Staff Picks: Summer Cook's CAM Favorites

Get to know our museum staff through the art they love. In this series, staff select their favorite artworks and explain what draws them toward these works.

Venice, the Grand Canal (1890) by Robert Frederick BlumCincinnati Art Museum

Every visitor has a favorite Cincinnati Art Museum artwork. The same is true of museum staff. From in-depth analyses to playful interpretations, this series highlights the diverse personalities that make up the museum’s staff.

This month, Summer Cook, Exhibition Coordinator, has picked her five favorite pieces.

King Philip II of Spain (Circa 1550 - Circa 1551) by Titian (Italian, b.Circa 1488, d.1576)Cincinnati Art Museum

Simply royal

In this oil on canvas, King Philip II of Spain can be seen holding a scepter, an ornamental staff held by a ruling monarch. A popular addition to regal paintings, the scepter represents imperial authority. A celebrated King in his own right, Philip II’s vast empire stretched around the globe leading to the country’s height of influence, power and economic success. The artist Titian, was a well-known Venetian painter whose versatile talent was reflected in the form of portraits as well as landscapes. During a good portion of his life, Titian worked directly under King Philip II, resulting in several portraits of the monarch as well as commissioned works for the Kings collection.

Simply royal

What I find so interesting about this painting is the simple history of it. As an avid love of all things historical and someone who enjoys art of the 16th century, I find it extraordinary that the museum has an oil painting of a well-known European monarch. Throughout history, this particular work of art has also been well documented; revealing a detailed history of ownership and its various homes over time.

Wedding Dress (1906) by Unknown ArtistCincinnati Art Museum

Thoughts from a bride to be

This early 20th century dress is an excellent example of the fashionable wedding trends of the time. The high neck line, puffed sleeves and delicate lace embodies the romantic and eloquent ceremony in which it was worn. This particular gown was donned by Elizabeth Ryan when she wed Chas. F Williams; May 1906. The wedding gown pictured here was accompanied by a corset, silk stockings and white satin shoes; all of which reside inside the Cincinnati Art Museum’s permanent collection.

Thoughts from a bride to be

As a bride to be I find inspiration in vintage gowns of the past. When choosing my own dress I paid close attention to the lace detail and was adamant about having an early Victorian era inspired piece. I find appealing the way this dress highlights the wearer’s waist with its puffed bodice and flared skirt. The addition of this gown being worn with a full length tulle veil gives it an added element of enchantment and grace that is often times why I myself tend to romanticize this time period.

Venice, the Grand Canal (1890) by Robert Frederick BlumCincinnati Art Museum

Cincinnati abroad

American artist Robert Frederick Blum brings to life in vibrant color the beauty and intrigue of Venetian canals. In this painting, three gondolas float in the calm waters outside Italianate buildings and a walled garden. Robert Frederick Blum was born in Cincinnati, Ohio and attended the Art Academy of Cincinnati in his early days. He spent a considerable amount of time in Venice in throughout the 1880s, and continued to revisit several times after that – where he created many of his watercolors and pen drawings. His wanderlust continued as he spent a few years in Japan completing many prints.

Cincinnati abroad

What drew me to this particular piece was the pastel colors and the way they blended together so effortlessly. There is a sense of contentment that comes from the serene waters, the ladies with their umbrellas, as well as the beautiful detailing of the architectural features in the buildings. When looking at this painting I escape to Italy, a place very near and dear to my heart. I was surprised to find Blum was a native Cincinnatian, all the more deepening my connection to this painting.

Railway Engine Coffee Maker (circa 1828) by UnknownCincinnati Art Museum

Coffee, elevated

Long before paper cups and single serve plastic pods, coffee was more of a fine dining experience. Traditionally served from silver pitchers, afternoon coffee was almost regal in comparison to the mid-day pick me ups we have today. This unusual coffee maker from the late 1820’s was designed with a fun and decorative twist compared to the standard coffee pot and maker; it was built to resemble a fully functioning locomotive. Complete with a central hot water compartment, storage box, dispenser and spigot, it can be fully utilized. The railway engine is set upon a single track and it is possible to connect additional tracks to enable the pot to not only look the part, but perform the journey from one end of a table to another.

Coffee, elevated

I enjoy my coffee tremendously, and the idea of making it a more formal experience is something I’m fond of. I love how this is a decorative piece but is fully functional. I can see this inside of a beautiful dining or sitting room, and becoming a great conversational piece for a gathering. This coffee maker is on display in our newly renovated Schmidlapp Gallery, and I find myself visiting it often.

Plate: Molding Pottery at Rookwood (1887 - 1898) by Kitaro Shirayamadani (American, b.1865, d.1948)Cincinnati Art Museum

Local masterpiece

This set of plates were brought into the art museum’s collection over 100 years ago in 1913. Made of porcelain, these exquisite pieces were hand painted by Kitaro Shirayamadani a Japanese ceramics painter who was employed by the Rookwood Pottery Company from 1884 to 1948. Depicted on each plate is a different step in the pottery making process at the Rookwood Pottery Company. The artist chose to use elves instead of human workers, adding a magical and whimsical touch to the factory floor. Following along the processes of modeling, decorating, and filling the kiln, you can view the entire creative process throughout the plates. Covered in a clear glaze complete with gold trim & gilt highlights these plates are both elegant and fun.

Plate: Decorating Pottery at Rookwood (1887 - 1898) by Kitaro Shirayamadani (American, b.1865, d.1948)Cincinnati Art Museum

Local masterpiece

Although every piece of art tells a story, I appreciate the ones that have a very clear narrative. Often people believe that art is subjective, serious, and full of things left to interpret.

Plate: Filling the Kiln at Rookwood (1887 - 1898) by Kitaro Shirayamadani (American, b.1865, d.1948)Cincinnati Art Museum

Local masterpiece

For me, I love how these plates are simply aesthetically pleasing as well as fun; not to be taken too seriously in respect to the artwork portrayed.

Credits: Story

Artwork selection and personal insights: Summer Cook, Administrative Assistant, Exhibitions


Cincinnati Art Museum Google Arts and Culture Team:
Summer Cook, Administrative Assistant, Exhibitions

Drew Yakscoe, Administrative Assistant for Learning and Interpretation

Keith Gollar, Digital Content Coordinator

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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