Gianfranco Ferré: Mexico, cultural kaleidoscope

Map of MexicoGianfranco Ferré Research Center, Politecnico di Milano

Mexico is a cultural kaleidoscope with a rich and complex history, the result of an incredible fusion of indigenous, Spanish, and other ethnic influences over the centuries. This blend has created a unique and vibrant country, admired for its traditions, cuisine, music, and art.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

"If I think of the Mexican lexicon, I think of the joyful and radiant femininity of the country’s women, of the intense light of midday reflected from the façades of colonial buildings and magnificent cathedrals. In a logic that sees white not just and not so much as a color, but as a declaration of vitality."
Gianfranco Ferré, 2006

Artisan in MexicoGianfranco Ferré Research Center, Politecnico di Milano

Mesoamerican civilizations like the Aztecs and the Maya attributed symbolic meanings to colors, a tradition still visible today in the weaving of clothing, ceramics, and cultural expressions.

Marigold flowers in the Day of the Dead holiday in Mexico by Coatl15Gianfranco Ferré Research Center, Politecnico di Milano

The vibrant colors of Día de los Muertos symbolize joy and emotions: fiery red like the fire of love that persists beyond life, yellow like the sun that shines on eternal affection, and deep blue like the sky.

Gianfranco Ferré, Spring / Summer 1983 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Cocoa beans packed in jute bags by The Barry Callebaut GroupGianfranco Ferré Research Center, Politecnico di Milano

Cacao in Mexico is a tale wrapped in millennia of history; it is a flavor that resonates through time, a hymn to chocolate that enchants the senses.

Gianfranco Ferré, Spring / Summer 1983 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

"Scents, spices, cocoa and rum, a warmth which rises from the fingertips and beads the forehead, a campesino’s work shirt, a ripe fruit split in half."
Gianfranco Ferré
Women's RTW,
SS 1983

Mexican spices by Roman OdintsovGianfranco Ferré Research Center, Politecnico di Milano

Colorful and captivating is the image of the lively markets and the ancient, spicy cuisine, a symphony of vibrant aromas that awaken the senses with every taste.

Gianfranco Ferré, Spring / Summer 1983 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Mexican old lady by Los Muertos crewGianfranco Ferré Research Center, Politecnico di Milano

A symbol of cultural pride and identity in the city of Puebla is the China Poblana, a typical peasant blouse with its simple rectangular geometry.

Gianfranco Ferré, Spring / Summer 1983 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Gianfranco Ferré, Spring / Summer 1983, Gianfranco Ferré, From the collection of: Gianfranco Ferré Research Center, Politecnico di Milano
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Gianfranco Ferré, Spring / Summer 1983, Gianfranco Ferré, From the collection of: Gianfranco Ferré Research Center, Politecnico di Milano
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"Dama con rebozo", 18th century by Juan Rodríguez JuárezGianfranco Ferré Research Center, Politecnico di Milano

The rebozo is versatile: fashion, transport, support. In 2010, UNESCO elevated it to Intangible Cultural Heritage, recognizing its importance in Mexican culture.

Gianfranco Ferré, Spring / Summer 2006Gianfranco Ferré Research Center, Politecnico di Milano

Dancers from the Cristeros Group at the city Kiosk by Jarocho83Gianfranco Ferré Research Center, Politecnico di Milano

A kaleidoscope of traditional dances, the bailes folklóricos, each a vibrant ode with styles and costumes that tell the story of tradition.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Gianfranco Ferré, Spring / Summer 2006, Gianfranco Ferré, From the collection of: Gianfranco Ferré Research Center, Politecnico di Milano
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Gianfranco Ferré, Spring / Summer 2006, Gianfranco Ferré, From the collection of: Gianfranco Ferré Research Center, Politecnico di Milano
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Embroideries of Oaxaca by Get ArchiveGianfranco Ferré Research Center, Politecnico di Milano

The embroidery of Oaxaca stands out for its beauty and complexity: the flowers symbolize the connection to the land and nature, continuing the pre-Columbian tradition among the Aztecs and Maya who used flowers for embellishment and ritual.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Gianfranco Ferré, Fall / Winter 2005 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

A Woman Wearing Traditional Dress at the Festival by Marcos Gael MartínezGianfranco Ferré Research Center, Politecnico di Milano

With a clear European influence, particularly Spanish, lace represents a significant decorative element in traditional clothing, varying by region and local traditions.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Shoemakers from Léon de Guadalajara by Archivo Histórico Municipal de León (AHML)Gianfranco Ferré Research Center, Politecnico di Milano

León Guanajuato has a centuries-old tradition in the production of footwear and leather goods, developed in the 19th century, and even today the city is renowned for creating high-quality footwear, maintaining a reputation for excellence.

Gianfranco Ferré, Spring / Summer 2004Gianfranco Ferré Research Center, Politecnico di Milano

"Lofty and joyous, this woman walks tall on sturdy platform sandals, zapateros from Leon mode with tooled-leather toecap, strappy at the ankles."
Gianfranco Ferré
Women's RTW,
SS 2004

Cowboy boots by Lyda Hill Texas Collection of PhotographsGianfranco Ferré Research Center, Politecnico di Milano

The botas vaqueras are a recognizable type of cowboy boots, skillfully crafted in the Mexican city and widely exported around the world.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Pair of earrings dated 11th century Fatimid period by Metropolitan Museum of ArtGianfranco Ferré Research Center, Politecnico di Milano

The vast abundance of gold and silver, combined with the introduction of new techniques by the Spanish, has transformed Mexico into an important nation for the production of handcrafted jewelry, with master artisans skilled in filigree and repoussé.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

Spanish reliquary cross, early 17th century by Metropolitan Museum of ArtGianfranco Ferré Research Center, Politecnico di Milano

During the colonial period, jewelry had Baroque European stylistic influences and religious motifs but also included indigenous elements, representing a symbol of social status and faith.

Gianfranco Ferré, Spring / Summer 2006Gianfranco Ferré Research Center, Politecnico di Milano

"The Virgin of Guadalupe with the Four Apparitions", 1773 by Nicolás EnríquezGianfranco Ferré Research Center, Politecnico di Milano

The appearance of the Virgin of Guadalupe in Mexico unites indigenous culture and Spanish Catholicism, with the sun rays symbolizing life and the Nahui Ollin flowers, divine to the Aztecs. This icon transcends the religious, conveying cultural and spiritual connection.

Gianfranco Ferré, Spring / Summer 2006 by Gianfranco FerréGianfranco Ferré Research Center, Politecnico di Milano

"Mexico vibrates above all in the opulence, in the almost ritual glories of certain pieces of lace or embroidery, of tinkling bracelets, of gleaming chains that call to mind the sacred jewelry of the Virgen de Guadalupe."
Gianfranco Ferré
Women's RTW
SS 2006

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