Dive into Coleccion SOLO with the Google Art Camera
Enter fully into the works of our collection and enjoy textures, strokes and details captured in the highest quality.
Big Whale (2018) by Mu PanColección SOLO
Big Whale
Mu Pan (Taiwan, 1976) reflects in this work on the climate crisis and its consequences. The monkeys once again take centre stage and represent the conflict.
Segacielo Civita (2013) by Dan HernándezColección SOLO
Segacelo Civita
Dan Hernandez (San Diego, 1977) makes his works an unexpected crossover between old and new. The aesthetics of video games blend with Renaissance and Byzantine art forms, challenging the understanding of iconography.
Once again I find myself rescheduling my desires (2016) by Rinus Van de VeldeColección SOLO
Once again I find myself rescheduling my desires
Rinus Van del Velde (Leuven, 1983) turns his works into "fictional autobiographies". With them he immerses us in scenes of fragmented narratives, cinematographic stills of a story where the artist is continually reinvented as the protagonist.
Open Focus Memory (2014) by Tim BiskupColección SOLO
Open Focus Memory
Tim Biskup (Los Angeles, 1967) defies pigeonholing, opting for visual intensity and a vibrant, psychedelic use of colour. His style, influenced by punk-rock, Disney and Ricardo Matta, intersects with darker, more personal territories.
Im Fernsehen Gesehen (Seen on TV) (2011) by Miriam CahnColección SOLO
Im Fernsehen Gesehen (Visto en televisión)
Miriam Cahn (Basel, 1949) uses the body as an inspiration and artistic tool. She emphasises the brightness in genitals, breasts, lips or eyes, expressing vulnerability, and the blurred forms expressing the transience of existence.
Im Fernsehen Gesehen (Visto en televisión)
Miriam Cahn (Basel, 1949) uses the body as an inspiration and artistic tool. She emphasises the brightness in genitals, breasts, lips or eyes, expressing vulnerability, and the blurred forms expressing the transience of existence.
Stabiliser (2021) by Richard BurtonColección SOLO
Stabiliser
Richard Burton (King’s Lynn, 1989) retro-futuristic scenes inhabited by solitary figures. He draws on synthetic environments, depicting textures and represents aspirational lifestyles depicting the pursuit of comfort.
Future Woman (2013) by Peter SaulColección SOLO
Future Woman
Peter Saul (San Francisco, 1934), one of the fathers of pop art, mixes colours and acid humour, tackling subjects such as consumerism, war and hatred with provocative images where good and evil are fictions.
