Bringing the Stories of Maasai to Life

Stories shared by the Maasai in Arusha, Tanzania are handpainted on canvas.

A Group meeting (2021) by Vibhor YadavProject FUEL

The Maasai are one of the oldest communities in the world. They live in parts of Kenya and Tanzania as a pastoralist society. Despite the rapid modernization across the globe, the community still maintains and live by their proud culture.

The Maasai Warriors (2021) by Vibhor YadavProject FUEL

Their proud culture and heritage are reflected in the stories of many community members. During a research project, we asked them about their life experiences and lessons learned from them. The collected stories were conceptualised and painted on canvas by artist Advithi Emmi.

Here are some artworks along with the stories that inspired them.

Man and a Map (2021) by Advithi EmmiProject FUEL

1. 5 Days to Kenya

This canvas draws inspiration from the story of Elias, a 21-year-old Maasai moran. He has a business selling cows. He buys cows from Tanzania and sells them in Kenya. For this, he travels between the two countries on foot.

Elias, a Maasai Moran (2021) by Ayushi JaiswalProject FUEL

It takes him 5 days to cover the distance. Eventually, he wants to be a big businessman and help people. With the profit he earns from his business, he wants to build a school in the village.

Man on a Tree (2021) by Advithi EmmiProject FUEL

2. Escaping the Lion

The Maasai are a pastoralist society. From an early age, young Maasai boys are taught to take care of the cattle, as it becomes a primary part of their responsibilities when they grow up to be Morans (warriors).

While they are herding the cattle, it is common for the Morans to encounter animals, like lions or wild buffaloes. Escaping the animals and saving their cattle is one of their most important duties.

John Sandamuliza (2021) by Vibhor YadavProject FUEL

This canvas was inspired by one such incident in the life of John Sandamuliza. He shared, “My parents did not like for their children to study. They, like others in the community, loved for them to graze cattle."

Man on a Tree (2021) by Advithi EmmiProject FUEL

“We used to go early in the morning for herding and come back late evening. I still managed to go to school. Although I had to escape wild animals to make it there every day. One day, I met a lion. I had to climb a tree nearby and wait for it to leave.”

Women painting murals (2021) by Advithi EmmiProject FUEL

3. The Joy of Painting

This canvas is inspired by joyful women like Naskito. A group of women one day visited the community centre. They spent the first few minutes of their arrival looking around the different coloured walls and talking amongst themselves.

Joy of Painting for the First Time (2021) by Vibhor YadavProject FUEL

We asked them if they would like to paint with us and they readily agreed. Surprisingly, it was the first time they held paintbrushes in their hands. Their joy of painting was captured in this canvas!

Enkisoma (2021) by Advithi EmmiProject FUEL

4. Education for a Better Life

This canvas is inspired by Agnes's life lesson, “Education doesn’t die in a drought, as a cow does.” Due to water shortage, there is a scarcity of resources, like food and trees, as everything has become dry. She collects firewood from the forests to sell at the market.

Agnes (2021) by Ayushi JaiswalProject FUEL

The money that she earns from it is used to buy essentials and clothes for her children and herself. She wishes for her children to be educated so that they don’t have to depend on cows or farming for economic sustenance.

Lady with five cups (2021) by Advithi EmmiProject FUEL

5. Five Cups of Water a Day

The Losimingoiri village faces a severe water crisis. The women and young girls of the village walk long distances to collect water from the nearby Nanja dam. Anna Yamat, a 43-year-old woman walks for 6 hours to collect four buckets of water. She consumes only 5 cups of water every day.

Anna Yamat (2021) by Ayushi JaiswalProject FUEL

If she was given 5 buckets of water to use within a day, she will still not consume all of it. “It is important to preserve what you have to use for another day”, she shared with us. 

The Old Man and the House (2021) by Advithi EmmiProject FUEL

6. The Old Man and the House

It is said that the people in Maasai society keep the bomas of those who passed away just the way they are to honour them.

The old man (2021) by Advithi EmmiProject FUEL

55-year-old Elikana has kept the house of his mother intact. The family provides food every day in respect of the person in her boma. She is buried right in front of the house.

The Bird (2021) by Advithi EmmiProject FUEL

7. The Superb Starling

Arusha is home to many animals and birds, that attracts tourist from all across the world. This bird, known as Superb Starling, is can be seen commonly throughout the region. These birds could be seen every day, sitting on Acacia trees, overlooking the center.

Polygamy (2021) by Advithi EmmiProject FUEL

8. The Sister Wives

Traditionally, the Maasai men married multiple wives in order to take care of the large number of cattle each house owned. The wives generally share a cordial relationship with each other. Botoro and Anna, painted on the canvas, are co-wives of Rafael. 

Botoro and Anna (2021) by Advithi EmmiProject FUEL

Anna shared, “We share everything, and find solutions to our problems together.” With the change of time, many young Maasai now prefer a monogamous relationship. Botoro shared, “I don't advise my child to have more than one wife, Times are changing.”

Widow Story (2021) by Advithi EmmiProject FUEL

9. Gratitude in Tough Times

This canvas is inspired by Ava, a 36-year-old Maasai woman. After her husband passed away 6 years ago, Ava built a boma (house in Maa language) near the edge of a national park and lives there with her three children. She shared that the life of a widow in the Maasai society is a tough one. She very rarely gets visitors, but the day we visited her, she was very joyous and happily served us tea.

Introducing Eva (2021) by Siddharth GovindanProject FUEL

Despite all the challenges, life has thrown her way, if she was to meet God ever, all she would say to him is thank you! She shares,  “My hope is that my children will have a good life. That they will get educated and make a difference.” 

Credits: Story

Project FUEL would like to thank the Maasai community in the Losimingori village of Arusha, Tanzania for opening their hearts and home to this research. 

This exhibit is part of the Wise Wall Project, an initiative of Project FUEL, to document, design, and strengthen the wisdom of rural communities and marginalized villages using art and community outreach programs. In the third edition of this project, we collaborated with the Maasai, in Arusha, Tanzania, to build an on-ground community centre for the people and bring an exclusive insight into the life, lifestyle, and learnings of this inspiring community.

Photography: Vibhor Yadav, Siddharth Govindan
Wall Murals: Poornima Sukumar
Canvas Art: Advithi Emmi
Cultural Consultant and Translators: Kaay Ndoika Lengima, Elisha Olchakai Kirumui and Lemali Ndoika
Research, Interviews and Curation: Project FUEL
Project Partners: Vijana Inspiring Foundation, Vikram Solar Ltd., Lions Club of Dar es Salaam and Arusha, Google Arts & Culture

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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