Between the past and the future
In the collection of short prose entitled Posthumous Papers of a Living author, Robert Musil drafts the role of the paintwriter, “who stands for a painter as the literary man stands for a writer”, claiming that painters and writers tend to appear to belong to the past or to the future, while the paintwriters and the literary men pertain to the sole dimension of the present. The appeal of the paintwriters' works soon vanishes, unlike the painters, the real artists, who survive the fleeting fashions. And this is what Renzo Margonari, painter,artist and first director of the MAM, has taught.
Codice Spaziale (2009) by Bernardini CarloMuseo d'Arte Moderna dell'Alto Mantovano
Consequently, the rooms of the museums are full of authentic artists and bridge the gap between the past and the future.
Senza titolo (1989) by Bonfà CarloMuseo d'Arte Moderna dell'Alto Mantovano
Senza titolo (Stele) (1996) by Bonfà CarloMuseo d'Arte Moderna dell'Alto Mantovano
Composition (1991) by Vittorio CarnevaliMuseo d'Arte Moderna dell'Alto Mantovano
It is the bridge of art!
Meeting in Venice (1993) by Antonella GandiniMuseo d'Arte Moderna dell'Alto Mantovano
Real art, based on eurythmics always seeking for perfection, just as musical melodies seek for consonances and just as absolute geometrical shapes seek to understand the mysterious rules adopted by the Creator when He shaped the universe.
Paesaggio n.1 (1974) by Schirolli RenzoMuseo d'Arte Moderna dell'Alto Mantovano
Therefore, at this point we can only wish you a good visit!
Veneziana - Light for Simona (1976) by Schirolli RenzoMuseo d'Arte Moderna dell'Alto Mantovano
Chemia II (1990) by Gianluigi TrolettiMuseo d'Arte Moderna dell'Alto Mantovano
