Fugitive Speech

Explore acts of personal testimony in the face of social, cultural, and historical odds

Installation view of Fugitive Speech (2022-11-03/2023-04-30) by JJJJJerome Ellis and Anita FieldsOklahoma Contemporary Arts Center

Fugitive Speech was on view in the Mary LeFlore Clements Oklahoma Gallery from November 3, 2022-April 30, 2023.

Exploring personal testimony

Featuring seven artworks by three artists—Emily M. Chase, JJJJJerome Ellis, and Anita Fields—Fugitive Speech considers the relationship between voice, memory, and time through distinct perspectives and approaches to media, including textiles, video, photography, and ceramics.

All That We Wear (2018) by Anita FieldsOklahoma Contemporary Arts Center

Wearing identity

Anita Fields's work is a textile installation that delves into Osage tribal identity, cultural memory, and the power of clothing. Detailed images are drawn on each shirt.

All That We Wear (detail), Anita Fields, 2018, From the collection of: Oklahoma Contemporary Arts Center
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Resisting the Flow 1-4 (2021) by Anita FieldsOklahoma Contemporary Arts Center

Anita Fields uses clay, gold luster glaze, slips, and mixed-media collage to reinterpret Osage ribbonwork in sculptural form. Drawing on themes of resilience and duality, the series reflects on Indigenous identity, memory, and the strength of Native women.

Installation view of Fugitive Speech (2022-11-03/2023-04-30) by Anita FieldsOklahoma Contemporary Arts Center

Standing up

Anita Fields's sculpture is stamped and painted with patterns from nature and symbols of Osage cosmology that have been passed down across generations in the artist's family.

Installation view of Fugitive Speech (2022-11-03/2023-04-30) by Anita FieldsOklahoma Contemporary Arts Center

Taking the form of a dress, the work suggests how women's bodies carry information by way of kinship and clothing. The presence of illegible script suggests the distortion of written accounts and charges the figure with Indigenous histories of transmitting and losing knowledge.

Impediment is Information (2021) by JJJJJerome EllisOklahoma Contemporary Arts Center

Connecting to the past

In this video installation, JJJJJerome Ellis creates “erasure poems” from historical texts about enslaved Black people with speech impediments. Overlaying these with music and ritual footage, he reclaims their stories, linking past and present while honoring a path to freedom.

Impediment is Information, JJJJJerome Ellis, 2021, From the collection of: Oklahoma Contemporary Arts Center
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Installation view of Fugitive Speech (2022-11-03/2023-04-30) by JJJJJerome Ellis and Anita FieldOklahoma Contemporary Arts Center

Installation view of Fugitive Speech (2022-11-03/2023-04-30) by Emily M. ChaseOklahoma Contemporary Arts Center

The physicality of remembrance

In Amnesia (Anterograde), Emily M. Chase portrays a dissolving human form, its doubled limbs hinting at physical and cognitive loss over time. Using reversed dyed sheer fabric, Chase explores memory as a deeply bodily experience shaped by mental and physical health.

Amnesia (Anterograde), Emily M. Chase, 2021, From the collection of: Oklahoma Contemporary Arts Center
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Forgetting Calendar (2020) by Emily M. ChaseOklahoma Contemporary Arts Center

Exploring memory and loss

Emily M. Chase's work is a poignant exploration of memory and loss. Chase invites viewers to reflect on the fragility of memory and the ways in which we attempt to preserve the intangible aspects of our lives.

Forgetting Calendar (detail), Emily M. Chase, 2020, From the collection of: Oklahoma Contemporary Arts Center
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Installation view of Fugitive Speech (2022-11-03/2023-04-30) by Anita FieldsOklahoma Contemporary Arts Center

Narratives through art

Together, the artworks in Fugitive Speech used images, words, sounds, and symbols to convey stories of intergenerational pain and hope that slip through the gaps of collective history and personal memory.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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