured this line: 

“Our outrage at being ignored as long-time contributors to America is only compounded by the continued lack of sensitivity to the Asian community. We hope and demand that in the future The Washington Post and other newspapers exercise better judgement when writing about a community of which they are neither a member nor well informed.”

FLASHBACK CHINATOWN D.C. - Race Relations (Episode 6)1882 Foundation

Race relations

How did Chinese Americans fit into the white-black racial paradigm? Residents of D.C.’s Chinatown talk about experiences of both tension and solidarity.

Political identity was becoming less and less insular, and Chinatown became a site of inquiry for the city as a whole.  The Beautification agenda operated heavily in Black neighborhoods as well as Chinatown, with Lady Bird Johnson herself appearing to promote her work in the public eye. 

Chinatown was a major site of work for Lady Bird Johnson’s 1960s Beautification agenda. Believing the mental health of a nation was highly reliant on aesthetic beauty, Lady Bird Johnson aimed to use Washington D.C. as her “front yard” example of this broader nationwide effort. Chinatown became an experimental ground for a series of infrastructural improvements, including the installation of public art and an increase in greenery, amongst other changes. 

These issues were not merely approached as a cosmetic bandage on issues of racial inequality and redlining, but as a method of streamlining resources for improving overall quality of life: clean water, air, and environments. The degree to which this agenda contributed to the gentrification of the area that continues today is unclear, but not insignificant. 

FLASHBACK CHINATOWN D.C. - Riots (Episode 7)1882 Foundation

1968 Riots

Following the assassination of Dr. Martin Luther King, Jr., in 1968, riots ripped through downtown D.C. Chinatown residents share their memories of living through the riots.

Chinatown was also impacted by the unrest following the assassination of Dr. Martin Luther King, Jr. in April 1968. Civil unrest affected the entire city, and residents reported rioting, burning, and looting of many businesses and storefronts. All businesses, including Chinese, were asked to close early out of respect. Harry Chow, longtime Chinatown resident, lived in the neighborhood through the unrest. His family ran a laundromat. 

As he recounts, a young woman entered the store warning that businesses on their Chinatown block were going to be destroyed. Another friend advised that they should place a sign reading “soul brother” in front of their store, signaling solidarity with the protestors.  Their business was untouched throughout the night. Another business operated by Chinese immigrants was a grocery store in the historically Black Shaw neighborhood. 

The owners, close with the surrounding Black working-class community, also found their store untouched throughout the unrest. Windows and street fronts were marked with large X marks in soap to signify that the businesses were to be spared. 

FLASHBACK CHINATOWN D.C. - D.C. Riots Aftermath (Episode 8)1882 Foundation

D.C. Riots Aftermath

How did the riots affect D.C.’s Chinatown? What impact did they have on the residents, the businesses, and the neighborhood as a whole? Residents take a sobering look at the riots’ aftermath.

Following the events of May 1968, however, the neighborhood was “essentially shut down for a week.” Many residents felt unsafe, hurt, and scared, with some citing the unrest as a reason to close their businesses, and move out of the city into the suburbs of Northern Virginia and Maryland. The population, already dwindling by the mid-60s, “didn’t know how to fit in.” 

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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