Gilberto Gil e Rita Lee em show da turnê Refestança (1977)Instituto Gilberto Gil
Refestança With Rita Lee
Gilberto Gil and Rita Lee were first drawn to one another during their Tropicália days. It was because of her that brothers Arnaldo and Sérgio Dias Baptista—fellow members of her band Os Mutantes—agreed to record Domingo no Parque with Gil.
The brothers, who were fully-fledged rockers, thought Gil's music was too Brazilian. But Rita and her new mentor, Gil, saw fusion as the future of Brazilian culture. Ten years after they first met, Gil and Rita got up on stage together again for their Refestança show, which would become a live album.
Gilberto Gil e Rita Lee no show Refestança (1978)Instituto Gilberto Gil
Coincidentally, both Gil and Rita had been arrested for possessing cannabis in 1976. The following year, they would bring together their bands—Gil's Refavela and Rita's Tutti Frutti—for the tour, which would be recorded and released as an LP.
The album had not been planned, but ended up being a fourth album in the middle of Gil's "Re" trilogy (Refazenda, Refavela, and Realce).The album's opening track is Refestança, a song that they wrote together. The song list also features Gil's Domingo no Parque and Back in Bahia.
Gilberto Gil e Rita Lee durante turnê do álbum Refestança (1977)Instituto Gilberto Gil
Rita Lee's contribution includes her song Ovelha Negra, and one she cowrote with the budding author Paulo Coelho, titled Arrombou a Festa. The song Giló, which Rita wrote for Gil, is a celebration of their friendship.
Gilberto Gil durante o show Refestança (1977)Instituto Gilberto Gil
The duo's show and album also included a tropical cover version of Get Back by The Beatles—called De Leve in Portuguese—and a sarcastic cover version of the Roberto Carlos and Erasmo Carlos song É Proibido Fumar, which was written as a challenge to the Brazilian authorities.
Capa do álbum Refestança, de Gilberto Gil e Rita Lee (1977)Instituto Gilberto Gil
On the album insert, Gil had fun with a text: "Refestança is a place / Where singing happens / Where dancing happens / Where they only plant… banana trees." Rita's text rounded this idea out further: "It means a mixture of race, color, sound, farm, city, and chewing gum and banana."
João Gilberto e Vinícius de Moraes pelas lentes de Mário Luiz ThompsonInstituto Gilberto Gil
An Album With a Legend
The early 1980s were significant for Gilberto Gil. In the same year as he launched his album Luar (A Gente Precisa Ver O Luar), he met up again with his friends Caetano Veloso and Maria Bethânia. Only, this time, the three of them had been invited to record with the Bahian legend João Gilberto.
Capa do álbum Brasil, de Gilberto Gil, João Gilberto, Caetano Veloso e Maria Bethânia (1981)Instituto Gilberto Gil
The album, titled Brasil, would be released in 1981, and the cover featured just a picture of João Gilberto alongside the names of the other artists.
Gilberto Gil em ensaio fotográfico para álbum Gilbertos Samba (2012)Instituto Gilberto Gil
The song list consisted entirely of cover versions: Ary Barroso's Aquarela do Brasil (known abroad simply as Brazil); Disse Alguém by Haroldo Barbosa, Gerald Marks, and Seymour Simons; Bahia Com H by Denis Brean (real name: Augusto Duarte Ribeiro);
Filipeta de divulgação do show Gilbertos Samba, de Gilberto Gil, no Canadá Frente (2015-04-12)Instituto Gilberto Gil
...No Tabuleiro da Baiana, de Ary Barroso, Milagre, de Dorival Caymmi, e Cordeiro de Nanã, de Dadinho e Mateus.
Caetano Veloso e Gilberto Gil no show Tropicália Duo (1994-12)Instituto Gilberto Gil
Celebrating Tropicália
During the 1990s, Gilberto Gil did fewer collaborations with other singers in the studio, but he still performed with other artists on stage, both in his own concerts and as a guest. In 1993, he celebrated 30 years of friendship with Caetano Veloso by recording an album that also commemorated 26 years of the Tropicália movement.
Gilberto Gil e Caetano Veloso no show Tropicália Duo (1994)Instituto Gilberto Gil
Tropicália 2 was released as a CD on the PolyGram record label and the pair toured various cities in Brazil and around the world. The Tropicália 2 song list was split fairly between them: Baião Atemporal and Tradição, by Gil;
Gilberto Gil e Caetano Veloso na turnê Tropicália 2 (1993)Instituto Gilberto Gil
Caetano Veloso's Rap Popcreto, Aboio and Desde Que O Samba É Samba; Haiti, Cinema Novo and Dada by both artists; As Coisas. De Riachão, Cada Macaco no Seu Galho (Cho Chuá). De Roque Carvalho, Nossa Gente by Gil and Arnaldo Antunes; and Jimi Hendrix's Wait Until Tomorrow.
Gilberto Gil e Milton Nascimento no álbum Gil & Milton (2000)Instituto Gilberto Gil
The border of Bahia and Minas Gerais
At the start of the new millennium, in 2000, Gilberto Gil and Milton Nascimento decided to turn their long-standing, mutual admiration into something concrete.
