Celebrating 15!

KMB 2022-23: Mapping Climate Emergency

Four installations exhibited at the Kochi-Muziris Biennale 2022–23 use images, data, maps, and witness accounts to trace acts of slow violence against the planet.

Susan Schuppli's video, Gondwana (2022), screened inside the venue, Store at Aspinwall House (2022-23) by Susan SchuppliKochi-Muziris Biennale

Gondwana

Artist-researcher Susan Schuppli's works examine material evidence from war and conflict, environmental disasters and climate change, exploring the ways in which non-human witnesses, such as materials and objects, enter into public discourse and testify to historical events.

Susan Schuppli's video, Gondwana (2022), screened inside the venue, Store at Aspinwall House: A Screenshot (2022-23) by Susan SchuppliKochi-Muziris Biennale

The film 'Gondwana' was assembled from the archives of the Indian News Review with original music by Mhamad Safa. It includes the footage of the arrival of the first Indian female scientist Sudipta Sengupta in 1982. She refers to this event as breaking the ‘ice ceiling’.

Up, Up, Up, a multipart installation by Uriel Orlow. (2022-23) by Uriel OrlowKochi-Muziris Biennale

Up, Up and Up

Uriel Orlow's multipart installation began in dialogue with researchers of the Swiss National Park in the Engadine, an Alpine valley region in the eastern Swiss Alps, between 2020 and 2021. The project has since expanded to include climate data on the Himalayas.

Up, Up, Up, a multipart installation by Uriel Orlow. (2022-23) by Uriel OrlowKochi-Muziris Biennale

Mindful of what environmental humanities scholar Rob Nixon refers to as ‘slow violence’, Up, Up, Up presents the data on the rise in temperature in the Himalayas using swatches of colour in order to indicate shifts in intensity from 1900 to 2020.

Up, Up, Up, a multipart installation by Uriel Orlow. (2022-23) by Uriel OrlowKochi-Muziris Biennale

In the Swiss Alps, climate change threatens plant species as those from lower altitudes migrate upwards, altering habitats. Researchers are tracking these movements through careful observation and comparison with botonists' fieldwork over the last century.

Neti (2022), a photo installation by Pranay Dutta, exhibited at the Aspinwall House Coir Godown (2022-23) by Pranay DuttaKochi-Muziris Biennale

Day Zero

Pranay Dutta's acrylic-on-photograph series documents a sterile, post-apocalyptic hell. Towering structures and plumes of smoke imply a world continuing even after death, absent of human and animal life.

Day Zero (2022) by Pranay DuttaKochi-Muziris Biennale







Dutta builds a cinematic narrative that begins with a drying riverbed. Slick, black, oil-like water ripples around monumental structures and monolithic silos. The video ends with an endlessly rippling digital mass. 

Day Zero (2022), a video installation by Pranay Dutta (2022-23) by Pranay DuttaKochi-Muziris Biennale

In black-and-white imagery, Dutta deconstructs and reassembles elements from reality to create dystopian mindscapes. Using digital panoramas, he creates chilling visions that are not only possible in real life, but also forewarned by anti-war and climate activists.

I.85: Gold Mining and Violence in the Amazon Rainforest by Forensic ArchitectureKochi-Muziris Biennale

I.85: Gold Mining and Violence in the Amazon Rainforest

Forensic Architecture, a research agency based in the UK investigating human rights violations, looks into the timeline and patterns of destruction and threats on Brazil's Yanomami territory along the Uraricoera River due to gold mining. 





I.85: Gold Mining and Violence in the Amazon Rainforest by Forensic ArchitectureKochi-Muziris Biennale

Since Jair Bolsonaro became president of Brazil in 2019, vast tracts of the Amazon rainforest, and the Indigenous communities who live within and care for it, have been subjected to increasing violence and a rapid rise in illegal gold mining, encouraged by his administration.

I.85: Gold Mining and Violence in the Amazon Rainforest by Forensic ArchitectureKochi-Muziris Biennale




The film presents a timeline and analysis of the investigation conducted by Forensic Architecture, which links Bolsonaro’s policies and rhetoric to the sharp rise in environmental destruction and violence against Indigenous people in the Amazon

Neti (2022) by Pranay DuttaKochi-Muziris Biennale

Read More Stories From Kochi-Muziris Biennale

Credits: Story

Curation, Text and Photography by: Kochi Biennale Foundation 
This exhibition is based on KMB 2022 - 2023

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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