The Golden Keys of Cante

Discover the history behind the awarding of this prestigious prize, considered the most important recognition in the world of flamenco

Fragment of a poster announcing Manuel Vallejo (1955)Original Source: Colección privada de don Manuel Cerrejón

The Golden Key of Cante is the most significant recognition in flamenco. It has only been awarded five times throughout history. According to some researchers, the first key was a replica of the one that opened the bull gates at the Málaga Bullring.

Singer "Tomás el Nitri" with the Golden Key of SingingOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

Symbolism

It distinguishes artists who, due to their contribution to the world of flamenco and their significance in its history, deserve an award brimming with symbolism, including the ability to close and open different eras of flamenco cante.

Dancer Matilde Coral, the only holder of the Golden Key of DanceOriginal Source: Archivo del Instituto Andaluz del Flamenco.

Only one Golden Key of Dance

Five artists have been honored with this trophy: Tomás El Nitri, Manuel Vallejo, Antonio Mairena, José Monge ‘Camarón de la Isla’, and Antonio Fernández ‘Fosforito’. There is also a Golden Key of Dance, awarded in 1975 to Matilde Coral, making her the sole artist to possess it.

Singer "Tomás el Nitri" with the Golden Key of SingingOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

First Golden Key of Cante

The first Golden Key of Cante was spontaneously awarded in the 1860s by a group of aficionados to Tomás El Nitri, as he was considered the best cantaor of his time.

Poster announcing a performance by Manuel VallejoOriginal Source: Colección privada de don Manuel Cerrejón

Juan Talega told Mairena that El Nitri received the Key from Tío Maero, a Gitano and a friend of Talega's father, in Carmona. During a family celebration, Tío Maero was so impressed by El Nitri's singing that he gave him the key to his farmhouse, declaring him the greatest cantaor he had ever heard.

Manuel VallejoOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

Second Golden Key of Cante

The second Golden Key of Cante was awarded to Manuel Vallejo in 1926, not without controversy. Vallejo had won the Copa Pavón in 1925. The following year, Manuel Centeno won it in competition with Vallejo, but everyone felt that Vallejo should have won it again...

Poster announcing a performance by Manuel Vallejo (1926)Original Source: Colección privada de don Manuel Cerrejón

...and it was Don Antonio Chacón himself, who had given him the Copa Pavón a year earlier, who decided, as a gesture of redress, to present the Second Golden Key of Cante to the Sevillian master, who received the gift from Manuel Torre.

Antonio Mairena by Estudio EnriqueOriginal Source: Colección privada de don Antonio Cruz.

Third Golden Key of Cante

The third Golden Key of Cante was given to Antonio Mairena in 1962. It was awarded to him "after deliberation by a jury" in a competition with other cantaores at an extraordinary event in Cordoba, according to the "Diccionario Enciclopédico Ilustrado del Flamenco."

Antonio Mairena by Paco SánchezOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

This publication states that Mairena competed with El Platero de Alcalá, Fosforito, Chocolate, and Juan Varea, "all of them contracted in advance, as there was no spontaneous participation in the call made by the Cordoba City Council."

Poster announcing a concert by Antonio Mairena. (1961)Original Source: Colección privada de don Manuel Cerrejón

This fact sparked some controversy, as some sectors believed that the competition's outcome was predetermined and that other figures were equally deserving.

Antonio Mairena with the Golden Key of Singing by Estudio EnriqueOriginal Source: Colección privada de don Antonio Cruz.

Antonio Mairena held it until his death, at which point its lifelong nature was accepted, because the second Key was awarded after El Nitri had already passed away (he died in 1877), and the third was given in 1962, with Manuel Vallejo having died in 1960.

Camarón, during a performance at the La Mistela Festival (1989) by Carlos ArbelosOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

Fourth Golden Key of Cante

In 1984, the Junta de Andalucía took over the awarding of this distinction. In 2000, it was posthumously granted to Camarón de la Isla (who had died in 1992) for his artistic uniqueness, the enduring relevance of his legacy, and his contribution to the evolution of flamenco.

Camarón, during a performance at the Almería bullring (1990) by Carlos ArbelosOriginal Source: Centro Andaluz de Documentación del Flamenco (CADF)

The fact that the cantaor had already passed away led to criticism of this award from some flamenco circles, among other reasons, because it was given to an artist who could not represent the trophy in life.

Fosforito (2007)Original Source: Archivo del Instituto Andaluz del Flamenco.

Fifth Golden Key of Cante

In 2005, the Andalusian government awarded the fifth Golden Key of Cante to Antonio Fernández Díaz ‘Fosforito’, for his work in dignifying and universalizing flamenco, the relevance of his creative contributions, and his contribution to the revitalization of disused styles.

Fosforito with the Golden Key of Singing (2007)Original Source: Archivo del Instituto Andaluz del Flamenco.

Fosforito, the last recipient of the award, passed away on 13 November 2025. He was an encyclopaedic cantaor (flamenco singer) who, in his own words, gave flamenco 'his soul and heart in tiny pieces'.

Credits: Story

Posters are from the private archive of Manuel Cerrejón.

Photos of Tomás El Nitri, Manuel Vallejo, and Camarón de la Isla are courtesy of the Andalusian Center for Flamenco Documentation, part of the Ministry of Culture and Sport of the Junta de Andalucía.

Antonio Mairena's photos by Estudio Enrique are from the private archive of Antonio Cruz.

We especially thank Antonio Cruz, Antonio Mairena's nephew, and Manuel Cerrejón for their generosity.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

Interested in Performance?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites