Dive into Coleccion SOLO with the Google Art Camera

Mu Pan (Taiwan, 1976) reflects in this work on the climate crisis and its consequences. The monkeys once again take centre stage and represent the conflict.

Dan Hernandez (San Diego, 1977) makes his works an unexpected crossover between old and new. The aesthetics of video games blend with Renaissance and Byzantine art forms, challenging the understanding of iconography.

Rinus Van del Velde (Leuven, 1983) turns his works into "fictional autobiographies". With them he immerses us in scenes of fragmented narratives, cinematographic stills of a story where the artist is continually reinvented as the protagonist.

Miriam Cahn (Basel, 1949) uses the body as an inspiration and artistic tool. She emphasises the brightness in genitals, breasts, lips or eyes, expressing vulnerability, and the blurred forms expressing the transience of existence.

Miriam Cahn (Basel, 1949) uses the body as an inspiration and artistic tool. She emphasises the brightness in genitals, breasts, lips or eyes, expressing vulnerability, and the blurred forms expressing the transience of existence.

Richard Burton (King’s Lynn, 1989) retro-futuristic scenes inhabited by solitary figures. He draws on synthetic environments, depicting textures and represents aspirational lifestyles depicting the pursuit of comfort.

Peter Saul (San Francisco, 1934), one of the fathers of pop art, mixes colours and acid humour, tackling subjects such as consumerism, war and hatred with provocative images where good and evil are fictions.