Francesco Hayez: Italy is woman

The artist's disappointment at the failure of the Risorgimento uprisings in 1848 is represented in the famous allegorical painting "The Meditation", an iconic work in the Gallery

The Meditation, Francesco Hayez, 1851, From the collection of: Galleria d'Arte Moderna Achille Forti
Show lessRead more

The Meditation (1851) by Francesco HayezGalleria d'Arte Moderna Achille Forti

History

Between 1848 and 1849 revolutionary uprisings swept across Europe. In Italy, the uprisings of popular rebellion against authoritarian power corroborated the patriotic battle to obtain the country's unity. "Meditation” is a symbol of the aspirations stirring the Risorgimento.

The painting

The painting depicts a female figure wearing a white dress with a wide neckline. Immersed in a sober and suspended atmosphere, the woman holds a bound volume and a cross in her lap.

The face

The face in shadow highlights the torment of the woman who, with a determined gaze, looks towards the spectator and beyond. The expression is resolute but contrite.

The breast

The first element that clarifies the identity of the person portrayed is the breast that the young woman leaves bare: she is none other than Italy, represented as the nursing mother, ready to nourish her children.

The book

The red inscription "Storia d'Ita[lia]", visible on the spine of the volume, reveals the symbolic and political meaning of the image: a patriotic message indicating the lively hope, fully shared by the artist, of creating a nation free from foreign domination.

The cross

The red inscription on the wood of the cross alludes to the bloodshed: "18.19.20.21.22 March/1848", the dates of the Five Days of Milan, when Italian patriots tried to drive out the Austrian soldiers in an attempt to achieve the desired independence.

Romanticism

The image is rendered with great dramatic and sentimental force typical of the Romantic movement, of which Hayez is one of the greatest exponents, and effectively represents the painter's disappointment at the failure of the Risorgimento uprisings in 1848.

The title

The charm of this work lies in the perfect combination of political criticism and existential restlessness. The painting should have been named "Italy in 1848", but due to Austrian censorship it was changed by the artist to "The Meditation".

The purchase

It was from Count Giacomo Franco of Verona, that Achille Forti bought the canvas; the second version of the "Meditation" Francesco Hayez had painted a year earlier for the poet Andrea Maffei. 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites