CRIA - Centro de Referência em Informação Ambiental
Karen Macknow Lisboa
Rancho not far from Serra do Caraça (1823) by Johann Baptist von Spix, Carl Friedrich Philipp von MartiusOriginal Source: Wikimedia Commons
This long journey, which required great dedication and persistence from Spix and Martius, could never have been accomplished without the support and help of guides, interpreters, muleteers, slaves, and indigenous people. In short, people from all social strata who knew the country, its nature, and culture.
Spix statue (2003) by Helmut KunkelOriginal Source: Wikimedia Commons
The results of this journey would have been lost if Spix and Martius had not turned it into an inexhaustible source for their intellectual output. And in this, Martius in particular was successful – unlike his traveling companion, who returned very ill and died six years later.
Nevertheless, Spix published many studies on the Brazilian fauna. And of the animals he collected and brought to Europe, the majority were not destroyed during the bombings of World War II and today are found in the Zoologische Staatssammlung München. (https://zsm.snsb.de)
Their scientific work focused, in both cases, mainly on Brazilian subjects. Martius published several studies about Brazilian indigenous people, their history, rule of law, medicinal practices, language, and customs.
Martius also dedicated himself to historiography. In the treatise ‘How to write the history of Brazil,’ intended for a contest at IHGB, the naturalist underscores the contribution of black people, indigenous people, and Europeans to the formation of the Brazilian nation, citing the value of miscegenation.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 25 (1906)CRIA - Centro de Referência em Informação Ambiental
The expedition along the Japurá River in the upper Amazon also inspired Martius to write a novel, very much in the romantic style, which discusses the action of white colonizers, the attempt to catechize the indigenous people, and their tragic extermination.
Spix Reiseatlas original 58 (1823) by Johann Baptist von Spix, Carl Friedrich Philipp von MartiusOriginal Source: Wikimedia Commons
The novel "Frey Apollonio" remained in manuscript form for over 150 years, being published only in 1994. In this novel, Martius adopts a more humanist stance, making a kind of self-critique of his negative and racist views on the indigenous people.
Martius built a broad network of knowledge exchange, both at the Academy of Sciences and at the University, but also with many interlocutors in Europe and Brazil. In the Bavarian State Library’s collection of manuscripts, there are approximately 11,000 letters from/to Martius.
LIFE Photo Collection
The correspondents include Alexander von Humboldt, Georges Cuvier, linguists like Jakob Grimm, poets like Goethe, and colleagues who had been to Brazil, like Wilhelm von Eschwege, Prince Wied-Neuwied, Alcide Orbigny, Ferdinand Denis, and August Saint-Hilaire, among others.
Coronation of Dom Pedro II (study) (1840/1849) by Manuel de Araújo Porto AlegreMuseu Histórico Nacional
On the Brazilian side were Dom Pedro II, the painter Araújo de Porto Alegre, the historian Francisco A. Varnhagen, the botanists Francisco Freire Alemão and José de Saldanha da Gama, the writer and journalist Januário da Cunha Barbosa, the naturalist and engineer Baron of Capanema, and many more.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 57 (1906)CRIA - Centro de Referência em Informação Ambiental
Today, Spix and Martius’ vast work (published and in manuscripts), herbaria, mineralogical and zoo-botanical collections, of indigenous artifacts and melodies, form an incredible resource for research in all disciplines, making it possible to understand the past.
Research and writing: Karen Macknow Lisboa (University of São Paulo)
Assembly: Fernando B. Matos (CRIA)
Review: Fernando B. Matos (CRIA), Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus), Travels in Brazil (https://www2.senado.leg.br/bdsf/handle/id/573991)
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: To the curators who provided images for this story
*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email contato@cria.org.br
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