photograph of Eddie Arning (1910)The Colonial Williamsburg Foundation
Who is Eddie Arning?
Eddie Arning was born on January 3, 1898, in his grandmother’s house in Germania, a farming community northwest of Houston, Texas. Both of his parents emigrated from Germany with their families as children. Arning's family, like most in the community, predominately spoke German in the home.
photograph of Eddie Arning (1918)The Colonial Williamsburg Foundation
Arning began to experience symptoms of mental illness in his mid-20s. Ultimately, an attack on his mother landed Arning in jail. A 1928 trial found him dangerous by reason of insanity and committed him to the Austin State Hospital, which would be his home for the next 36 years.
photograph of Eddie Arning (1967)The Colonial Williamsburg Foundation
An artist’s beginning
In 1964, Arning was transferred to a nursing home. That year, Helen Mayfield, one of his therapists, arranged various activities for the residents to try. This included a station with coloring book pages and crayons.
photograph of Eddie Arning (1967)The Colonial Williamsburg Foundation
Mayfield noticed that Arning gravitated toward this area and that his work included original lines outside of the printed lines. He also used an unexpected color palette. Soon, Mayfield decided to switch out the coloring pages for pieces of plain drawing paper.
Duck (1966) by Eddie ArningThe Colonial Williamsburg Foundation
In his first drawings, objects were either very small or drawn against a background with no contrast. Mayfield said he should consider drawing things in a larger scale to make use of the entire sheet of large construction paper. She encouraged him, even in areas of white, to use white crayon so that his drawings covered the entire surface of the paper.
Magazine photo illustration for "Magic with Mums" (1967)The Colonial Williamsburg Foundation
An artist’s inspiration
Arning’s earliest works were drawn from memories, but around 1966, he began using magazines as sources of inspiration, like this image. He would tear out illustrations from stories or advertisements that he carefully selected because he felt he could improve them.
"Forest, Figures, and Flowers" (1970) by Eddie ArningThe Colonial Williamsburg Foundation
Arning’s drawings are not copies but are rather his take on the picture, as if the viewer is seeing the image through his eyes. A friend of his once noted that he had given Arning an illustration of a painting that he thought Arning might like. However, Arning returned it because “it was a picture already."
Arning at the Art Museums of Colonial Williamsburg
Colonial Williamsburg’s exhibition of Arning’s work includes 12 pieces completed between 1968 and 1973 at the Villa Siesta Nursing Home, a part of the Austin State Hospital. His pictures are all drawn with either crayons or oil pastels on construction paper of various colors. In Spring 2026, the exhibit's artwork will rotate to include additional works which will be on view until Fall 2027.
The Not Hot Hot Dog (1968) by Eddie ArningThe Colonial Williamsburg Foundation
Based on a Hormel hot dog advertisement, this picture shows Arning’s approach to interpreting printed sources. Here he made several alterations that he thought improved the image, including moving the package from off-center in the margin to a position overlapping the figure.
Newspaper advertisementThe Colonial Williamsburg Foundation
We Didn't Need To Talk (1972/1973) by Eddie ArningThe Colonial Williamsburg Foundation
Inspired by a magazine illustration, this picture pairs bright yellow squirrels and tree trunks against an electric blue background, a vivid contrast to the two-tone original. He also chose the opening line from the article, “We didn’t need to talk” as his title instead of the original, "Take a Boy Along."
Magazine illustrations for article "We Didn't Need to Talk" (1972)The Colonial Williamsburg Foundation
Gravedigger (1969) by Eddie ArningThe Colonial Williamsburg Foundation
While this piece drew inspiration from a magazine illustration, Arning pulled from his own life experiences when he added “J.L.” to one of the grave markers. In a conversation with a friend, he explained that “J.L.” was a man who lived at the nursing home with Arning who had passed away.
Page from Life Magazine (1968)The Colonial Williamsburg Foundation
Two Geese (1970) by Eddie ArningThe Colonial Williamsburg Foundation
Based on an illustration of two types of geese from a 1967 issue of Sports Afield, Arning took the essential form and positions of the birds and then placed them within a brilliantly hued, geometric forest of his own invention.
Magazine illustrations of a Snow Goose and a Blue Goose (1967)The Colonial Williamsburg Foundation
Hallelujah! (1971) by Eddie ArningThe Colonial Williamsburg Foundation
Patterning was integral to Arning’s work, including this stylized interpretation of a group of choirboys. He furthers the repetitive nature of the original by giving all the boys similar hand gestures as well as adding oval leaves throughout, an addition not seen in the original image.
Page from Good Housekeeping Magazine (1971)The Colonial Williamsburg Foundation
For a brief period of time, at the suggestion of friends, Arning signed some of his drawings. In this piece, “Artist work E.A. 1968” is scrawled across the bottom. Based on an advertisement for Northup King Seeds’ bright eyes phlox, the drawing depicts a small girl smelling a bouquet.
photograph of Eddie Arning (1967)The Colonial Williamsburg Foundation
Arning’s later years
In 1970, Arning was released from the hospital’s care but chose to remain at the nursing home, paying a portion of his rent with proceeds from his art. He left the nursing home in 1973 to live with his sister, Ida, and within a year of this move, he stopped drawing. Arning died in 1993.
17 Swimmers at Pool (1968) by Eddie ArningThe Colonial Williamsburg Foundation
An artist’s legacy
In the 1980s, a contemporary artist described Arning’s work by saying, "It is both refreshing and disarming to find occasionally a person with simple equipment who speaks so eloquently within his medium." This sentiment captures what audiences have appreciated about Arning's art ever since.
The first 12 pieces of Arning's work were donated to Colonial Williamsburg's Folk Art Museum in 1985 by Dr. and Mrs. Alexander Sackton. Dr. Sackton was a friend of Arning's and served as his legal guardian. He also helped Arning market and sell his artwork.
To learn more about Eddie Arning and view his works, explore the Colonial Williamsburg collection and visit the Eddie Arning: Artist exhibition at the Art Museums of Colonial Williamsburg.
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