From Wood to Flesh: The Living Art of Bachana Khalvashi’s Marionettes

Bachana Khalvashi’s marionettes transform handcrafted materials into living art, capturing the essence of classical characters with unparalleled elegance and detail.

Alceste from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Alceste, with his captivating gaze, catches the eye.

He has golden curls and almond-shaped eyes, and his attire, adorned with noble stones, not only shines and glows but also hints at his generous character. His body seems to hover in the air, making Alceste more of a mythical knight than a mere man.

Célimène from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Molière's Célimène in Wood

Each of Bachana Khalvashi’s marionettes carries the spark of life that seemingly transforms handcrafted items into living beings.

Célimène from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Célimène's marionette cannot simply be called a marionette

She is a character created for flirtation.

Célimène from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Célimène: Alluring Femininity

Her body, submerged in airy lace and pearls, embodies the most alluring forms of femininity. With her proud yet passionate gaze, Célimène becomes the center of attention, as every cavalier circles around her, attempting to win her favor.

Éliante from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Breathtaking grace of Eliante from Molière's The Misanthrop

Bachana Khalvashi's Eliante marionette captures the graceful elegance of Molière's character. The artist's skillful use of diverse materials creates a breathtaking effect. A timeless embodiment of feminine beauty.

Oronte from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Oronte gazes at us with a slightly melancholic expression

Oronte's refined body and elegant lace attire belie a hint of melancholy. His features, virtuously crafted, suggest a literary hero ready for adventure.

Knight from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

The Misanthrope's Knight

See the detail: a carved wooden head, painted face, and metallic breastplate covered in fabric. Expressive movement is achieved through jointed limbs and multiple strings.

Philinte from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Meet Philinte's Marionette

This marionette portrays Philinte, a character known for his reason and diplomacy. His delicate features and refined clothing reflect his personality. He's a key figure in Molière's "The Misanthrope".

Clitandre from The Misanthrope by Molière (1984/1987) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Clitandre's Noble Presence

Meet Clitandre, a character brought to life through Bachana Khalvashi's masterful craftsmanship. This wooden figure speaks volumes through its pose and expression. Explore the artistry behind this unique piece.

Commander Joab from Old testament "Book of kings" (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Commander Joab's expression is both sorrowful and proud

His wooden face holds a mysterious smile. Iron-fastened wooden arms pointing to Bachana Khalvashi’s expert craftsmanship. A metal ornament attached to his chest protects his heart. Yet, it has no heart or voice —only endlessly outstretched arms, as if searching something.

The first king - Saul from Old testament "Book of kings" (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Saul: From Glory to Grief

His weathered, wooden face, covered in dust-colored beads, reflects his lost favor with God and his inner turmoil. Richly adorned clothing with beads and gold threads symbolizes his former grandeur, while black fabric signifies his pain and despair.

King David from Old testament "Book of kings" (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Biblical King David: A Wooden Majesty

Crafted from wood, the marionette exudes an ancient, traditional feel. Its refined face, covered in white, hints at wisdom. Richly adorned in floral embroidery, beaded details, and silver accents, the attire evokes the elegance of ancient royalty.

Uriah the Hittite from Old testament "Book of kings" (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Uriah: A Loyal Warrior

A marionette of Uriah the Hittite, a loyal soldier whose destiny was tragically decided by others. His wooden face, seemingly covered in the dust of time, expresses a loyal and innocent hero.

Uriah the Hittite from Old testament "Book of kings" (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

Uriah the Hittite: A Noble Soldier

The armor-like clothing emphasizes his warrior nature, while the lace-adorned sleeves and refined details remind us that he was not just a fighter but a man of noble dignity.

The Bible’s Blind Old Man (1987/1990) by Bachana KhalvashiArt Palace of Georgia - Museum of Cultural History

The marionette of the Bible’s Blind Old Man

The marionette expresses weakness and fatigue, adding emotional depth to the character. His hunched posture and the wooden staff he holds, presumably for support, symbolically reflect blindness and age-old wisdom. The abundance of details gives the figure a sense of life.

Credits: Story

Nini Samkharadze
George Kalandia
Irakli Zambakhidze
Lali Khositashvili
Tinatin Sachaleli 

Special thanks to the marionette master Bachana Khalvshi, photographers Juda Khatia Psuturi and Rafael Arzumanov

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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