Waking Dream

The artworks in Waking Dream reflect themes and sensibilities surrounding notions of home, the creative self, vulnerability and resilience.

Charlotte Perriand, Carlos Scarpa, Other (White) (2000) by Josiah McElhenyRuby City

Imagery ranges from the banal to the cosmic— shelves of books and bags of trash, on the one hand, to depictions of the sun and moon, on the other. 

El Jesse Amado, Cruz Ortiz, 2017, From the collection of: Ruby City
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Ruckblick I, Per Kirkeby, 1986, From the collection of: Ruby City
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Four Suns Videowall (2000) by Diana ThaterRuby City

As in dreams, the images are recognizable, yet altered and amplified whether through a single color, an unexpected material, or a shift in scale.

Hub, 3rd Floor, Union Wharf, 23 Wenlock Road, London N1 7ST, UK (2016) by Do-Ho SuhRuby City

Hub, 3rd Floor, Union Wharf, 23 Wenlock Road, London N1 7ST

by Do Ho Suh

Breathe (2014) by Joyse J. ScottRuby City

Such is the collection of Linda Pace: a resonant bridge between the prosaic and the profound and an invitation to reflect on the connections between the two.

Untitled (1974) by Kim JonesRuby City

At the heart of Ruby City is the commitment to preserve the legacy of Linda Pace. 

Untitled (Eight Shelves) (1995-1996) by Rachel WhitereadRuby City

With a number of works by Pace featured in Waking Dream, viewers are able to see her artwork alongside many of her peers, understanding the strong ties Pace shared with the artists in the collection.

This second Dreamer, Wangechi Mutu, 2017, From the collection of: Ruby City
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Burnout, Teresita Fernandez, 2005, From the collection of: Ruby City
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Me as an Artist in 1984 (2014) by Gillian WearingRuby City

Ruby City continues to maintain those close connections, frequently integrating select works by Pace into the galleries.

Untitled, Isa Genzken, 2004, From the collection of: Ruby City
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Stranger in the Village #11, Glenn Ligon, 1998, From the collection of: Ruby City
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Heart of Darkness (2004) by Cornelia ParkerRuby City

Heart of Darkness

Having completed a master’s degree in arctic geology prior to studying art, the artist has used geological terms, such as “collapsing structures,” to describe his manner of composing canvases. Cornelia Parker fosters a tension between destruction and resurrection in her charred.

Staring into the blankness, they fell in order to begin (2008) by Robin O'NeilRuby City

"Staring into the blankness, they fell in order to begin"

Robyn O’Neil’s epic drawing depicts an ominous landscape that suggests both struggle and the possibility of rebirth.

Untitled (#48) (1995) by Leonardo DrewRuby City

"Untitled #48"

Rebirth and resilience are indicated in Leonardo Drew‘massive sculpture in which rusted, discarded materials are stacked into an unlikely rampart. 

Los Valles (2017) by Ana FernandezRuby City

"Los Valles"

The glowing light of Ana Fernandez’s painting of Los Valles Taquería y Frutería infuses a sense of significance to an otherwise ordinary scene of people gathering at a favored San Antonio eatery. Fernandez balances contrasts to convey a mood of familiarity.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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