Fragment of a poster announcing Manuel Vallejo (1955)Original Source: Colección privada de don Manuel Cerrejón
The Golden Key of Cante is the most significant recognition in flamenco. It has only been awarded five times throughout history. According to some researchers, the first key was a replica of the one that opened the bull gates at the Málaga Bullring.
Singer "Tomás el Nitri" with the Golden Key of SingingOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)
Symbolism
It distinguishes artists who, due to their contribution to the world of flamenco and their significance in its history, deserve an award brimming with symbolism, including the ability to close and open different eras of flamenco cante.
Only one Golden Key of Dance
Five artists have been honored with this trophy: Tomás El Nitri, Manuel Vallejo, Antonio Mairena, José Monge ‘Camarón de la Isla’, and Antonio Fernández ‘Fosforito’. There is also a Golden Key of Dance, awarded in 1975 to Matilde Coral, making her the sole artist to possess it.
First Golden Key of Cante
The first Golden Key of Cante was spontaneously awarded in the 1860s by a group of aficionados to Tomás El Nitri, as he was considered the best cantaor of his time.
Juan Talega told Mairena that El Nitri received the Key from Tío Maero, a Gitano and a friend of Talega's father, in Carmona. During a family celebration, Tío Maero was so impressed by El Nitri's singing that he gave him the key to his farmhouse, declaring him the greatest cantaor he had ever heard.
Second Golden Key of Cante
The second Golden Key of Cante was awarded to Manuel Vallejo in 1926, not without controversy. Vallejo had won the Copa Pavón in 1925. The following year, Manuel Centeno won it in competition with Vallejo, but everyone felt that Vallejo should have won it again...
...and it was Don Antonio Chacón himself, who had given him the Copa Pavón a year earlier, who decided, as a gesture of redress, to present the Second Golden Key of Cante to the Sevillian master, who received the gift from Manuel Torre.
Third Golden Key of Cante
The third Golden Key of Cante was given to Antonio Mairena in 1962. It was awarded to him "after deliberation by a jury" in a competition with other cantaores at an extraordinary event in Cordoba, according to the "Diccionario Enciclopédico Ilustrado del Flamenco."
This publication states that Mairena competed with El Platero de Alcalá, Fosforito, Chocolate, and Juan Varea, "all of them contracted in advance, as there was no spontaneous participation in the call made by the Cordoba City Council."
This fact sparked some controversy, as some sectors believed that the competition's outcome was predetermined and that other figures were equally deserving.
Antonio Mairena held it until his death, at which point its lifelong nature was accepted, because the second Key was awarded after El Nitri had already passed away (he died in 1877), and the third was given in 1962, with Manuel Vallejo having died in 1960.
Fourth Golden Key of Cante
In 1984, the Junta de Andalucía took over the awarding of this distinction. In 2000, it was posthumously granted to Camarón de la Isla (who had died in 1992) for his artistic uniqueness, the enduring relevance of his legacy, and his contribution to the evolution of flamenco.
The fact that the cantaor had already passed away led to criticism of this award from some flamenco circles, among other reasons, because it was given to an artist who could not represent the trophy in life.
Fifth Golden Key of Cante
In 2005, the Andalusian government awarded the fifth Golden Key of Cante to Antonio Fernández Díaz ‘Fosforito’, for his work in dignifying and universalizing flamenco, the relevance of his creative contributions, and his contribution to the revitalization of disused styles.
Fosforito, the last recipient of the award, passed away on 13 November 2025. He was an encyclopaedic cantaor (flamenco singer) who, in his own words, gave flamenco 'his soul and heart in tiny pieces'.
Posters are from the private archive of Manuel Cerrejón.
Photos of Tomás El Nitri, Manuel Vallejo, and Camarón de la Isla are courtesy of the Andalusian Center for Flamenco Documentation, part of the Ministry of Culture and Sport of the Junta de Andalucía.
Antonio Mairena's photos by Estudio Enrique are from the private archive of Antonio Cruz.
We especially thank Antonio Cruz, Antonio Mairena's nephew, and Manuel Cerrejón for their generosity.
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