…and regarding the remembrance of evils … May 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Dimosthenis Kokkinidis (1929, Piraeus -2020, Athens) contributed in the field of painting in Greece with consistency from the early 1960s and today he is considered as one of the most important Greek painters of his generation.
…and regarding the remembrance of evils … May 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Certain periods of his work are characterized by an incomplete abstraction, where nonfigurative colour fields coexist with recognizable forms, mostly of the human body.
…and regarding the remembrance of evils … August 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
From 1964 onwards, through a rough expressionistic painting style, Kokkinidis confronted international and domestic events such as the Vietnam war and the assassination of Grigoris Lambrakis.
This oscillation between abstraction and representation was dictated by the artist’s need to respond to the political turbulence of the 1960s and 1970s that affected personal and social life.
…and regarding the remembrance of evils … July 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
For his works, he often used as a point of departure press photographs of tragic events, which he either repainted or actually integrated within the painting.
…and regarding the remembrance of evils … August 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Shocked by the Colonels coup in April 1967, Kokkinidis will start painting the series that became known as …and regarding the remembrance of evils… titled after a mistranslated elegiac fragment of Theognis of Megara (6th century B.C.E.)
Of the good, one man is loud in blame, another in praise; of the bad there's no mention whatsoever (Theognis, Elegiac poems 797-798).
…and regarding the remembrance of evils … June - July 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
In …and regarding the remembrance of evils… Kokkinidis painted the colonels in all their uniformed grotesqueness, alongside their supporters from the army and church.
…and regarding the remembrance of evils … June 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Among the paintings, we can see that the colonels, which can often be identified, are adorned with inverted Greek national symbols which they abused, as well as with American flags, alluding to the alleged American support to the coup.
…and regarding the remembrance of evils … July 1968 (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
…and regarding the remembrance of evils … June 1967 (1967) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
…and regarding the remembrance of evils … July 1968 (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Gagged and blindfolded victims of the Junta, the tortured martyrs of captured members of resistance groups, are also depicted, likened to antique damaged marble busts.
…and regarding the remembrance of evils … March 1968 (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
Tanks and helmets, protestors with raised fists, fallen bodies and enigmatic domestic scenes also appear.
…and regarding the remembrance of evils … April 1968 (Robert Kennedy) (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
In this chronicle of violence a panel is dedicated to the assassination of Robert Kennedy in June 1968, an event that dwindled optimism in global politics.
…and regarding the remembrance of evils … March 1968 (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
…and regarding the remembrance of evils… was made over the course of the two first years of the dictatorship, in knowledge that it would have been impossible to exhibit due to the strict censorship and in fear of the consequences.
…and regarding the remembrance of evils … September 1968 (1968) by Dimosthenis KokkinidisNational Museum of Contemporary Art Athens (EMΣT)
The works were painted in square pieces of cardboard which were later hidden and forgotten. …and regarding the remembrance of evils… was exhibited in 1997 for the first time.
This story was brought together by the National Museum of Contemporary Art Athens.
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Story Author: Stamatis Schizakis, curator EMΣT
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