Offering to Krishna by Jamini Roy (1887-1972)National Gallery of Modern Art
East meets West
Jamini Roy's artistic education began at 16 when he studied at the Government College of Art, Kolkata. There he was taught to paint in the Western academic tradition, drawing classical nudes and painting with oils on canvas. He received his diploma in Fine Art in 1908.
Portrait by Jamini Roy (1887-1972)National Gallery of Modern Art
A new path
Roy began his career as a commissioned portrait painter. But in the early 1920s he suddenly gave up this line of work in order to discover his own style. He rejected western academic training and began looking to historic and contemporary Bengali folk art.
Santhal Dance by Jamini Roy (1887-1972)National Gallery of Modern Art
Back to the future
He found great inspiration in the Kalighat Pa, a style of art with bold sweeping brush-strokes. He moved away from his earlier impressionist landscapes and portraits and between 1921 and 1924 began his first period of experimentation painting Santhal dancers.
The Traditional Santhal Dance
Gopini (20th century) by Jamini RoyNational Gallery of Modern Art
International acclaim
His first exhibition was held in 1938 in the city of Kolkata, then called Calcutta. This was followed soon by exhibitions at the Burlington Gallery in London in 1946, and New York in 1953. Throughout this time, he was selling his works to international clients.
Krishna Jasoda (Undated) by Jamini RoyMuseum of Art & Photography
He preferred to be called Patua, rather than artist
Patua are an artisan community found in parts of India and Bangladesh. They are painters of scrolls or 'pats' telling the popular religious stories. Patua may be any religion, but have adopted a blend of both Hindu and Muslim practices.
Crucifixion by Jamini Roy (1887-1972)National Gallery of Modern Art
He still painted christian imagery
His own pats incorporated Christian imagery, such as this image of the crucifixion, and others depicting the mother and child - a reflection of his British-style education, but also of the long history of Christianity in India.
Untitled by Jamini RoyKerala Museum
From the Ancient to the Modern
Despite the ancient subject matter, he is considered one of the first and greatest modernist artists in India, incorporating traditional South Asian iconography into the flat, clean, bold lines and shapes of 20th-Century modernist art.
Cat and Lobster (20th century) by Jamini RoyNational Gallery of Modern Art
A National Treasure
In 1976, the Archaeological Survey of India declared his works among the Nine Masters whose works are "art treasures, having regard to their artistic and aesthetic value".
