A Tale of Culture and Resilience

Interview with Michele Guerra, professor of Cinema Studies at Parma University and Head of Culture for Parma City Council

By Google Arts & Culture

The view of the Monumental LibraryComplesso di San Giovanni Evangelista

How did Parma become the Italian Capital of Culture in 2020?

We candidated Parma as Italian Capital of Culture because we are fully convinced that culture must act as an engine for the development of different sectors; culture should be capable of connecting the different areas of the city life through its actions. Parma 2020’s motto - Culture beats time - wishes to act as a metronome of contemporary urban life, a role that culture must aim to play.

Vista dalla torre sud-estReggia di Colorno

What did to show about Parma and its territory?

We started with urban planning, because that’s where you can really work on a broad and shared vision of time and the functions of the city. We were inspired by the redevelopment project of the seven "socio-cultural districts" of Parma;

Piazza DuomoFabbriceria della Cattedrale

the Municipality had already launched an extremely important redevelopment plan and we bet on the concept of "redevelopment of time": attention to places, from historical-monumental, to peripheral, from industrial to natural archeology. The idea is to combine the places with a new concept of time that they produce and the function they perform for people in everyday life.

Malosso Hall (Seconda metà del XVI sec. - Primo ventennio del XVII sec.) by Giovan Battista Trotti alias "Malosso"Palazzo Ducale del Giardino

How did the pandemic affect the organisation?

The pandemic was a shocking moment for Parma 2020. However, it was also a moment of learning: we were brought back, in every area, to the basic value of the things we do and to the dignity of work. The community felt very close and composed. No one could have ever thought that Parma 2020 could be hit by something so big and so unexpected. Now we really wish to keep nurturing these values and share them in our community in a world that is no longer the same.

View of the elliptical arena (1853) by Girolamo MagnaniTeatro Regio di Parma

How did you react to it?

We were like a fast-moving train, with sensational numbers of participants, many months of sold out bookings for accommodations and on 8 March 2020 - barely two months after the inauguration - we had to pull the emergency brake. However, not a single day has passed without the team meeting and working.

Fondazione Magnani-Rocca. La Sala Van DyckFondazione Magnani-Rocca

The committee immediately understood that frustration is tackled by hard-work and so have all the cultural institutions connected to Parma 2020. Over 80% of the projects have been maintained and we have established a close, supportive network in the Parma area even stronger than the one that existed before the pandemic.

Galleria: Sala ovale con i Colossi del PalatinoPalazzo della Pilotta

What does “culture” mean in this particular moment in time?

It may seem trite and obvious, but culture is crucial at this moment. It needs to be clear that only through a renewed and active participation in the cultural life of our communities will we be able to put together the pieces that the pandemic has destroyed; otherwise there will never be a real restart.

Galleria: sezione espositiva Arte sacra in Emilia 1600-1700Palazzo della Pilotta

Culture is above all freedom and encounter, precisely the aspects of our existence that the pandemic has hit the hardest. Relying on culture and skills in the cultural field means regaining possession of what we lost. Culture is truly a form of care and assistance to the citizen, when lacking it has made us truly feel alone.

The Seventeenth-Century Room of Ricci's collection (2011-2015)Labirinto della Masone

What role did digital tools play in sharing Parma’s art?

It’s been an extraordinary resource in the pandemic darkest moments, now it needs to be renegotiated within a growing and desirable return to presence. Obviously we will not go back completely and many work, social and cultural areas will maintain a digital life: when well-tempered it will implement our experiences and our skills.

Il salone del Museo (20th Century) by Ettore GuatelliMuseo Ettore Guatelli

Parma 2020 has invested heavily in digital infrastructures, equipping the city with tools that it did not have before and in which we strongly believe. Digital is a decisive step towards more inclusivity and towards a more informed intergenerationality.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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