By Instituto Gilberto Gil
Text: Chris Fuscaldo, journalist and music researcher
Gilberto Gil com Nana e Dorival CaymmiInstituto Gilberto Gil
Dorival Caymmi was the first of the Bahian musicians to taste success when, in 1939, Carmen Miranda burst onto the scene in Brazil and the US singing his song O Que é Que a Baiana Tem.
Gilberto Gil com o músico Dorival Caymmi em show na década de 1980 (1980)Instituto Gilberto Gil
At that time, Gil was not born. As a child, he did not imagine that in the not-too-distant future he would have the chance to meet his idols on stage and in the recording studio.
Gilberto Gi e Nana Caymmi no final da década de 1960Instituto Gilberto Gil
The Man Who Invented Bahia
As a teenager, Gil never even dreamed of meeting Dorival Caymmi, let alone marrying one of his daughters, Nana. However, once fully immersed in São Paulo's music scene, he found himself captivated by the female vocalist, and her deep voice.
Gilberto Gil e Nana Caymmi no camarim do Canecao (1986)Instituto Gilberto Gil
He separated from his then wife, Belina, and set about cowriting the song Bom Dia with Nana. She would go on to perform the song at a festival in 1967. Their relationship did not last long, but their friendship endured, with Gil becoming even closer to Bahian master Dorival.
Gilberto Gil e Dorival Caymmi em show na década de 1980Instituto Gilberto Gil
Dorival joined him on stage in the 1980s as a guest in one of his concerts. In 1991, Gil wrote a song in tribute to Dorival titled Buda Nagô, which he recorded with Nana for his album Parabolicamará.
Gilberto Gil com Nana e Dorival CaymmiInstituto Gilberto Gil
Years after Caymmi's death, Gil once again paid tribute to him in an interview with the TV Globo journalist Pedro Bial: "It is only right that we credit Dorival Caymmi with the birth of Bahia as we know it today; a Bahia that has spread across the whole of Brazil...
Gilberto Gil, Nana Caymmi e Dorival Caymmi em camarim de show (Fevereiro de 1998)Instituto Gilberto Gil
"...Firstly, because he brought together all its most important aspects, starting with the Bahian people. He sang about Bahians by name—its places and its people...
Gilberto Gil, Pierre Fatumbi Verger, Dorival Caymmi e Caetano Veloso na casa de Caetano (1990)Instituto Gilberto Gil
"...He described those places in detail; their trades, their work, their loves. And that captivated the whole of Brazil."
Research, writing and structure: Chris Fuscaldo
General credits
Editing and curation: Chris Fuscaldo / Garota FM
Research - music: Ceci Alves, Chris Fuscaldo, Laura Zandonadi and Ricardo Schott
Research - Ministry of Culture: Carla Peixoto, Ceci Alves and Chris Fuscaldo
Subtitles: Anna Durão, Carla Peixoto, Ceci Alves, Chris Fuscaldo, Daniel Malafaia, Fernanda Pimentel, Gilberto Porcidonio, Kamille Viola, Laura Zandonadi, Lucas Vieira, Luciana Azevedo, Patrícia Sá Rêgo, Pedro Felitte, Ricardo Schott, Roni Filgueiras e Tito Guedes
Data editing: Isabela Marinho and Marco Konopacki
Gege Produções Review: Cristina Doria
Acknowledgements: Gege Produções, Gilberto Gil, Flora Gil, Gilda Mattoso, Fafá Giordano, Maria Gil, Meny Lopes, Nelci Frangipani, Cristina Doria, Daniella Bartolini e todos os autores das fotos e personagens da história
All media: Instituto Gilberto Gil
*Every effort has been made to credit the images, audios and videos and correctly tell the story about the episodes narrated in the exhibitions. If you find errors and/or omissions, please contact us by email atendimentogil@gege.com.br
You are all set!
Your first Culture Weekly will arrive this week.