Ensaio fotográfico com Gilberto Gil e Milton Nascimento (2000)Instituto Gilberto Gil
Gilberto Gil and Milton Nascimento hailed from neighboring Brazilian states—Gil from Bahia and Milton from Minas Gerais. They first got to know each other backstage at song festivals in the 1960s, although their production teams never properly communicated. But they continued to follow each other's careers
Caderno com rascunho de composições e anotações diversas de Gilberto Gil Rascunho da música Lar Hospitalar, de Milton Nascimento e Gilberto GilInstituto Gilberto Gil
When their album Gil & Milton was released by Warner Music in the year 2000, the pair immediately hit the road and went on to perform together at the 3rd Rock in Rio festival in early 2001, where they opened for Sting and James Taylor.
Gilberto Gil e Milton Nascimento na estreia do show Gil & Milton no Canecão (2000-11-23)Instituto Gilberto Gil
Produced by Guto Graça Mello, Gil & Milton was well received by fans and critics alike. The album features new versions of songs such as Palco by Gil, Ponta de Areia by Milton and Fernando Brant, and Milton's Canção do Sal. It also includes five songs they wrote together:
Lar Hospitalar, Duas Sanfonas, Dinamarca, Trovoada and Sebastian.
Gilberto Gil e Milton Nascimento na estreia do show Gil & Milton no Canecão (2000-11-23)Instituto Gilberto Gil
Sebastian was the main track and was also made into a music video. Others include Dorival Caymmi's Dora, Ary Barroso's Maria, The Beatles' song Something, and Fito Páez's Yo Vengo a Ofrecer Mi Corazón.
Gilberto Gil e Milton Nascimento nos bastidores da gravação do clipe da música Sebastian (2000)Instituto Gilberto Gil
A scene from the Sebastian music video.
Gilberto Gil e Milton Nascimento nos bastidores da gravação do clipe da música Sebastian (2000)Instituto Gilberto Gil
Cartão de aniversário de Milton Nascimento enviado a Gilberto Gil (2002-06-26)Instituto Gilberto Gil
A 2002 letter from Bi (Bituca) to Pê (Gil) is a token of the friendship between both artists.
Gilberto Gil e Caetano Veloso em show da turnê Dois Amigos, Um Século de Música em Portugal (2015-07-31)Instituto Gilberto Gil
A reencounter with this first partner
Gilberto Gil and Caetano Veloso reunited in 2015 on a world tour celebrating their 50 yeas of friendship.
Gilberto Gil e Caetano Veloso em show para o Festival Jazz à Vienne, da turnê europeia Dois Amigos, Um Século de Música (2015-07-03)Instituto Gilberto Gil
Actually, they had known each other for 52 years, but the anniversary marked the date of that first concert in Bahia, half a century earlier, in 1965. Adding 50 years from one side to 50 years from the other, the celebratory tour was titled: Two Friends, A Century of Music.
Gilberto Gil e Caetano Veloso em show para o Festival Jazz à Vienne, da turnê europeia Dois Amigos, Um Século de Música (2015-07-03)Instituto Gilberto Gil
The show travelled across more than ten countries and became a double CD and a DVD. The setlist includes: Coração Vagabundo, Tropicália, É de Manhã, Sampa, Terra, Nine Out of Ten, Odeio Você, Tonada de Luna Llena, by Caetano Veloso.
Gilberto Gil e Caetano Veloso em show da turnê Dois Amigos, Um Século de Música em Portugal (2015-07-31)Instituto Gilberto Gil
They paid their hommage to Bahia with Eu Vim da Bahia and É Luxo Só (João Gilberto) and Olodum's, Nossa Gente (Avisa Lá). They also sang the Italian singer Tony Dallara's Come Prima and Julio Iglesias', Tres Palabras.
Gilberto Gil e Caetano Veloso em show para o Festival Jazz à Vienne, da turnê europeia Dois Amigos, Um Século de Música (2015-07-03)Instituto Gilberto Gil
Gil's song included: Marginália II, Back in Bahia, Super Homem (A Canção), Esotérico, Drão, Se Eu Quiser Falar com Deus, Expresso 2222, Toda Menina Baiana, São João, Xangô Menino, Andar com Fé and Filhos de Gandhi.
General credits
Editing and curation: Chris Fuscaldo / Garota FM
Research - music: Ceci Alves, Chris Fuscaldo, Laura Zandonadi and Ricardo Schott
Research - Ministry of Culture: Carla Peixoto, Ceci Alves and Chris Fuscaldo
Subtitles: Anna Durão, Carla Peixoto, Ceci Alves, Chris Fuscaldo, Daniel Malafaia, Fernanda Pimentel, Gilberto Porcidonio, Kamille Viola, Laura Zandonadi, Lucas Vieira, Luciana Azevedo, Patrícia Sá Rêgo, Pedro Felitte, Ricardo Schott, Roni Filgueiras e Tito Guedes
Data editing: Isabela Marinho and Marco Konopacki
Gege Produções Review: Cristina Doria
Acknowledgements: Gege Produções, Gilberto Gil, Flora Gil, Gilda Mattoso, Fafá Giordano, Maria Gil, Meny Lopes, Nelci Frangipani, Cristina Doria, Daniella Bartolini e todos os autores das fotos e personagens da história
All media: Instituto Gilberto Gil
*Every effort has been made to credit the images, audios and videos and correctly tell the story about the episodes narrated in the exhibitions. If you find errors and/or omissions, please contact us by email atendimentogil@gege.com.br
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