Detail of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
Modernism, especially in the architecture field, followed functional tenets with an emphasis on rationality and the use of simple geometric shapes. It also incorporated materials such as concrete, which allowed new construction possibilities. Rodrigo Sassi dialogues with (...)
Detail of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
(...) with modernist ideas, but, instead of refusing the decorative in search of a cleaner aesthetic, he explores other possibilities of ornament.
View of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
In a recent work at the Museu da Inconfidência, in Ouro Preto (MG), a MAM São Paulo partner institution in this project, the artist renewed notions on baroque from the perspective of contemporary art.
View of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
It's precisely from the intersection between modern art and colonial art that his work developed. With references to panels by Burle Marx and Athos Bulcão, typical of the modern architecture of Rino Levi and Niemeyer, the artist also explores contradictions in modern design.
Detail of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
Among them is the emphasis on the working class, always undervalued, but fundamental for any construction. Therefore, the artist handcrafts concrete modules using traditional techniques.
The work presents itself as a large high-relief constructed with wooden casing that serves as temporary mold for each of the modules. With them, it is possible to model the concrete, a typical civil construction material which supports high loads. Starting from a central horizontal line, winding shapes, gray as cement, snake up the wall in different sizes. Ten different pieces can fit together, creating multiple patterns.
View of the installation Rizoma by Rodrigo Sassi. Photo Ding Musa (2024) by Rodrigo SassiMuseu de Arte Moderna de São Paulo - MAM São Paulo
The concrete pieces, held by screws, stand out against the background wall, distinguishing themselves clearly. As visitors walk, the modules gradually reveal themselves, and gaps and spaces become evident. The contrast between the flat surface and the three-dimensional space is highlighted, merging organic shapes, with their curved lines found in nature, with the regular geometry common in concrete architecture.
Cauê Alves
Chief Curator of MAM São Paulo
Photos by Ding Musa
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